User Reviews

This is an above-average outing for Alan Ladd, who had a very uneven career, but the real value is in the superb cast of supporting character actors, including Lloyd Nolan, Paul Fix, Chill Wills and Royal Dano, among others.

"Santiago" is set in Cuba just before the Spanish-American War. Ladd and Nolan are competing gunrunners trying to sell weapons to the Cuban revolutionaries. Neither are saints, but whereas Nolan is the obviously villainous type, Ladd is the Good Man with a Stain in his background, just waiting to be rescued from the wrong path. His guide is the beautiful rebel Rossana Podesta, who is fiery, noble and breathes deeply on cue. Wills, Fix and the rest of the very competent supporting cast play their roles well. There is one surprise in the ending but otherwise it's predictable.

It's a competent studio production for the period, with enough detail to make it credible. It's not a great movie, but it is good entertainment, with a beautiful girl, a Cause and a Moral...what more could you ask for in 1956!

Santiago was one of those routine action adventure programmers that Alan Ladd's agent Sue Carol insisted on casting him instead of letting him gradually transition to character roles. But when you're married to the agent and as agreeable a fellow as Ladd apparently was during his life you can't turn your agent down so easily.

This is one of the few American made films that deals with the Cuban rebellion as opposed to the Spanish-American War, not that there are that many that deal with it. The setting is Cuba in 1895 and the island which did not choose to participate in the general revolt against colonial Spain is finally getting tired of being a colony.

The plot concerns two American gun runners, Alan Ladd and Lloyd Nolan who hate each other both looking to sell guns to the Cuban rebels for cash on the barrel-head. To collect they have to go to Cuba with the delivery.

Along for the ride is Rosanna Podesta who is a Cuban patriot and both men are interested in her, Nolan quite cynical and open about it. It all doesn't make for a pleasant voyage to Cuba aboard Captain Chill Wills's old Mississippi steamboat used for transportation.

When they're on Lloyd Nolan and Chill Wills dominate the film. Nolan who never gave a bad performance on the big or small screen is a really thoroughly rotten human being. Ladd and he have quite a bit of history between them and Ladd has excellent reason to hate his guts.

No player on the planet was ever safe from Chill Wills's scene stealing antics especially as he got older and honed that particular aspect of his craft to perfection. Wills understudied Humphrey Bogart from The African Queen on how to pilot this drunken riverboat captain through the film. In a better film the Academy might have noticed this character.

Lots of action comes hard and fast in Santiago. The film is nicely paced and should appeal to fans of that genre and of the players involved.

Even as a 9-year old in 1956, looking up at the screen in a suburban Sydney theatre on a Saturday afternoon, I knew "Santiago" was lacklustre.

Set during the 1898 Cuban revolution against Spain, enemies and gunrunners Cash Adams (Alan Ladd) and Clay Pike (Lloyd Nolan) join forces to ship guns to the rebels. However "Santiago" had the same predictable formula of many an Alan Ladd film at the time. Although they opened with an action sequence, they soon settled into an interminable gabfest while Ladd's character (usually embittered by something) sorted out the romantic situation with the girl in the movie - Rosanna Podestà in this case.

Rosanna had just launched a thousand ships as Helen in "Helen of Troy" (still a favourite). Apparently she couldn't speak English and learned her lines by rote for that movie. In "Santiago" she may have been dubbed; her voice has a rather detached quality.

The novel element in "Santiago" is that the guns are being taken to Cuba on a Mississippi paddle steamer captained by 'Sidewheel' Jones (Chill Wills). In those days, Alan Ladd and Chill Wills were actors I knew better than Laurence Olivier or Marlon Brando.

It didn't take a particularly demanding critic to see that the interiors and much else in "Santiago" were filmed in a flat, artless manner, more or less matching the story.

The movie came to life a little at the end with a shootout between Cash and Clay Pike (who homages Burt Lancaster's death scene in the much better "Vera Cruz").

Incidentally, the Spanish soldiers in "Santiago" are cast in pretty much the same role as the stormtroopers in "Star Wars"; cannon fodder for Cash, Clay and Co. They get taken down so easily by flying knives and bullets that they hardly project any sense of menace at all.

At those Saturday afternoon matinees, I caught Alan Ladd at the tail end of his career. Now I can appreciate his work more objectively. Good as he was in "This Gun for Hire" and "Shane" he was just about perfect in "The Great Gatsby". It seems he was a nice guy and loyal. Decades later, his movies always remind me of those much-anticipated afternoons at the 'pictures' even if expectations weren't always met.

Alan Ladd plays Cash Adams, an ex-West Point officer who was dishonorably discharged from the military. Now he's a gun runner selling weapons to the highest bidder. He arrives in Tampa to sell guns to Cubans, who are fighting Spanish oppressors. Right away he's thrown a curve when he is told he must deliver the weapons to Cuba before he is paid. It is a switch of plans but he agrees but for double the original price. He delivers the cargo to large paddle boat operated by Captain Jones (Chill Wills). There, he is surprise to see Clay Pike (Lloyd Nolan), an old nemesis who is also selling weapons to Cuba.

Adams tells anyone who will listen that he is only interested in money. The viewer suspects that Adams doesn't quite believe that himself. On the boat, we meet Dona Isabella (Rossana Podesta), a Cuban patriot, who has been collecting funds in America. It becomes apparent that the rivalry Pike and Adams runs very deep and the two men seem to hate each other.

The boat arrives in Cuba, but there is another change of plan. The Spanish now control the roads. So the weapons will have to be transported through the heavy bush and jungle.There are a couple of close shaves but the group eventually manage to deliver the weapons to the specified destination. Adams learns that the Cubans were attacked by the Spanish and have gone into hiding. Pike has had too many changes to the plan and too many scrapes with death. He decides right then and there that they will forget the delivery and sell the weapons to the Spanish. Adams disagrees with his proposal.

Now the long running battle between the two men will come to a close. The fight to the death that both men had envisioned is about to take place. If Pike wins, the weapons will be sold to the Spanish. If Adams wins, they continue on in their journey to deliver the weapons. It's a solid little adventure film. The two leads, Nolan and Ladd, run the show and deliver as one would expect. Some reviewers really seem to dislike the film. It's no masterpiece, but a typical 50's adventure film, aimed at the youngsters.

I admit that this film is far from great, but it is entertaining enough to get you through a rainy night. Alan Ladd has good on screen chemistry with Lloyd Nolan and the two off screen friends play well off each other. Again, they are not Redford and Newman, but they both give a decent enough performance. So, if you are a fan of Alan Ladd, you will find this easily forgetful film decent entertainment. If not, you haven't lost much.

The problem is that the heroes are supposedly fighting for the Cuban cause (against the Spanish invaders) but Cuba fell into American hands the same year;it would have been acceptable if Cash had remained an arms dealer ,just working for .....cash;but he tries to redeem himself,he's got a high moral conscience :he was a military man and he could never get over his shame,his demotion.His sense of honor is still intact and when he meets the beautiful Isabella,the rebels' Passionaria ,he is ripe for rehabilitation.

If you forget history-and the "cultural"lines at the beginning-you have a watchable adventures movie which begins as a western ,continues as some kind of pirate tale and ends with a long walk through the jungle.

As for Ladd,he did much worse than that :" guns of the Timberland" and mainly "Orazio e Curiazo " in which he plays like a zombie.

It's not easy to explain what went wrong with SANTIAGO. It has a basic good story, a top-level cast, and an experienced director; yet it lies virtually flat as a pancake as it unravels on screen. It suffers a serious failure to involve the audience in either the adventure or the romance.

This picture was made by Alan Ladd's production company. To Ladd's credit it's next to impossible to see this picture. Never issued in VHS or DVD, never re-issued, difficult to ever find a listing on eBay.

Leave this one alone and seek out Iron Mistress, Boy on a Dolphin, or two dozen other very good films starring Alan Ladd.

Alan Ladd, Lloyd Nolan, and Chill Wills star in this adventure where a bunch of mercenary americans try to make money by selling guns to the Cubans trying to gain their independence. Rossana Podestà is the token female, standing up for her homeland, caught up in all this. Nolan is "Pike", strutting and bragging the whole time. Most of the film is about just trying to get the guns to the island... it's a bit hokey, over-acting and hamming it up for the camera. and having the girl's little brother Juanito tag along is just silly, clearly a gimmick to tug on the heart strings. This one was nearing the end of the line for Alan Ladd; he had started as talkies were getting going.

Directed by Gordon Douglas. According to wikipedia , he had started with Hal Roach in the early days, and moved up quickly. Check out Douglas' resume.. he sure directed some big films. This one is okay.. not great, but certainly entertaining. and includes talk of the U.S. ship Maine, which was sunk at Cuba in 1898. later floated and re-sunk off Florida 1912. interesting stuff.

Adventure movie which has some good moments but it's absurd most times. Alan Ladd and Lloyd Nolan are two rival dealers, trying to sell guns for rebels who fight against the Spanish domain in Cuba. Of course, between them there is a girl, a rebel leader played by Italian actress Rossana Podesta. That's she who has the movie's most brilliant line. Ladd sees a group of rebels dancing the conga (or some kind of dance identified as conga) and ask Rossana how could they be happy in such situation. She says something like "because the hatred is in their souls but not in their hearts" !!! And she also has an annoying kid brother. Sorry but I can't recommend this movie.

In 1895, Alan Ladd, West Point graduate, court-martialed captain of the US Army, and now gunrunner, is unwillingly on his way to Cuba with weapons for those who would revolt against the Spanish rule. He's got alluring Rosanna Podesta to keep him moving, drunken, ex-confederate paddlewheel captain Chill Wills to move his guns on, and fellow gunnrunner and personal enemy Lloyd Nolan to keep him worried. Not that he needs it. His self-loathing is evident in his eyes from the moment he shows up on the screen.

It's one of the innumerable programmers Ladd made in the 1950s, good for the 90 minutes or so that it took. Directed by Gordon Douglas, it is typically competent but uninspired, serving to extend a minor stardom that Ladd himself considered unlikely. His success was pushed by his second wife, former actress and agent Sue Carrol. Critics didn't care for him. John Housman said that working with Ladd seemed pointless until he saw the rushes, and his eyes, showing a man constantly thinking. He tried to kill himself in 1962, and died of a sleeping-pill overdose in 1964 at the age of sixty, surely not the first nor the last star who didn't understand what made him one.

Later in his career, the quality in most of Alan Ladd's films dropped dramatically. Surprisingly, after his terrific performance in "Shane", it was all downhill from there...and "Santiago" is as downhill as you can go!

The film is set in the late 19th century--just before the Spanish- American War. Two groups of gun-runners are trying to outmaneuver each other and take advantage of trouble brewing in Cuba. While neither guy in charge cares about the revolution, one is comic book bad (Lloyd Nolan) and his character has no depth whatsoever. Heck, had they had Bluto from the Popeye cartoons play the guy, it would have been just as realistic. As for the other, it's played by Ladd and his character is very inconsistent throughout the film--going from selfish and greedy to selfless and kind!! None of this makes any sense and it's made worse by a very weak and uninteresting script and a love interest who is less appealing than a sheep. All in all, Ladd deserved better...and you can do better.

Gordon Douglas strikes again! Alan Ladd, at 43, gets to play a cynical-mercenary-with-a-past, a sort of cheapjack version of the Bogey character from "Casablanca," while duking it out with Lloyd Nolan, at 54, a much nastier mercenary for the love of voluptuous Rossana Podesta, aged 22. This is a love triangle that should fascinate any Hollywood mogul. In the meantime, Ladd develops strong feelings for Podesta's cute-as-a-button little kid brother, Francisco Ruiz (the old Brandon De Wilde job), violin music and all. Chill Wills provides some relief, as a colorful sea captain, aided by an unusually devoted and loyal black man, played by Don Blackman. At least, we get a very tricky climactic gunfight in the end and get to go on about our business after 93 very slow minutes.

Lloyd Nolan and Chill Wills try hard to enliven this dour party with some anti hero/villainous humor and Gordon Douglas, as usual, keeps things moving and handles the action stuff well, but any chance this film has to be anything but a friggin bore is effectually smothered in its cradle by its star. Talk about sleep walking through a performance! Or, to mix the metaphor, Alan Ladd doesn't phone it in so much as ask his stunt double to phone it in for him. Maybe he was bored with the script pages handed him by producer and co writer Marty Rackin, from Rackin's novel. Can't say as I blame him. Still, there's a definite bright line between being cool and being half dead. Mitchum and McQueen knew how to keep on the right side of it. Ladd, not as much. Which is, of course, why he is a lesser talent than the other two. As for Rosanna Podesta, she is sexy as hell but her acting ability makes Raquel Welch look like Kim Stanley. Solid C.

I thought Alan Ladd would have produced this movie thru his Jaguar Production company, but no. Very strange. Anyway, I don't think it would have changed anything.... It is a western set in Cuba, no more no less the predictable and common Warner and Gordon Douglas association result. Nothing special to notice. Everything is efficient, a good time waster, as any Gordon Douglas's film. Alan Ladd is as wooden as usual too, but that belonged to his "charm". Rossana Podesta proceeds here her Hollywood adventure shortly after HELEN OF TROY, made by Robert Wise, the very same year. So, don't despise this adventure movie, even if it is not a masterpiece.