Opernball (1956) Poster

(1956)

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6/10
A Rediscovered Confection
cruiseabout19 February 2001
Ernst Marischka's film was one of the first Austrian features shot in colour, and assembles some of the most renowned actors of the time. Last seen in cinemas in 1957, the feature was presumed lost for almost 40 years, until a misplaced negative was discovered at the Austrian Film Archives. After electronic enhancement of the picture quality and soundtrack, television viewers were able to see Opera Ball in all it's original visual and musical splendour in 1998.

Opera Ball is a delightful throwback to the gaudy over-embellished European musicals of the era, lavishly costumed and produced, and bursting with favourite musical themes of former times. The story, concerning the supposed infidelities of three couples, is a little corny and old-hat, but the exuberance and attractiveness of the enthusiastic young cast, some funny moments from a handful of old timers, the lavish settings and lilting music, and above all the stunning Agfacolor photography (which puts most modern colour processes to shame) combine to create a most pleasant entertainment.
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7/10
Lavish, hugely entertaining and charming
TheLittleSongbird2 August 2016
Richard Heuberger's 'Der Opernball' is not quite one of the greatest operettas like 'Die Fledermaus' and 'Die Lustige Witwe', containing a corny and old-fashioned story where one really has to suspend disbelief in places.

However, it has a lot of enjoyment and charm, with comedy that genuinely entertains, has charming characters and while there are slightly more memorable operetta scores the music is beautiful and tuneful, the most famous being "Im Chambre Séparée" (colloquial for "Komm Mit Mir Ins Chambre Séparée").

This 1956 film of 'Opernball' (a colour remake of the also enjoyable 1939 film in black and white) does a good job maintaining the fun and charm. The comedy really does sparkle, and the storytelling is elaborate and snappily paced with plenty of parts to make one laugh and go ah. It does start off a little slow and it doesn't do enough to make a couple of the antics less corny and suspension of disbelief is very much needed for when the women are disguised.

'Opernball' is stunningly filmed in colour, with sumptuously elegant costumes and sets, while the music is still beautiful and tuneful and performed with liveliness and attractive tone. It's solidly directed too, and boasts fun and truly exuberant performances from the whole cast, from the young leads to the returning show-stealing antics of Hans Moser and Theo Lingen.

In conclusion, enjoyable and charming. Worth tracking down, both the 1939 and 1956 films as of now can be found in full on Youtube. 7/10 Bethany Cox
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10/10
Colorful remake
cynthiahost29 August 2014
Warning: Spoilers
This is the remake of the 1941 German classic,The only difference that it was shot in a.g.f.a color showing the art direction and it;s costumes to its best.Hans Moser is the remake and portrays the head waiter at the Opernball.Theo again plays the butler,The other differences that it has song numbers.About the story Hertha and Sonja want to test their husband fidelity,when they go to the Opernball.They both agree to write a letter claiming to be mysterious women ,who wan to meet then at the ball,their husband played by Johannes Heesters and Joseph Mienrad.They tell the both men that they will be wearing pink dresses.Johannes finds out that Hertha is going to be one of those women.He teaches Hertha lesson by getting the maid ,played by Doris Kreysler to dress up in the same pink out fit and in the ball switch Hertha place with Keysler for Meinradand Jopie with Hertha.Jopie ask his girl friend played by Francis Martin, to meet with his friend at the Opernball,played by Rudolph Vogel,who wants to get away from his bossy diet demanding wife played by Fita Benkhoff,who would not let him go to the ball.But it gets all screwed up at the ball.in the private rooms it turn out that Doris ends up with Johannes and Hertha ends up with Joseph accidentally .This angers Johannes.Sonja thinks Meinrad is making out with Hertha,so, she gets revenge by flirting with young new composer played by Adrian Hoven.Theo and Hans have to search for Rudolph before his wife find out where he was.His wife finds out and tries to look for him and sees Sonja is deciding to go further with Adrian for revenge.Fita stops her and takes her place both her and Adrian get drunk.Eventually this is straightened out. One would of thought that this would have been shot in cinema scope and Technicolor ans stereo,since it was available in Germany,but,having to still pay world war 1 dept and rebuilding Germany No bank would give studios big loans.This is my guess.The end of it advertise it as being restored .08/29/14
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