Storm Fear (1955) Poster

(1955)

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7/10
A nice little thriller
dhoffman28 February 2001
Storm Fear is a contrast of brothers, both of whom have failed in life. Cornel Wilde plays the `bad' brother, fleeing from a bank robbery. Dan Duryea is the `good' brother who can't come to grips with his own artistic and personal failures. I do not like Cornel Wilde, yet I found he created a sympathetic, very human `good-for-nothing', a surprisingly less intelligent role for a lead actor to play. Duryea, on the other hand, is much less sympathetic, perhaps because he is reaching for stars that are obviously out of his grasp. Jean Wallace is quite good as Duryea's wife and Wilde's former lover. She effectively straddles the worlds of both men. Steven Hill portrays the unstable member of Wilde's gang, but he doesn't seem quite sure how far to take his character at times.

This should have been more claustrophobic with 6 people cooped up in a house in a snow storm, but the script handles this nicely. The film gives the appearance of being an inexpensive production; yet, it makes the most of what is there in set, actors, etc. Wilde does a credible job of directing. Elmer Bernstein's score is a plus. The ending, however, is totally unsatisfactory, obviously bowing to conventions of the mid 50s when uncompromising films were not the norm.
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7/10
They're still sparking
bkoganbing6 December 2015
Cornel Wilde who preferred to chart his own course in independent film making as opposed to going to television as so many of his contemporaries were doing made a fine one with Storm Fear. As per usual his wife Jean Wallace joined in the endeavor. It must have been good for him as well as financing for his movies to have a leading lady instantly available.

In this film Wilde is a nominal bad guy. A charming bank robber at least as far as the women are concerned. At least as far as Jean Wallace is concerned as they had a son together, but it was Wilde's older brother Dan Duryea, a would be novelist who married Wallace and carried on the fiction that he was David Stollery's father. They live in a remote area of one of our Rocky Mountain states.

Wilde's just robbed a bank and he and his two surviving accomplices, Lee Grant and Steven Hill head for the Duryea-Wallace farm as a hideout and to recuperate as Wilde was shot in the holdup. Of course while they're there Duryea spots some sparks between Wilde and Wallace.

Wilde who directed as well as played the lead got some complex emotions out of his players. He's a bad guy, but still charming in his own way and protects his family from what a psychotic Steven Hill might do. Wallace is still in love with Wilde, but knows full well what a charming liar he is. Duryea is a decent, but inadequate man who knows he's been a failure far from his usual variety of psychotic villains.

Before Kirk Douglas's more celebrated breaking of the blacklist with hiring Dalton Trumbo for the Spartacus screenplay, Wilde did some blacklist breaking of his own in hiring Lee Grant in what turned out to be only her second feature film. Grant does very well in a role that calls for her to be a good natured gangster's moll who meets with a tragic end. In fact the most straight forward part in the film is that played by Dennis Weaver as the hired hand on the Duryea-Wallace farm who goes chasing the robbers.

Wilde assembled a fine supporting cast to support him as an actor and his vision as producer/director. One reason he could hire Lee Grant was because he was producer of Storm Fear which was released by United Artists. He created a real winner here.
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6/10
Should Have Stayed Indoors
LeonLouisRicci2 August 2013
This is a strange Low-Budget, well Cast Thriller and is a first time Directorial effort from Cornel Wilde. It is the claustrophobic first half that works best as tensions mount and identities are revealed. As things open up later, in the snowy outdoors, it turns rather routine as its limitations are exposed.

There is an attempt at some unusual Family situations that adds some verisimilitude and in Film-Noir tradition all the Characters are flawed. If things were kept indoors the tension would be almost unbearable, but as it is, the last third seems more like typical Hollywood.

Although the Child is central to the Plot and is crucial to the Theme of things gone wrong and regretful behavior, it is ironically left to the Pre-Teen to carry the emotional baggage at the end and it doesn't quite come off as a satisfying closing to the Family Circle. Certainly worth a view because it is a bit different, but the final Act is just too pat and seems a lot less believable than what went before.
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Uneven
dougdoepke27 July 2013
Another of the 'home invasion' dramas so popular at the time, except with a twist. Here the fleeing criminals (bank robbers) invade the secluded mountain home of one (Wilde) of the robbers' old sweeties (Wallace) now married to a failed writer (Duryea) with an adolescent son (Stollery). Naturally, in these cramped quarters with a blizzard outside, emotions bubble over, especially with the consumptive, jealous Duryea, plus the unstable gunman Steven Hill.

These are promising elements but the drama really fails to gel, because Wilde is too nice to project real menace, while the real menace, Hill, is never given the kind of emotional close- ups that would establish his danger. Instead, he just sort of prowls around in the background. Actually, the movie's mainly about the burgeoning Wilde-Stollery relationship, where you have to read between the lines about the actual source of the dog collar. Then too, it's Stollery stealing the movie in a poignantly shaded performance, while Wilde unwisely spends too much time showing off his manly chest.

The second half moves to the great outdoors, where the gang tries to escape the approaching cops by fleeing over the snowy mountains. Here we get some suspense as the figures are reduced to little dots on a great white landscape. Now they're struggling not only with each other, but with an overwhelming nature. This part plays out in fairly effective fashion, though I never did figure out what exactly the errant snowplow was doing on an anonymous mountainside.

All in all, it's an uneven, sometimes awkwardly filmed movie, whose chief virtue may be what it doesn't tell the audience about the relationships instead of what it does. And kudos to producer Wilde for giving the blacklisted Lee Grant a minor part as the gang's moll, at a time when the best this fine actress could get is TV walk-ons. My guess is Wilde took on too much for a first-time filmmaker (director-producer-star) and would have been advised to hire an accomplished director. But then this was a low-budget effort, (the interiors were filmed in a TV studio!). Wilde's real filmmaking talent would show up later in the acclaimed Naked Prey (1966), so I guess this was something of a learning experience.
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7/10
"My leg is killing me !....Every night it grabs me round the throat..."
kalbimassey11 April 2021
There may be a Christmas tree in the living room, but there is little festive flavour to this grim, gripping yarn, which combines crime drama with family misfortunes - regret, remorse and recrimination.

Dan Duryea is a writer who has much wrong with him. Hostile to the music on the radio (wait till you hit the '60's man!), whilst his ailing body and sporadic whines are the closest things to strong drink permitted in the isolated house he shares with dutiful wife, Jean Wallace and teenage son, David Stollery. It's difficult to warm to dismal Dan. There is a blanket of snow outside and he presides over a no less icy mood indoors. The arrival of his brother, Cornel Wilde, shot up and on the run following a robbery, with accomplices, bully boy Steven Hill, who resembles William Bendix after a six week course at Slimming World and his moll, blonde bombshell, Lee Grant, plunge the temperature even further.

A hostage in her own home, Wallace is charged with removing the bullet from Wilde's leg. A painstaking undertaking lightened by the backdrop of big band jazz. Wilde's relief at no longer having a bullet in quickly subsides with a news bulletin revealing that the cop shot during the robbery has since died.

With a visit from handyman Dennis Weaver falling into the "Phew that was a close one!" category and the law drawing ever nearer, Wilde presses his nephew into guiding them over the snow veiled mountain to the highway, whilst Wallace is...er..a bit tied up.

Soon Grant experiences a painful fall (told her not to wear those high heels!) and has a suspected broken ankle. Ah, the 1950's, the age of chivalry. After briefly discussing her sorry plight the two men decide....to leave her to the elements, flinging her a few dollars to become soggy in the snow for company. Cold comfort, literally, as she can't walk, there isn't a shop within miles and at this time Amazon was just a river.

On his directorial debut, working with a small, but eminently capable cast, Wilde hits a middle point where 'On Dangerous Ground' meets 'The Desperate Hours.' He conjures desolately noirish motifs from the unconventional settings, successfully pursuing themes of isolation, loneliness and desperation.
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7/10
Grreat performances in a snowed-in claustrophobic thriller
XhcnoirX16 January 2017
Warning: Spoilers
Struggling writer Dan Duryea lives in a remote mountain house with wife Jean Wallace and son David Stollery. Then Duryea's brother and bank robber Cornel Wilde arrives with his accomplices Steven Hill and Lee Grant. Wilde's been shot in the leg during a robbery but after Wallace removes the bullet the robbers can't move on, because of a fierce snow storm. Stollery's never seen his uncle and is fascinated by Wilde, who's the complete opposite of the sickly and weak Duryea. But Wallace and Wilde used to be lovers, with their past becoming an additional source of friction and tension in the cramped house.

A claustrophobic home-invasion thriller meets love-triangle melodrama, actor/director/producer Cornel Wilde ('The Big Combo') does a good job of keeping this movie, which is rather talky, tense and gripping. And he also gets good performances from most of the actors, including himself. Especially Wilde's real life wife Wallace ('The Big Combo') gives a great performance, as a woman struggling with several dilemmas that come to a head when Wilde forces himself back into her life. I also really enjoyed Grant's ('Detective Story') performance, who was blacklisted at the time. She reminded me of the streetwise and tough but sympathetic gunmolls from the 30s gangster movies, particularly Gladys George in 'The Roaring Twenties'. I kinda wanted to see more of her part in this movie. And while kid actors are 9 out of 10 times either wooden or annoying, Stollery is pretty convincing and even subtle. He gave up acting however and became a successful car designer. Noir icon Duryea ('Scarlet Street') plays against type and he does well as always but he doesn't have a lot to do besides cough and moan, which is a shame. Hill (TV's 'Law & Order') is the only dissonant, he's uneven and seems unsure how to play his part.

Wilde keeps the movie focused and never lets the narrative wander off too far. Once the dramatic moments inside the house have been exhausted, he moves the story outdoors, with Stollery guiding Wilde and his crew across a mountain, pursued by Dennis Weaver (TV's 'McCloud'). Oddly enough tho, while Weaver has no problem following their tracks, he doesn't seem to notice one of crew members who's been left behind halfway with a broken ankle. What also helps is that DoP Joseph La Shelle ('Laura') does a great job with both the indoor and outdoor scenes, his lensing is both effective and nice to look at, but also not too prominent to take over the movie. Having said all that tho, I am not sure this movie has a lot of rewatch value. The story is not very surprising and moves to a predictable climax (altho the final moments are rather touching, thanks to some pretty good acting), and I feel that by focusing primarily on himself and Wallace's past, Wilde left out some opportunities to really crank up the heat. Still, I can recommend it.
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7/10
Old wounds resurface at family re-union
helpless_dancer20 September 1999
A husband and wife plus their son are visited by the husband's brother and his gang after the thugs pull off a bank heist. The meeting stirs up a lot of trouble, and dredges up old memories and desires. Great dramatic finale as the thieves try to escape over the mountain.
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7/10
A boy and his thug
nickenchuggets20 January 2024
Warning: Spoilers
A common sight in noir movies is seeing Dan Duryea being a creep, but surprisingly, this movie changes things and makes him almost the least threatening character. Storm Fear, true to its name, involves a large snowstorm which helps to create one of the most unique settings I've seen in a noir yet. The story begins in a farm house located in an isolated snowy area. A hired hand named Hank takes a kid named Davie (David Stollery) to the house after a day of fun in the snow. Also in the house are Davie's mother, Elizabeth (Jean Wallace) and father, Fred (Dan Duryea) who is sick. Soon, two guys and a woman show up to the house. One of them is Charlie (Cornel Wilde), brother of Fred and uncle to Davie. The other guy is Benjie (Steven Hill), a criminal who has a moll named Edna (Lee Grant). At first, Fred and the others aren't really sure why Charlie has come here, but when the latter reveals he's been shot in the leg, it becomes pretty obvious. Fred is adamant his brother get a doctor, but Charlie rips the phone off the wall and beats his brother. He is bullied both by Charlie and Benjie into giving in to their demands. Edna manages to pull the bullet out of Charlie's leg, and Davie tries to get to know his uncle a bit better. Despite hearing a radio broadcast about how one of the suspects fleeing a recent bank robbery has been shot in the leg, Fred is forced to keep these fugitives in his house for the time being. At one point, Hank comes back unexpectedly and Elizabeth must someone get him to go away, lest he discovers armed thugs are in the house. Benjie and Charlie are both ready to shoot him at a minute's notice, but thankfully they don't need to. After Hank leaves, Elizabeth talks to her son in private and says his uncle Charlie is no good, never has been, and that he needs to stay away from him. Davie promises he will. When Charlie learns the cops are scouting the area trying to locate him and his associates, he decides he needs to make his move now. Charlie wants Davie to show him, Benjie and Edna the path over a mountain which leads to a highway, the whole distance being around 15 miles. Without Davie, they won't find their way in the awful weather and drifts. Davie says no, citing the promise he made to his mother, but later relents. They try to leave without making any noise, but Elizabeth sees what's going on and tries to stop her son from departing. Charlie ties her to a chair. Fred tries to warn the cops about what's going on, but freezes to death. Meanwhile, Davie leads the trio of criminals through the mountains. Benjie gets into an argument with Edna which culminates in him pushing her off a ledge. While still alive, she breaks her ankle and Charlie decides to leave her there to die. Hank finds out Fred is dead, then checks on Elizabeth. After untying her, she says Davie and the others left about 3 hours ago and are going through the mountains. Hank sets off in pursuit. Benjie gets increasingly more agitated and wants to kill Charlie once he finds the highway, so Charlie does what he can to stall him. Davie attempts to mislead Benjie on the way to the highway so that Charlie can shoot him, but Benjie realizes it's a trick and fights Charlie. As they wrestle in the snow, Davie gets ahold of Benjie's handgun and shoots him. Charlie then puts his nephew in a nearby cabin, trusting he will be found soon by the police. As Charlie tries to gather the stolen bank money for himself, he is spotted by Hank and shot with a scoped rifle. At a hospital later, Charlie dies and Davie says he'll never forget him. Were it not for the unique setting, I probably wouldn't rate this movie so high. It never occurred to me when I was watching it that Davie was actually fathered by Charlie (as is heavily implied), but the latter's previous relationship with Davie's mother speaks volumes. Cornel Wilde (who also directed) did a good job portraying a criminal that you feel sorry for, as he says he has a gun, but never shot anybody. Charlie was never given a chance to get back on his feet, and as a result he needs to run from the police constantly. Steven Hill on the other hand portrays a character so obnoxious and despicable I think I'll be avoiding any films with him in them from this point on. Benjie is true scum, and has no problem whatsoever with hitting Charlie's sick brother, threatening to shoot a kid, and even pushing Elizabeth to the floor. Overall, I found Storm Fear to be a good enough movie because of its frigid setting and chemistry between Davie and Charlie, but the rest of it is quite uninspired.
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9/10
Storm Fear (1955)
MartinTeller3 January 2012
A struggling writer and his family are visited at their remote mountain farm by his brother -- a wounded bank robber on the lam. Cornel Wilde directed eight films in his lifetime (seven of them, like this one, starring himself) and this was his first. And a superior first film it is, one I liked much more than NAKED PREY. Elevated far above the usual hostage drama by the strained familial relations and internal strife within each group. The interactions between the players are leaden with sorrow, failure and the ghosts of past regrets. Every character occupies a gray area, conflicted and/or damaged. Even the young boy plays a crucial role beyond being just an adorable moppet in jeopardy. The exception is the sidekick character who is pretty much your standard bad guy, but even he is given life with an engaging performance by Steven Hill. The whole cast is great: Lee Grant as the shabby dame, Jean Wallace as the wife with some secrets of her own, Dan Duryea again impressing me with a role outside his usual mold, Dennis Weaver as the hired hand, and of course Wilde. He makes an interesting choice to play the character with a slight stammer, hinting at the doubts that gnaw at him. The script is thoughtful and gripping, with a few great hard-boiled zingers for Grant and Hill. I also have to mention the music, yet another sublime score by Elmer Bernstein. This is an outstanding picture that takes unexpected turns and is heavy with melancholy and desperation. It needs a restoration and DVD release immediately.
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6/10
Lee Grant During the Blacklist
boblipton23 March 2020
Bank robber Cornell Wilde shows up at the farmhouse of his weakling writer brother, towing maniac Steven Hill and his moll, Lee Grant. The police are looking for him; a man was killed during his last robbery. After wreaking havoc, he convinces his adoring twelve-year-old nephew, David Stollery, to help them escape over the mountains, with armed farmhand Dennis Weaver in pursuit.

It's all a bit over the top in terms of performances, but the story is good, and Lee Grant is unexpectedly good as a bleached-blonde floozy with a mink coat. Her career had begun auspiciously with a role in DETECTIVE STORY. Almost immediately, she was blacklisted for refusing to testify about her husband before the HUAC; she later remarked that she had been married to a communist and a fascist, and neither would take out the garbage. She began to direct in the 1970s, and is still with us.
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5/10
They Tried Hard.
rmax30482326 July 2013
Warning: Spoilers
Gangster Cornell Wilde and his small-minded sidekick Adam Schiff -- I mean Steven Hill -- show up unexpectedly with a bag of loot at the remote farm house of his big brother, the failed writer Dan Duryea, and his blond hausfrau Jean Wallace. Their child, David Stollery, is a witness to the conflicts, arguments, violence, deaths, and general mishigas that takes place during the visit. Dennis Weaver has a small part as the good neighbor.

The screenplay was by Horton Foote, the direction by Wilde, and the cast and crew professionally competent, with some exceptions. The result is almost a stage play in which fierce disagreements take place.

Wilde does adequately by the part of the tough guy who genuinely doesn't want to intrude but has no place else to go because the police are all over the place searching for him and his buddy. He adds an almost indiscernible stutter to his voice in moments of stress. Nothing is made of it. It's just a nice touch that makes him human. He has a couple of shirtless scenes during which his wounds are treated by Wallace and I hated him for that. How can he be so muscular and sound at the age of forty-three? The swine.

Jean Wallace is not much of an actress but she looks as if she would be perfectly at home milking cows on a Polish włość. I hope you appreciate that Polish word. It means "small farm." Took me half an hour to find the proper alphabet. Dan Duryea -- well, we missed his slick-backed hair and straw boater and his whining voice and his slapping dames around. Here, he's a fagged out lunger wrapped up in sweaters and scarves and looking as if the North Korean Army had just marched over him. Steven Hill is unrecognizable except as the stereotype he is. And as for the kid, kids will be kids. Everybody loves them, except Hill.

Overall it's pretty depressing. It's claustrophobic. It resembles a staged play in which the set dresser was drunk all the time. And the story, for all its shouting, is a little weak in humanity. (See "Hud" for a successful example of how to make a movie about a couple of people on a ranch.) Poor Dan Duryea freezes in the snow. It's not quite certain exactly where his body is found, through either careless direction or editing. But if I were despondent and depressed, a total failure -- and I AM -- I think I'd hang myself if I had to live in a seedy dump like that.
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8/10
makes you long for the old days of good films
moggy-44 May 2001
...and appreciate them; when drama and acting were more important than special effects. cornel wilde was an underrated director, and gives an impressive performance . It's really an ordinary film, made almost hypnotically watchable by excellent acting, filming and direction. the actor playing the boy is totally believable. and I can't resist noting that I recognized dennis weaver without knowing he was in it.
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7/10
American Film Noir with ACADEMY AWARD nominee Cornel WILDE
ZeddaZogenau22 October 2023
Gem from the BLACK SERIES with Cornel Wilde

This "film noir", which is not very well known in German-speaking countries, premiered on December 16, 1955 in New York City and is a representative of the so-called Black Series of American films that impressed in the 1940s and 1950s with their darkness and resounding cynicism. The Hungarian-born American leading actor Cornel Wilde (1915-1989), who made his first contacts with the film business in 1940 as Laurence Olivier's fencing coach on Broadway, also acts as a producer with his Theodora Productions and also directs. What a self-made man!

It tells the dark story of three bank robbers, Charlie Blake (Cornel Wilde) and his cronies (Steven Hill, Lee Grant), who have to hide from the police in the snowy mountain hut of Charlie's brother Fred (Dan Duryea). Old family conflicts break out because Fred is married to the beautiful Elizabeth (Jean Wallace, married to Cornel Wilde from 1951 to 1981), who was actually Charlie's girlfriend in her youth. The couple's ten-year-old son (David Stollery) hardly knows his Uncle Charlie and suffers greatly from his parents' alienation. Due to the seemingly hopeless situation, the situation for those who are virtually trapped becomes more and more dire until the intruders finally lose their nerve...

Here, an exciting, dark crime story is skilfully combined with a heart-touching family drama. The unity of place, time and plot is almost classically maintained and increases the intensity of this film gem immensely.

Cornel Wilde, who was particularly noticeable for his impressive physique in films such as "The Greatest Show in the World" (1952) and "Constantine the Great" (1961), proves to be an accomplished film craftsman who understands a lot about the structure of a drama and the The requirements of the genre are met almost perfectly.

In her rather small role as nightclub singer Edna Rogers, Lee Grant, born in 1925, creates a truly magical moment when she sings the song about "Loch Lomond" in a wonderfully off-key way. Twenty years later, Lee Grant was awarded an Oscar for best supporting actor for her role as a bored housewife in "Shampoo" (1975), who likes to bring her strong-armed hairdresser (Warren Beatty) into the house for special treatments.

Former decathlete Dennis Weaver (1924-2006), who was supposed to play a very special role in Steven Spielberg's directorial debut "Duel" (1971), can be seen as Hank, the helping hand of the Blake family.

A very exciting film that is still little known! It's worth it!
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5/10
The last 15 minutes or so was somewhat bleak and ambigious
jordondave-2808526 November 2023
Warning: Spoilers
(1955) Storm Fear THRILLER/ CRIME DRAMA

Adapted from the novel by Clinton Seeley produced, directed and starring Cornel Wilde. It opens with Hank (Dennis Weaver) bonding with 12 year old David (David Stollery) out on the snow field before they are heading back inside the lone cabin. By the time he heads back into the cabin, we're then introduced to David's mom, Elizabeth (Jean Wallace) and his dad who is depleting health and an aspired author, Fred (Dan Duryea). As he growls at David to turn the radio off we find out it was bought as a Christmas gift by the family friend, and hired help Hank. Before he leaves tells them he needs to buy the wheel for the tractor and a upcoming snowstorm is brewing. And just as David was milking the cows for some milk, he then hears a car coming by, and hurries back home to inform his mom about it. And barging into the cabin are three individuals of Charlie (Cornel Wilde), Benji (Steven Hill) and Edna (Lee Grant). We find out that Charlie happens to be Fred's younger brother, and that him and his two associates were escaping from a robbery. And it was at this point we know more about how much Charlie was involved into David's life as well as Charlie's history with his brother and Elizabeth. The first of five movies Cornel Wilde starred with Jean Wallace.

I was involved until the last 15 minutes or so when the four characters decide to leave and walk through the snow bank leaving me with more questions than answers such as did Edna live after Benji shoves her down breaking her ankle? What is the status of Edna? Did Charlie die at the end, after the nurse rolls down his bed? She did not even cover his face or anything. I mean, should I have to read other peoples opinions about how the movie ended.
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Edna and the rocks
danaq20 May 2004
The outdoor scenes in Storm Fear were filmed near Sun Valley, Idaho. A local fellow named Eddie Bennett donned a fur coat and a blonde wig, and played "Edna" when she was pushed off the rock formation (which is located about 3/4 of the way from Ketchum NW to Galena Lodge). Eddie later gave the wig to my father, who gave it to me. Mr. Wilde was kind to a young girl eager to become a writer, and gave me one of the working scripts of Storm Fear. My little sister and I (in our serious moments) read the lines and acted out the script very seriously. In our silly moments, we took turns wearing the wig while the other shouted "Die, Edna, die!" and pushed "Edna" off the roof of our grandparents' house into deep snow.
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7/10
A '55-'56 Winter Release
theognis-8082126 November 2023
With the weakening of film studios in the 1950s, due to the rise of television and one of the last attacks against monopoly by the SCOTUS, many actors, such as Cornel Wilde, started their own production companies. The prolonged exposition by writer Horton Foote and Elmer Bernstein's music creates suspense in this largely unpredictable story of criminals on the run. Characters who seem unlikeable at first become increasingly sympathetic as we learn more about them. And nothing is more satisfying than sitting in a warm movie theatre, munching popcorn, goobers and jujubes, while the actors struggle in a blizzard.
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6/10
solid crime noir B-movie
SnoopyStyle26 November 2023
Fred Blake (Dan Duryea), his wife Elizabeth Blake (Jean Wallace), and their son David (David Stollery) live in the remote New England wilderness. Once every few days, they are visited by Hank (Dennis Weaver) who brings them supplies and mail. Out of the blue, Fred's younger brother Charlie Blake (Cornel Wilde) shows up with gun moll Edna Rogers (Lee Grant) and volatile henchman Benjie (Steven Hill). Charlie's been shot during a bank robbery. A snow storm descends upon them.

This is a solid crime noir B-movie. There could be more tension if Charlie isn't as nice. I get that he's manipulating Davey. He could be more disturbed or holding a large grudge against his brother. If anything, Fred is more disturbed than Charlie. It's interesting but it may work better if the brothers got switched. Fred seems much more unstable. I've seen a few of these actors, but for a Law & Order fan, the most familiar face is Steven Hill. He's not really the thuggish type. I have no big complaints, but I do want to raise the tension. I want a meaner Charlie.
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7/10
Another Riveting Cornel Wilde Film
TheJonesBones14 July 2022
I first noticed Mr. Wilde in "Naked Prey" - although it's now a bit dated in some ways, much like that better known film, "Storm Fear" is a gripping tale when viewed with the appropriate 'Fifties mindset.

Cornel plays "Uncle Charlie", a ne'erdowell prodigal son returned to his brother's home while on the run from a capital crime with his gang of gruesomes. As its plot unfolds, we learn many disturbing lessons about Charlie and his brother and his brother's wife.

Akin to cinematographic pulp fiction, this is a memorable effort perhaps due to its depiction of universal, timeless human flaws. You'll love to hate Uncle Charlie, but I think you'll enjoy the rest of the cast even more.
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7/10
Crime Doesn't Pay In This Thriller From First Time Director Cornel Wilde.
meddlecore13 August 2020
Storm Fear is actor Cornel Wilde's directorial debut, which stars himself and his first wife Jean Wallace, in the role of his long lost lover Liz.

Wilde plays Charlie, a bank robber on the lamb, with his crew consisting of a dame named Edna and his psychopath partner Benji.

Their last job went sour when they were forced to kill a cop, and the fourth member of the crew was gunned down.

Knowing the cops would think they were going to head South to Mexico, they instead make their way North to Charlie's brother Fred's house- where he lives with his wife and young son, Davey.

Fred is a struggling sickly writer, who had married his no good brother's girl, and agreed to raise their son as his own.

But he's a bitter unloving man who doesn't bring much joy to their lives.

So everything gets turned upside down when Charlie shows up with a gunshot in his leg, a bag full of money, and a crew looking to hold up before they can make an escape.

They only plan to stay one night, but a storm moves in and traps them in the rural townhouse...where the pressure starts to get to them...especially Benji, who is hellbent on murdering them all so he can take the money for himself.

The bizarre love triangle between the beautiful Jean Wallace and two brothers builds up the dramatic tension, before the group of crooks decides they must take the boy and make their way over a mountain to get to the highway, so they can get away before the cops hone in on them.

But crime doesn't pay in this tragic tale...and they'll be lucky if any of them makes it off the side of this mountain.

A third suitor, named Hank, who is the family's hired man plays the deciding role in all of this.

And it doesn't particularly have a happy ending.

But it's a great first feature from Wilde, who also does an excellent job as Charlie. Wallace is a stunner as Liz, even in her homely manner as a housewive. And the standout performance goes to young actor Steven Hill as Davey in his introductory performance.

All in all, it's a great little film, that's chock full of tension. Despite the unsatisfying conclusion of the story.

6.5 out of 10.
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8/10
Tense thriller, gunmen hold family hostage in snow bound home
CRH5 August 1999
Cornel Wilde is excellent in this dark drama about a group of hoods on the run who show up at the door of a remote home snow bound in winter. We learn more about the relationship between the leader of the hoods (Cornel Wilde) and the family he's holding captive as the move unfolds. Very tense, engrossing film that you won't want to take your eyes off.
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7/10
The desperate hours in the snow.
ulicknormanowen16 June 2020
Like Ida Lupino and a handful of others, Cornel Wilde went before the camera ;it is his first effort,and it's a curate's egg.He would do much better works ,such as his masterpiece "naked prey " -which was a strong influence on Gibson's "apocalypto" -or "no blade of grass" ,the latter displaying his concern for the family unit in the context of a disaster movie .

The family unit is at the centre of "storm fear" : call it William Wyler's "desperate hours" (released the same year ) in the mountains ,but without the great director's science of cinema ;but it was Wilde's debut after all.

Like in Wyler 's film ,most of the action takes place in a house where a whole family is head hostage by gangster after a robbery .There the comparison ends ,for the gang leader is dad's kid brother (I'm no more the kid brother!says he!) who used to be in love with his sexy sister-in-law (Jean Wallace,then the director's wife and a recurrent actress of works to come );hence blood ties ,completely absent in "desperate hours" .

Unfortunately ,supporting characters are cardboard : dad is a failed writer ,suffering from TB ,but Dan Duryea is left on his own devices to moan and to cough without much purpose ;it was certainly brave to hire blacklisted Lee Grant ,who was unforgettable in Wyler's "detective story" as a shoplifter tomboy ; here ,wearing a horrible blond wig ,she's little more than an extra as the gangster 's moll , whose only moment is her rendering of "the bonnie banks of Loch Lomond".Both Dennis Weaver and Steven Hill are wasted , as the bland good guy and the inexpressive villain.

We're left with the leader,his former love and the boy : they make the movie watchable because their relationship is complex and many events of Charlie 's tumultuous past are smartly left in the shadow ;to have an uncle called Charlie does not bring any luck whatever the hoodlum may say :see Hitchcock's "shadow of a doubt " (1943);its heroine (Teresa Wright) and the young David follow opposite paths : first ,the boy is terrified by this intruder ,who is wounded and carries a gun;then little by little ,he begins to be fascinated by this uncle who has travelled all through the land whereas he's never left the family farm : his admiration keeps on growing , and the dead dog's collar in the Xmas tree is a deeply moving moment :in the last part of the movie,his fear has turned into admiration and even affection.Elizabeth is more ambiguous : why does she let her hair hang down? And when they remember their childhood , they can't help bursting out laughing.Although fate decided otherwise ,they are the family unit the three of them have always dreamed of .
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4/10
God Awful - Storm Fear
arthur_tafero3 April 2020
I like Cornell Wilde, especially in Naked Prey and Beach Red. I also like Elmer Bernstein, who has written some of the best music for film in cinematic history, including The Ten Commandments and many other great scores. I like Lee Grant, who was a talented actress (other than in this turkey). I believe the part where Duryea rips up his manuscript and tosses it into the fire was actually the writer of this mess transposing his thoughts to the screen. At least he should have. The actor? who played the co-robber of the bank was absolutely terrible. There is more ham in this film than in a German deli. The kid and mom were OK, but Duryea was horrendous. Wilde gives it the old college try, but the dialogue is so bad, Olivier couldnt save this film. He was just a bad imitation of Brando. The music was the worst thing of all. I would rather go to the dentist for a day of pain than to listen to this sound track by Bernstein, who normally does a great job. What a mess. This film goes directly to my turkey farm.
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8/10
Cornel Wilde the bad guy and Dan Duryea the good one. Hmmm
searchanddestroy-115 December 2020
I know that Cornel Wilde doesn't play here the total, radical bloodthirsty killer, the disgusting gangster whom the audience whishes to be shot, hanged, cut to pieces, slaughtered, wiped out after half an hour. He is rather a smooth gangster whom the audience can feel empathy to; and that's a pretty good surprise though, very daring from him. But admit that putting Dan Duryea in the poor good guy, is very surprising too. When I saw the cast and the topic, I would have bet my last cent that Duryea would have been the leader of the bad men invading the cabin. Besides this, that film noir from the fifties is a good feature. Needs to be shown.
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6/10
GOOD CLIMES FOR NOIR...!
masonfisk20 December 2023
A 1955 film noir. At a remote cabin during the winter, a family; dad, a failing writer, Dan Duryea, his wife, Jean Wallace & their son, David Stollery, are going through the motions since on the surface the family's fine but it's anything but. Even their handyman, Dennis Weaver, knows something is up but no one's calling uncle. Into this not so placid environment comes a trio of bank robbers; Cornell Wilde, Duryea's stuttering brother, his moll, Lee Grant & their twitchy gunsel, Steven Hill, who have shown up to hole up while the authorities are on the hunt. Tensions & the weather soon fuel the fire of past resentments (Duryea's failed lifestyle has been funded by Wilde's bad behavior while Wilde's past relationship w/Wallace make the entire situation come to a boil). Scripted by Horton Foote (who'd win an Oscar 7 years later for adapting To Kill a Mockingbird) & directed by Wilde, the film works in fits & starts, greatly aided by the secluded shack in the wintry woods, where one can breathe & the person at the other end of the room can smell it, making it a potent brew which probably needed some more time in the oven to make this less of a mixed bag.
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5/10
Entertaining but by no means a classic
steiner-sam28 September 2021
Warning: Spoilers
This is classic film noir set in early 1950s New England featuring an escape story by a robber and two of his associates. It's based on a 1954 novel by Clinton Seeley.

Fred Blake (Dan Duryea), his wife, Elizabeth (Jean Wallace), and their 12-year-old son, David (David Stollery), live on a remote farm. They also have a hired man, Hank (Dennis Weaver). Fred is a failed writer and is chronically ill.

One night, Fred's younger brother, Charlie (Cornel Wilde), comes to their farm after a nearby bank robbery in which a policeman was killed, and a member of Charlie's gang was seriously wounded. With Charlie are a somewhat slow-witted sociopath, Benjie (Steven Hill) and a "gun moll" named Edna (Lee Grant). Charlie was wounded in the leg but hopes to leave the next day.

A snowstorm prevents a quick departure, and we see deteriorating relationships within the house. We also learn that Charlie and Elizabeth used to have a relationship. In fact, David might be Charlie's son. Hank is gone to town, but a brief return with mail alerts him to the presence of the gang. Fred sneaks out to leave help. Charlie persuades David to help them escape by a back route over the mountain before the snowplows get to their farm. The last third of the movie follows the flight and outcome of each of the characters.

As in much film noir, there are no winners and no heroes in this story. It's interesting to see early film dramatic roles for actors better known later for their TV work -- Dennis Weaver ("Gunsmoke" and "McCloud") and Steven Hill ("Mission Impossible" and "Law & Order")

"Storm Fear" was entertaining but by no means a classic. There were jumps in the storyline that were awkward, and some scenes were stilted.
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