The Naked Jungle (1954) Poster

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8/10
Leiningen, A Man With Issues
bkoganbing1 December 2006
Given the fact that this is the Fifties and the Code was coming to an end, this is still a remarkably erotic film, almost Tennessee Williams like in its treatment of sexual issues.

Charlton Heston's Christopher Leiningen could have been created by Tennessee Willlams. He came to the South American jungles as a teenager and built up a plantation out of the jungle and it took him over 15 years to do it. He now decides to get himself a wife and begat some children.

Heston says so quite frankly he has pointedly refrained from indulging any lust with the native women because in his society there'a a nasty name for whites who do so. In keeping with his Tennessee Williams like character, he's from New Orleans so his attitude to darker skinned people is understandable.

He has his brother put in an advertisement for a mail order bride and Heston can't believe his luck when the drop dead gorgeous Eleanor Parker shows up on his door. She's not what you would picture a mail order bride to be. But then marital problems arise when he discovers she's a widow, used goods as the common phrase was back in the day.

Parker has a few of her own issues and that and Heston's inexperience in these matters lead to a rocky start and almost an ending. But then come the ants.

As District Commissioner William Conrad says, every generation or two something puts ants in the ants pants and up they come out of their ant hills and go on the march destroying every scrap of life before them. And man has found no way to stop them.

The ants kind of make everyone come together in a crisis. What they do is some of the most frightening stuff ever put on film.

If The Naked Jungle were made today it would be far more explicit about all the sexual problems than this version was. There might be better special effects. But you won't get better players than you will in Charlton Heston and Eleanor Parker as leads.

Unless they resurrected Tennessee Williams to write the screenplay.
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8/10
Heston Versus The Marabunta
hitchcockthelegend19 May 2012
The Naked Jungle is directed by Byron Haskin and based around the short story Leiningen Versus The Ants written by Carl Stephenson. It stars Charlton Heston, Eleanor Parker, Abraham Sofaer and William Conrad. Music is scored by Daniele Amfitheatrof and cinematography by Ernest Laszlo.

1901, South America, and mail order bride Joanna Selby (Parker) arrives at the plantation owned by her husband Christopher Leiningen. She is shocked to find life at the plantation is hardly idyllic, but not as shocked as Leiningen is when he finds out that Joanna was once married before. With his own hang ups gnawing away at him and he refusing to accept Joanna as his bride, the relationship appears to be heading nowhere. However, she's made of stern stuff, and when a swarm of soldier ants is known to be heading towards the plantation, Joanna and Chris might just find that love is actually there?

Filmed in glorious Technicolor by Laszlo and produced by George Pal (Destination Moon/The War of the Worlds/The Time Machine), The Naked Jungle seems to be a forgotten movie on the CV's of Pal and Heston. A crying shame since it's very well mounted and carries a uniqueness worthy of further delving. Perhaps it got lost in the slipstream of Them! The other Ant movie out that year? What transpires is an hour of interesting character build up, where Heston & Parker's characters take centre stage and benefit from literate writing (Philip Yordan). The sweaty backdrop of the jungle plantation keeps things on the simmer, but it's the dialect and emoting of the performers that really holds the interest. True, Heston does at times over do it with some "woe is me" acting as he looks off into the distance (he has major issues we learn), but it works because it bounces off of Parker's (a Technicolor treat for the eyes) intelligent and stoic performance.

Film then shifts to creature feature territory for the last third. Once the army of Marabunta are spied off in the distance, laying waste to everything in their path, picture has become a war involving man against nature, where if man wins? He may not only save his life, but more pertinently his soul. Heston stops the tortured emoting and sticks out is lantern jaw, squares up his shoulders and stands firm in the face of such a hostile and intelligent enemy. By his side, the wife, multi talented and brave of heart, they make quite a couple. The chemistry between the two is simmering with sexual tension, and thanks to the writing the characters are fabulously engaging and make us care about the outcome of picture. Director Haskin, too, utilises the scenery and plantation setting to frame his protagonists for maximum impact, his camera work airy and unobtrusive. While his crafting of the biblical fight against the ants is thrilling and boosted no end by marvellous effects work (John P. Fulton).

An oddity? Yes, for sure. But it's a smart and intelligent picture that successfully manages to blend the sci-fi and nature aspects with complex human characterisations. 8/10
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8/10
Wow, There Are a Lot of Ants!
Hitchcoc7 November 2001
Before Charlton Heston faced the Red Sea, the Apes, and the anti-gun folks, he was in this picture, where he takes second billing to the Marabunta (sic), army ants that want to eat his plantation. His other problem is his knockout mail order bride with whom he is having trouble communicating. With Heston at his most passionate, running the emotional ladder from A to B, it's hard to tell. Nevertheless, I saw this movie with my sister when we were about 9 or 10 and movies cost 15 cents. We would hide behind the seat in front of us each time the skeletal remains of the alcoholic guy showed up (we sat through the movie four times). The rest of the theatre shrieked. The movie is really a lot of fun. Those ants are a menace which, like the shark in Jaws, don't really have anything personal against us--they are just hungry and eating everything in their path. Heston must find a way to combat them or lose everything he has. As a teenager, one of my top ten short stories was "Leinengen Versus the Ants." This does justice to the story although I don't remember anything about the "experienced" young woman he finds himself with. I chanced upon this film on AMC one day and I was totally caught up in it. Give it a chance. It will keep you on the edge of your seat. If you're looking for a fully developed dramatic piece, forget it.
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The ants were cool!
youroldpaljim3 November 2001
THE NAKED JUNGLE is based on Carl Stephenson's story "Leiningen Vs The Ants." There was at least one excellent radio adaptation in which William Conrad (who has a supporting role in this film) played Leiningen. The first half of this screen adaptation is pretty ordinary, centering around the romantic problems of Heston and his mail order bride Ms. Parker. When the ants arrive, this film really takes off. One scene where the ants devour a drunk down to his bones must of looked pretty shocking in 1954.

This film was reviewed in a 1954 issue of The American Museum of Natural History magazine, where the reviewer, an entomologist, stated that while single ant colonies do migrate, and can wreck havoc, migrations of multiple colonies, as in this film, do not occur in real life. Phew! Thats good to know!
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6/10
A decent film and an exciting conclusion
planktonrules12 July 2007
Warning: Spoilers
The film begins with an extremely beautiful and well-coiffed Eleanor Parker going up river by boat in South America. In addition to th natives, she is escorted by William Conrad (TV's "Cannon" and radio's "Marshall Dillon"). His being cast was odd, as he really couldn't effect a decent Spanish accent plus it was unusual seeing him in a film of the era where he wasn't the "heavy", so to speak.

When Parker arrives to see the man she married sight unseen, he turns out to be a very grumpy and ill-mannered plantation owner in the middle of the Amazon (Charlton Heston). From the onset, his nasty disposition ruins any chance for them to make a go of the marriage, but beautiful Parker tries her best. Frankly, considering how gorgeous she was and how she often wore boudoir clothes, I was wondering if Heston's character was supposed to be gay--it just made sense why he was so full of hate and disdain for her.

Eventually, into this horrid new life comes "Marabunta"--an evil plague of ants who eat EVERYTHING in their path. This may seem silly to some viewers, but such attacks on all life by ants are well documented. Somehow, working through all this brings out the best in Heston and in the end, he is able to stop being such a big jerk and give Parker all the good lovin'she so desperately wants.

This movie nearly merited a 7, so overall it was a good film. The problem is that in parts it is very exciting and interesting, while in others it sags a bit--particularly because Heston's character is unnecessarily boorish and mean in the first half of the film. Still, if you can wade through this silly over-characterization, the film does improve and it better than just another time-passer. Plus, the ant invasion scenes are at times amazing to watch.
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7/10
A Man Gets Lonesome....
rmax30482318 February 2007
Warning: Spoilers
I wish I could pin down exactly what it is that makes Charlton Heston's walk so distinctive, but I guess it may not be unique. He walks like a lot of tall men -- Henry Fonda, John Wayne, Clint Eastwood. There's a certain seven-league-boots quality to their slow strides. A tall man's step bespeaks self confidence. Just the opposite of Joe Pesci, Mickey Rooney, Charlie Chaplin, and Danny DeVito, who always seem to be rushing somewhere. Come to think of it, though, Alan Ladd didn't seem to be in a big hurry. Maybe he wasn't short enough.

Okay. Now take Charlton Heston, a tall, broad-shouldered, deep-voiced kind of guy with a face hewn out of a mountainside, dress him in leather boots and riding breeches, strap a gun around his waist, accesorize his neck with a casual scarf, top him with something that looks like a cowboy hat, make him a rich and powerful plantation owner somewhere in the middle of the Amazon basin, and you've got every woman's dream.

At any rate, Eleanor Parker found it appealing enough to marry Heston's Leiningen sight unseen, as a mail-order bride who comes to his empire. I'm surprised they kept the name Leiningen from the original story because the usual tactic is to turn the hero's name into something like Steele (it was good enough for Stalin), Armstrong, Masters, or something equally suggestive and simple. Leiningen is three syllables long. One can imagine the producers wringing their hands over whether an American audience would find that congeries of alien-looking consonants and vowels too hard to chew on. "LEAN-again"??? (Vladimir Nabokov had the same problem when he tried to market his memoirs under the title, "Speak, Mnemosene.")

Well, never mind all that. The movie is divided into two parts, like the USA today. First part -- the arrival of Heston's bride and her introduction to life on the old plantation, complete with the usual staff of slaves, servants, headshrinkers, wise Jivaro elders, and whatnot. Second part -- the arrival of the irresistible army ants ("maribunta" -- always spoken in a voice hushed and saturated with awe).

The first part is hilarious and the second part is thrilling. Overall it's a very diverting film.

The dialog between Heston and Parker will induce spasms of laughter. Heston is disappointed -- no, MORE than disappointed -- to find that Parker has been married before, and you know what that means! "The piano is a little out of tune," Parker comments after playing some Chopin. "That piano is brand new. I only have things shipped to me that are new. The piano has never been USED before." Angrily, Parker repostes that obviously he doesn't know much about music because if he did he'd know that a piano is BETTER after it's been PLAYED BEFORE.

Heston doesn't have a smart reply for that. Who could? But as they're sitting silently at the table after dinner, a cockatoo on a perch squawks, Heston turns a sullen face to the bird and says, "Shuddup." Heston here is a self-made man who worships his creator. Similar gems crop up in Heston's other 1954 jungle movie, "Secrets of the Incas." Both films share a screenwriter, Ranald MacDougal, who must have laughed himself into a fit. It's helped because Heston plays it perfectly straight, as he does everything. I doubt that in "Ben Hur" he realized that he and Massala had been lovers when they were boys.

Not to neglect Part Two, in which Heston decides to stick around and defend his property and Parker stays by his side, but the limits of available space are being nibbled away, so to speak. He uses all sorts of weapons -- fire and water -- but the ants are an unstoppable tide, cutting a swath through the jungle and his plantation is in their way. He escapes with his life but it's a close call, I'll tell you. Whew. En fin, he may lose his colossal empire but he gains a loving wife. We all pray that she continues to love him after she finds out what it's like to be living in the middle of the jungle with some guy who is still tall but newly broke .

You miss this one at your own expense. It's really enjoyable.
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6/10
Enjoyably unsubtle, hot-headed saga with Heston perfectly cast...
moonspinner5517 November 2007
George Pal was the ideal producer for a melodrama set in the South American jungles, wherein 20 miles of soldier ants overtake the villages and plantations. Also a perfect fit, Charlton Heston is right at home playing the stubborn, consistently-irritated coffee plantation owner who takes on the ants--and his mail-order bride, a New Orleans widow with a temper of her own! Colorful nonsense has some sloppy editing and dubbing, but plenty of florid dramatics and a tense final reel. As the "proxy bride", Eleanor Parker uses her cool-fire beauty and glinting eyes to good effect; her character (as written) is thinly-conceived, yet Parker's solid acting helps fill in the blanks and we understand a great deal more about this perplexing woman simply from the performance alone. Heston looks good with Parker on-screen, though happy, hairy-chested government official William Conrad looks like he might want to scoop Eleanor up at any moment (and he's so congenial, she may not mind!). The film might have benefited from a longer running-time (this scenario seems condensed, though not distilled), and as a result the love story is rushed along, yet it's a fast-paced, atmospheric, faux-exotic piece of Hollywood escapism, and quite enjoyable. *** from ****
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7/10
The Ants Go Marching Two By Two. Hurrah! Hurrah!
strong-122-47888516 September 2013
With a teaming horde of about a billion and one pesky, killer ants cast as extras in The Naked Jungle, how could the viewer not be satisfactorily impressed and entertained by this South American Adventure/Romance/Drama from 1954?

And when you factor into all of the "biting" action that took place throughout this sweaty, jungle picture two of Hollywood's hottest actors-of-the-day (Yep. That's the studly Charlton Heston and the gorgeous ELeanor Parker whom I'm talking about here) - How could The Naked Jungle not thrill the viewer to pieces?

When these 2 darlings of the silver-screen go for each others throats in their made-to-order, on-screen, love/hate affair of marriage it was enough to leave one gasping to catch their breath with the only desire to be witness to more.

Needless to say, I was, more often than not, very pleasantly surprised and thoroughly entertained by The Naked Jungle.

I had anticipated this picture to be a typical "boy-meets-girl" Hollywood crap movie - But, on top of the bonus of the zillion flesh-eating ants, it was the torrid, venomous relationship that initially transpired between the hunky but lonely plantation owner, Christopher and his ravishing and refined mail-order bride, Joanna that had a really delicious bite to it. This vicious rapport between Christopher and Joanna went completely beyond what was expected - And, with that, it was greatly appreciated from the perspective of this satisfied onlooker.

Filmed in the lushest Technicolor, this 95-minute romp (and stomp) through a vast paradise of a South American jungle may have had its flaws and it may have been riddled with cliché - But, this more-than-pleased viewer honestly cannot think of any real significant complaints worth beefing about at this point in this review.
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8/10
Marabunta! - when ants come, the monkeys run!
Bogmeister11 May 2006
An old style Hollywood adventure taking place in the Amazon jungles circa year 1901, this is a favorite of mine from TV showings dating back 30 years ago. A portion of the jungles have been tamed by Heston's character as the story begins; he's carved out his own little kingdom with sweat and blood, with the help of local natives, and now his new wife (Parker), married by proxy, arrives. This is one of Heston's better characters: he's well-suited to play this proud, often arrogant male, driven to build a personal empire to perhaps compensate for the inherent failings of such men. His main weakness is he knows nothing about women, and Parker, almost regal in her bearing, represents a kind of strength and sophistication he is obviously not accustomed to. Their meeting and slowly building towards a mutual respect after a very rough beginning is in itself an interesting story, but this exotic adventure throws in a spectacular menace to add suspense to the whole thing. The jungle, as it turns out, allows Heston only 15 years of conquest before fighting back in 'nature-gone-amok' style similar to all the future eco-terror pictures of the later seventies.

By now, everyone knows that this menace is the soldier ant, or 'marabunta' as it's mysteriously referred to in the middle of the story. I think even audiences who saw this back in '54 were probably aware of what the threat was beforehand, as well. But it's not revealed during the film until after several ominous yet uninformative references by the main characters. It comes across as some huge monstrous threat - which indeed it is - billions upon billions of these ants merge together to form a monster 20 miles long and 2 miles wide. As the local commissioner (Conrad) states, with quavering voice, these ants actually think, in military fashion. Nothing stands in its way and we mean nothing. But, of course, if anyone is going to give it the all-American try, it's Heston (yes, he's a character who grew up in South America, but he's strictly the U.S.of A breed - the rugged individual). This builds towards a literal war between Heston's resources and the invading army of ants, and it's a grand finale. It's interesting that this came out about the same time as "Them," a sci-fi tale about giant ants. But the ants here are real - this may make them all the more terrifying. See also "Phase IV," twenty years later, for a different take on even more intelligent ants.
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7/10
Spectacular adventure movie in which legions of army ants strike a cocoa plantation owned by Charlton Heston
ma-cortes16 September 2013
It is 1901 , a young Christopher Leiningen (stoned-face Charlon Heston) came to South America and built levees to claim thousands of acres of Rio Negro river land for a cocoa plantation . Now 34, with no knowledge of women , stubborn as well as athletic Christopher recruits a mail-order bride (Eleanor Parker) in New Orleans . She's cult , intelligent as well as gorgeous and arrives ready to be his stalwart helpmate ; however, no one has told him she's a widow . Then , the Leiningen South American chocolate plantation is threatened by a 2-mile-wide, 20-mile-long column of army ants . He feared only two things on earth...the Marabunta...Nature's deadliest force, and his fiery New Orleans bride .

This is an exciting adventure movie filled with thrills , emotion , action , lush outdoors and a marvelous love story . This thrilling picture belongs to catastrophe genre that some years later would achieve splendor . Interesting screenplay by Philip Yordan , Ranald MacDougall and Ben Maddow who had anonymously written , though uncredited , as he had been blacklisted in McCarthy time . Intelligent plot plenty of enjoyable dialogue in double sense language in which raises a battle of sexes with metaphoric phrases just like Eleanor Parker says : ¨It isn't nearly as hot here as I thought it would be¨band Heston answers : ¨This is winter¨. Based on a tale by Carl Stephensen titled ¨Leinengen vs the ants¨ original story upon which this movie was based ; in fact , William Conrad, who plays the commissioner in this movie, played the lead role of Leiningen in the 1948 radio play . Splendid acting by protagonist duo , as Charlton Heston as a tough , stubborn man , he improvised during the argument scene among them , it was not scripted that he splash perfume all over her , this move intensified the action and , of course , the wonderful Eleanor Parker as a cerebral , independent as well as beautiful woman . Agreeable support cast formed by notorious secondaries such as : Abraham Sofaer as Incacha , William Conrad , Douglas Fowley as Medicine Man and John Dierkes as Gruber . Very good production design from Hal Pereira and Franz Bachelin , stock footage of this movie was used in MacGyver: Trumbo's World, in which MacGyver and a plantation owner fight an army of ants . Excellent FX including impressive scenes about ants invasion , they have been made by George Pal , John P Fulton , and process photography by Farciot Edouart and the same director Byron Haskin.

Colorful and glowing cinematography by Ernest Laszlo , the scenes where the bridges were dynamited was filmed in Florahome, Florida , a local resident died when he was thrown from his horse, which had been spooked during the explosion. Original as well evocative music score by Daniele Amfitheatrof . The motion picture was well directed by Byron Haskin , supported by second unit realized by Arthur Rosson . The film will appeal to Charlton Heston fans . Rating : Better than average .
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2/10
Poor Excuse For An "Adventure' Film
ccthemovieman-14 November 2006
Man, this was a disappointment in that it was not the action film I thought it was going to be. If you read some reviews and look at the DVD cover, you will be misled. It was more of soap opera than a man's action film.

The only action was at the end of the movie. It was good, and the special-effects were very good considering when this was made. However, for an hour, this was nothing but a mostly-crabby husband being inhospitable to his mail-order bride, after she arrives in South America from the United States. What made that hard to fathom is that any guy who saw that he got someone who looked like Eleanor Parker - and was a sweet woman, to boot - and was unhappy, had to be crazy! Parker was a classic beauty with an hourglass figure. She was the best thing - the only good thing - about this soaper, er, action movie.
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8/10
Domestic strife and soldier ants
NewEnglandPat1 April 2003
This fine drama is as much about unhappy newlyweds as it is about savage soldier ants that threaten a South American plantation. The killer ants cover a wide area, sweep everything before them and naturally are headed straight for Leiningen's cocoa plantation. The dislike between bride and groom nearly upstages the approaching army of ants. Eleanor Parker and Charlton Heston make a handsome couple but she seems to be everything he is not. Parker is confident, poised and self-assured while Heston is insecure, inadequate and out of his depth in her company. Perhaps this explains why he spends so much time trying to diminish her. The film leans heavily on the verbal sparring between Parker and Heston while building tension for the showdown with Marabunta. William Conrad is good in an early role as a jungle commissioner.
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7/10
See this for Eleanor Parker in Technicolor - the ants are just a bonus
gridoon20248 January 2020
Warning: Spoilers
If you go into "The Naked Jungle" expecting just a killer-ants film, you'll probably be disappointed; the word "ant" is not even mentioned until halfway through the film, and an ant is not seen until the last 20 minutes or so. But do not despair! Beautiful Technicolor, exotic locales, campy dramatics (especially when Heston equates a previously married woman to a used piano (!) and, later, sprays perfume all over her), and a hot (by any era's standards) Eleanor Parker (the scene where she invites Heston to rub her is undeniably erotically charged) in a surprisingly progressive female portrait, carry the movie for the most part; the killer ants are just a bonus. Although the film never really succeeds in making the ants scary, the scenes of their "swarming" in billions, as well as the scenes of flooding at the end, are quite impressive. *** out of 4.
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3/10
The ants come off best 'cause all they do is buzz.
mark.waltz26 August 2013
Warning: Spoilers
I just want to know why if Charlton Heston could lead millions of Hebrew slaves out of Egypt, why couldn't he rid the Amazon of a billion singing and thinking ants. He spends the first half brooding over his mail order bride Eleanor Parker and a few minutes declaring his love for her before he prepares to turn over his plantation to the marching bugs. Parker adds another unintentional camp classic to her credits, given such unforgettable dialog as "If you knew more about music, you'd realize that a piano is only good when it is played. This is not a good piano."

Of course, simply reading that line doesn't have the same effect as hearing it with her over the top delivery, reciting it as if it had come from the pen of Ernest Hemmingway. Parker, at least, has the good sense to play it for melodrama or like a Maria Montez movie. Heston rips into his ridiculous part as if he thought he was playing Othello.

At least they had the sense to film this in very garish Technicolor with some lively special effects including a realistic looking flood. The invasion of the ants is pretty frightening as they make meals out of a few of the natives. I don't know how today's cynical youth would take to something like this, but the mentality does seem to be intended for pre-teenaged boys.
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Leiningen Versus The Ants!!
bpodoff-126 December 2001
The movie The Naked Jungle was magnificent!! It was extremely

enthralling!! The title "Leiningen versus the ants" was the original story!! It was first broadcast on radio probably in the 1940's maybe even earlier!! The radio show was even better than the movie if that is possible!! The suspense, the intrigue, you bit your nails down to your knuckles!! The radio show was fabulous!! That's why they re-broadcast it over and over again every year or every two years. I listened to it many times!! The movie of course gives a different perspective!! You can actually see The RED ARMY ANTS, or RED ANTS, or ARMY ANTS frighteningly live which of course you couldn't do on radio!! These ants do exist and they are dangerous!! But also let us not forget that this movie is a great love story!! Here we have Charlton Heston, a real hunk!! A strapping six foot four very handsome, very physical male!! Then we have his love interest, Eleanor Parker a ravishing, redheaded beauty, with a fantastic body and figure!! A man and a woman in their prime eventually attracted to each other and falling in love at the end!! What more can you ask for in a movie! RED ANTS and A RAVISHING RED HEAD. That's why this was a great movie in it's time and still is today in my opinion!!
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7/10
"Them!" meets "Gone With the Wind"
Chase_Witherspoon24 May 2011
Odd fusion of melodrama, tropical adventure and gigantic ants on the warpath has the flawless red-head Eleanor Parker brought to a remote South American plantation in an attempt to coax its virile yet painfully distant owner (Heston) out of his self imposed isolation and chastity. Parker tries hard, but Heston it seems has no compass for women, as he awkwardly insults and humiliates her with his brooding ignorance. But just as Parker packs up to leave, an army of "marabunta" (giant, marauding ants) converges on the plantation consuming all in its path. Heston must put aside his frigidity to save the woman for whom he's secretly enamoured, but too stubborn to admit.

William Conrad is well cast as Heston's only friend and connection to the outside world, frustrated by his reluctance to accept Parker, partly because she is a divorcée. Imposing John Dierkes also has a small but memorable supporting role as an opposing land owner with callous indifference for the welfare of his employees - a point with which Heston takes issue.

Although Heston is a bit wooden (to some extent defined by his character), Parker is given commanding dialogue and status considering the emphasis on her 'place' in the hierarchy. She has some sharp retorts to match Heston's chauvinism, and even manages to emasculate his ego on one occasion. While the pure action of gigantic killer ants obviously attracts most of the attention, director Haskin shows he can handle characters and drama effectively. If you were expecting a "Them!" type movie, you may be disappointed, but if you're open to idea of a southern-style romantic drama with giant ants as a side-dish, then you should be entertained.
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6/10
That Enticing Adjective
JamesHitchcock16 May 2014
Although in the fifties the Production Code forbade actual nudity in the movies, there was no rule forbidding suggestive titles which promised more than they could deliver. Doubtless many young men were persuaded to see "The Naked Jungle" by that enticing adjective, only to be disappointed when they discovered that everyone in the film- including the beautiful Eleanor Parker- remains fully dressed throughout.

The story is set in an unspecified part of South America in 1901. (Probably the Amazon jungle of Brazil, although a reference to the Southern Hemisphere winter might suggest somewhere more temperate and further south). A young woman named Joanna arrives from New Orleans at a cocoa plantation to meet her new husband Christopher Leiningen, the owner of the plantation. (The two have never met but have already married by proxy).

Although "The Naked Jungle" is a serious film rather than a comedy, it makes use on of a plot device beloved of all scriptwriters of romantic comedies, that of the couple who take an initial dislike to one another but who later learn to love one another. Joanna discovers that Leiningen is a cold and unemotional man who lives only for his plantation. He discovers that she has been married before, being widowed when her first husband died not long after their marriage. Like Angel Clare in Hardy's "Tess of the D'Urbervilles", Leiningen cannot accept that he is not the first man in his wife's life, especially as he, unlike Angel, has remained a virgin before his marriage. (We learn that he moved to South America when he was only nineteen and it is implied that he has refused to sleep with the local women out of racial pride; like Joanna, he is a native of New Orleans). The film also implies that Leiningen is considerably older than Joanna; in reality Parker was a year older than Charlton Heston. Heston, in other respects a versatile actor, was never very convincing as a passionate lover, even though in real life he had one of Hollywood's longest-lasting and most stable marriages, so the role of Leiningen was well-suited to him.

What saves the relationship between this unlikely couple is a natural disaster. As Joanna awaits the arrival of the boat which will take her back to the United States, Leiningen learns that his plantation is menaced by a vast horde of army ants. In this film, if not in real life, these ants are the most voracious predators imaginable, destroying quite literally all living things, whether plants or animals, which lie in their path. They have already devastated an area of some forty square miles and have killed one of Leiningen's neighbours. He, however, resolves not to flee but to try and fight back against them in an attempt to save what he has worked so hard to build up. Joanna, admiring his courage, decides to stay with him.

Byron Haskin will probably never be ranked as a great auteur director, but he made some decent films during the fifties and sixties, of which the 1953 version of "The War of the Worlds", also produced by George Pal, is perhaps the best-known today. Before becoming a director, Haskin was a special effects artist, and a number of his films, including this one, make use of pioneering effects. The scenes of the ant army on the march could doubtless be done in much more spectacular fashion today, but the ones shown here are respectable enough by the standards of the fifties. "The Naked Jungle" may not contain much nakedness, but it remains watchable today. 6/10
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6/10
Love... or Ants?
gavin694219 April 2017
The Leiningen South American cocoa plantation is threatened by a 2-mile-wide, 20-mile-long column of army ants.

So, this is a strange juxtaposition. For the first half of the film, it seems to be about a man who refuses to accept his mail-order bride. So we think this is going to be a story where thy either learn to love each other or not. Charlton Heston is not particularly likable in this first half, as he is sent a beautiful woman who is ready to be his assistant and he is not the least bit thankful.

Then it switches to the plot described above. And it is interesting because his is really a drama. Maybe a touch of adventure, just because it's in the jungle. But this could easily have been a "creature feature" and it never goes in that direction. Somehow it avoids being a genre film even with such material.
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7/10
"In the jungle, man's just another animal."
classicsoncall15 January 2013
Warning: Spoilers
Replace a huge, thundering herd of elephants with forty square miles of ravenous red soldier ants, and you've got Charlton Heston's answer to another 1954 Technicolor flick, "Elephant Walk". The similarities in story line are remarkably consistent - they both take place in a remote jungle, the owner built the place from scratch, a lovely young woman arrives on scene to take her place next to a rugged newlywed husband, and the story ends in an epic battle against nature in which the odds are stacked against the humans. I guess Paramount figured if they could make it work once, they could do it again. And only a month apart!

You have to admit though, Heston's character is way too much of a jerk for most of the picture. After fifteen years in the jungle, you would think he'd be a little more appreciative when someone like Eleanor Parker shows up. Comparing her to a piano that's been played before when he finds out Joanna was once married is about as crude a remark you could come up with and not get slapped silly.

But then there's the Marabunta! Did you get a load of the look on Heston's face and the way the music trembled when the Commissioner said marabunta? Definitely ominous. If made today, I'm sure there would be no problem coming up with a CGI concoction featuring billions of ants, but for 1954 this seemed pretty impressive. And speaking of the commissioner, it took me a while to figure out that was William Conrad when he was only about half the size of his future TV creation Cannon. Just another reason why I love watching these old flicks.

Interestingly, this picture is almost too colorful for the kind of story that gets played out here. Everything is so green and lush, and Parker's wardrobe makes her look stunning in every scene. Even the ants look good, which is saying something, because their mutant cousins in the same year's "Them" had to make do in glorious black and white.
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9/10
Which red menace is scarier to Leiningen?
billellis13 March 2006
Now that I've seen this film in its original glorious color -- It's NOT a science fiction B movie at all, but a very good tale of a male/female battle of wills superseded by a battle between humans and nature. The human threat is redheaded, and the ants - the threat from nature - are red. Red Scare, anyone? Eleanor Parker is accomplished, elegant, and ravishing. (Perhaps it strains credibility that anyone would have the luck to send off for a 'mail order' bride and get HER.) Heston looks good too. His acting must have improved later with the help of William Wyler: he and Parker were only 2 years apart in age, but he comes across as a greenhorn by comparison. But he's as magnetic as ever and the direction and script are top drawer. It's also a pleasure to look at the mores of the 1900s through the filter of 50s Hollywood.
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6/10
Charlton Heston vs. the ARMY ANTS in this well made adventure for its time.
gitrich26 October 1998
How do you stop billions of army ants if they are headed right for your plantation? Well, for one thing, you need someone who can put up a good fight and who better than Charlton Heston. It's hot and humid and downright miserable but Heston and co-star Elenor Parker insist on dressing up to the hilt in many scenes in their "Sunday go to meetin'" clothes. The special effects were creative for 1954 which added some realism to the film. Look for a young William Conrad who plays a friend trying to convince them to leave unsuccessfully. Rent it when you can. If you don't know the ending, it will be a lot more interesting.
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4/10
Naked Jungle-Strangers in the Day and Night **
edwagreen19 February 2009
Warning: Spoilers
Routine film of the jungle with Eleanor Parker, for a change was not over-acting and a dashing Charlton Heston who seems to have lost his mind in this 1954 film.

Marrying Heston by Proxy in Louisiana, Parker seems to get much more than what she bargained for when she meets her new husband- Christopher Leiningen. Heston plays this nut-case as an emotionally unbalanced, bitter man who evidently wanted a house maid rather than a wife. He is nasty and his constant reference to her as "Madame" becomes irritating as the film goes on.

Naturally, it has to take a crisis for Chris to calm down and appreciate this woman of his. Parker proves her mettle by her courageousness as the killer ants approach.

The film is quite obvious. We know they will persevere and find true love in the end.

Wasn't this movie based on the book Leiningen and the Ants?
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9/10
It couldn't be made today - so let's be thankful it was made when it was
Spleen31 July 1999
You don't hear the word `jungle' much these days ... Somehow, `The Naked Rainforest' doesn't do it for me. Say `the naked jungle' softly to yourself, and the images that come to mind will give you a good idea of what to expect. No, sadly you won't see the naked Eleanor Parker - this is 1954. But there IS a particularly erotic scene, all things considered...

Okay, maybe a trillion omnivorous ants weren't what you expected, either. Consider them a bonus. This is the story of a mail-order bride and a wealthy plantation owner (the sort of character likely to be played by Charlton Heston) who come to fall in love with each other partly because of savage external forces (ants), and partly, to be honest, because there's not much else to do in the middle of the jungle. The extended coda in which they must fight tooth and nail to save the plantation from ruin is thus not tacked on to the romance, but an integral part of it. And it's exciting even if you don't give a fig for the love story.
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7/10
Husband and mail order bride
ksf-27 August 2017
Warning: Spoilers
SPOILERS *** Sooooo similar to Elephant Walk. This one is in South America, based in 1901, and the wife is a mail order bride. In Elephant Walk, it's Ceylon, and the wife had actually already known the husband before she moved to the plantation. But... the story lines are pretty much the same... wife moves very far away to be with hubby, and some natural, terrible phenomenon(s) test their marriage and their love. Both from Paramount, too. Here, Christopher (Charlton Heston) has sent for Joanna (Eleanor Parker). Christopher is loud and domineering, while Joanna is calm, gentle, and soft. Clearly, they will clash right from the start. It's quite entertaining.... kind of a battle for control. Directed by Byron Haskin, whose specially seems to have been films about far away places. According to wikipedia, this one is based on a story by Austrian Carl Stephenson. This seems to be the only story of his turned into film. And apparently he was frequently mistaken for the historian of the same name. Shows on Turner Classic. Quite good.
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5/10
Not so Good
ml23484 March 2007
Well - I tried to give it my best advice - but - secretly - I was rooting for the ants - they seem to be the only ones who knew what they were doing. This movie was first viewed in the 1950's - we were still in grade school. My classmates seem to like it - but - I took a little more critical look at it - because - anyone willing to take on all those ants has got to be crazy - and - just for the record - most people encountering these ants, actually welcome them - because - these ants "clean out" the villages of bugs, rats, vermin, roaches, residue etc. So - why they stood to fight was a modern mystery to me. So - by driving away the ants - our "hero" Heston managed to keep all the bugs & rats to himself. The most RIDICULOUS line came when he says he "gave something back" to the jungle - like what - like throwing people out of work. Dismantling his plantation - now - how are the people going to make a living - not much of a living - but, at least the plantation kept them employed. So - he "gave back" unemployment - totally ridiculous story line - they could have done much better - I could have done much better. ml2348@att.com
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