User Reviews

This time, we get to see what presumably befalls Sylvester every time that he fails to catch Tweety. After the slobbery cat plummets to his death and his ghost goes to Hell, the Devil (in the form of a bulldog) encourages the rest of his now eight lives to continue chasing Tweety. Guess what happens each time!

"Satan's Waiting'" was certainly a much grimmer version of this series than I've usually seen (the perfect one for Halloween). I wonder whether or not religious fundamentalists lashed out at this cartoon for making light of the Devil. Then again, religious fundamentalists probably don't watch the Looney Tunes to begin with. The end reminded me a little bit of the "Twilight Zone" episode about the bookworm who gets all the necessary to read...with a twist.

Worth seeing.

Very entertaining Sylvester & Tweety short. The story has Sylvester once again trying to catch Tweety but this time he dies in the attempt. He goes to Hell, where he discovers Satan is a bulldog. Sylvester has to wait as each of his remaining eight lives (cats have nine, remember) show up in Hell. Back on Earth, Sylvester wakes up and continues his pursuit of Tweety, leading to many more deaths until he has one life left. What happens next is pretty funny. This is one of my favorite Sylvester shorts. It's inventive and clever with wonderful music and beautiful, crisp animation. Love the opening with Sylvester chasing Tweety along the power lines. All of the Hell stuff is colorful and creative. Mel Blanc is terrific as usual.

The premise for Satan's Waiting' is a great one, and one of the most unique for a Sylvester and Tweety cartoon. On the most part, Satan's Waiting' is very good and executes this premise remarkably well. One thing did stop it from being even better and that was the ending, the cartoon just to me ended suddenly with no real payoff. The animation is excellent though, very characteristic of 1950s Fritz Freleng. The whole cartoon is very crisply designed, the colours are bright making the imagery in Hell quite vivid- but the depiction of Hell shouldn't scare kids too much- and everything looks smoothly drawn. As always, Carl Stalling's music score is very sumptuously orchestrated and rhythmically lively with clever use of sound effects, enhancing the action in a way that few other "cartoon short" composers did better. The dialogue is constantly amusing and never really less than that but the gags make the bigger impression, they're not rushed or drawn out and most importantly they're funny. Highlights do have to be Sylvester's death scenes, which are remarkably inventive and done in a hilarious but tasteful way. Tweety does just fine and the supporting characters entertain and serve a point but Sylvester is the standout character here, he's always been interesting as well as the funnier character of the duo and here is no exception. The Sylvester and Tweety cartoons does a great job also making Sylvester easy to sympathise with, and I did feel sorry for Sylvester, more so than most Sylvester and Tweety cartoons. Mel Blanc was always consistent as a voice actor, giving multiple characters a different personality for each, and he sure doesn't disappoint here. All in all, great premise, very well executed though more could have been done with the ending. 9/10 Bethany Cox