Blonde Bait (1956) Poster

(1956)

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5/10
A time-passer.
planktonrules26 February 2017
Angela Booth is a singer and performing to crowds in London. However, she is attacked by Julius Lord and to protect herself from this lecherous old goat, she hits him with her mirror. He is well- connected and this American girl is sent to a women's prison...despite being entirely innocent of everything except trying to keep herself from being molested! However, the State Department in the US is interested in her. It's not that she's done anything wrong...but her boyfriend, Randall, is scum...a traitor who collaborated with the Nazis during WWII and they want him! But she won't willingly help, so they arrange for her to be able to escape from prison in order to follow her to a meeting with Randall...or so they hope. This summary is not exactly the same as the one on IMDb, as it is not quite correct.

This is an adequate movie...nothing bad but nothing great about it either. It is the epitome of the term 'time-passer' and the finale is less than well handled--it's over and done with way too quickly.
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5/10
A Decent Enough B-Movie
Uriah4321 September 2013
In their quest to nab a spy for the Soviet Bloc named "Nick Randall" (Jim Davis), the American State Department decides to follow his girlfriend, "Angela Booth" (Beverly Michaels) to a secret rendezvous the two had planned a few months earlier. The only problem is that Angela is sent to prison in England for a crime she wasn't guilty of. Not wanting to tip their hand, the Americans and British resort to desperate measures to make sure that Angela keeps her appointment with Nick at any costs. At any rate, rather than spoil the film for those who haven't seen it, I will just say that this is a decent enough B-Movie from the mid-50's which might appeal to those who enjoy action-dramas of this nature. I would also like to add that this film is not nearly as risqué as the movie poster printed during this time might lead a person to believe. Again, one has to consider the time period in which it was made. That said, I rate it as average, all things considered.
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4/10
The Washout
boblipton18 December 2018
Jim Davis is wanted for murder and treason. He's been in Great Britain since the War, doing all sorts of villainous stuff (as not explained in a monotonous manner by Richard Travis in an office). He meets up with girlfriend Beverly Michaels, makes a date to meet her on New Year's Eve to get married, and then disappears until the end of the movie; he's the Maguffin of the movie, and that's his personality.

Miss Michaels speaks to her manager in his office, since she's quitting show biz, but he doesn't like it, and in the struggle, he's injured. She goes to prison. Meanwhile, Travis, in yet another office, arranges for her to break out in the company of Thora Hird, April Olrich and Miss Olrich's baby, so she can lead them to Davis.

Director Elmo Williams was a fine editor, but as a director, he was a washout, and this movie is a fine example. Everyone speaks slowly and boringly, and the plot advances at a glacial rate. There are plenty of moving shots; normally they help a movie, but they gave me the impression that that cameramen were as anxious for the movie to get on with it as I was. There is one good sequence with Hermione Badderly as Miss Hird's nasty pal they hide out with. Otherwise it's a dull affair.
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4/10
The 1950's bad girl becomes the long suffering misunderstood girl here.
mark.waltz12 June 2018
Warning: Spoilers
Having done several movies where she was behind bars, Beverly Michaels began to lighten her image after starting off as the opportunistic hard boiled tramp, and here, is the victim, ending up in a British women's prison after defending herself against a violent lover. Sure, he had found out that she was planning on leaving him for the man she really loved, but with his hands on her throat and a quick way of defending herself at her disposal, the sympathy instantly lies with Michaels. The prison she ends up in isn't the brutal American detention center that audiences had become familiar with through 1950's "Caged" and 1955's "Women's Prison" (or even another Beverly Michaels melodrama, "Betrayed Women"), but one where the warden seems to be concerned about her charges, encouraging the emotionally broken Michaels to utilize the library and try to make friends. When Beverly rescues a girl who accidentally catches on fire in the prison kitchen, the warden (Valarie Wright) decides to fool her into escaping as a part of a plot by the U.S. State Department in capturing her criminal boyfriend.

This fails to convince on two merits. It lacks the camp value of other women's prison films, and the subplot of Michaels and several other inmates being allowed to escape (one of them with a baby!) just seems totally unrealistic, no matter the motivations behind it. On the run, they find help in the most unbelievable of places, and while hiding out in the home of Hermoine Baddley's, Michaels must act all heroic to prevent Ms. Baddley from taking the baby of the missing mother to the authorities. It's all well intended, fairly entertaining, and sincerely acted, but most of it, I just couldn't buy. Thora Hird as the elderly inmate they refer to as "Granny" gets to steal every scene she's in, with Joan Rice as the other escapee and future Jock Ewing (Jim Davis) in the small part of Michaels' traitorous lover. Paul Cavanaugh is commanding as the American state department worker who initializes the escape, while Ralph Michael as the older lover whom Michaels defends herself from is completely repulsive. It's a mixed bag I wanted to like more, but lacking in the toughness of other women in prison movies and containing a plot I had a hard time swallowing, I have to rank this as one of the weaker films in that genre. Even though others are worse, this one just ends up being not very interesting.
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7/10
Highly Entertaining Tour de Force by Dame Thora Hird
howardmorley24 December 2016
Yes the late Thora Hird could be a comedienne in roles such as this playing Granny Rafferty, opposite American Beverley Michaels who plays her fellow inmate in a women's prison.Previous reviewers have outlined the plot of a tale of post WWII & the Cold War where both Scotland Yard and the U.S. State Dept mount a joint venture to entrap a traitor/murderer played by Jim Davis (most known in this country for playing JR's father in early episodes of "Dallas").The reference to "Lindberg" in the screenplay I assumed referred to aviator Charles Lindberg when the three escaped women prisoners and baby use an old MG to make their getaway, with Thora joking at the wheel.They make their getaway with the connivance of UK/US authorities before the denouement when Beverley finally realises the rotten relationship she had with the Jim Davis character.Yes I rated it 7/10 and was entertained on this, my first ever viewing.
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5/10
Thora Hird shines
Leofwine_draca6 May 2018
Warning: Spoilers
WOMEN WITHOUT MEN is a low key drama/thriller made by Hammer Films. The plot is somewhat unwieldy and involves the authorities looking for a known gangster. Their only lead is his girlfriend, who may lead them to him, but the problem is she's just been sent to prison. The authorities decide to arrange a jailbreak and tail her. This back story doesn't really sit too well with me and feels a little too elaborate and over the top. However, once the women escape this becomes quite fun, particularly because Thora Hird is the unlikely leader of the escapees. Hird was best known for her domestic, down-to-earth roles during the era; it was rare to see her out of a kitchen, so watching her racing a car through the streets and evading the police makes for great fun.
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7/10
fun movie
blanche-230 September 2021
Beverly Michaels is a new find for me, and I must say I like her a lot! Here she stars as "Blonde Bait" from 1956, also starring Thora Hird, Jim Davis, Paul Cavanagh, and Richard Travis.

Michaels plays a London performer, Angela Booth. She is sent to prison when she tries to leave her possessive employer for her boyfriend Randall (Jim Davis). She winds up hitting him with a mirror, and his connections lead to her being incarcerated.

The U. S. State Department wants her boyfriend because he was a Nazi collaborator. Angela has secret plans to meet Randall on New Year's Eve at the Oxhead Inn so they can run off get married. In order to catch him, it's arranged that Angela escape with the help of "Gran" (Hird), an old-time prisoner. The plan is to follow Angela to wherever the meeting is to take place.

I thought this was a good film, a real B British noir. Michaels is different in this film from the last one I saw her in, Pickup, where she gave Ann Savage's Detour performance a run for its money. She played an abusive, trashy woman. Here she's a woman sincerely in love, who demonstrates some class and possesses humanity.

Thora Hird is a scream. Jim Davis, frankly, is pretty bad. It's no wonder when he returned from Korea, Bette Davis forgot she ever heard of him. He still needed some seasoning.

All in all, entertaining.
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5/10
Sit tight Lindberg and get your propellers spinning
kapelusznik1828 August 2014
Warning: Spoilers
***SPOILERS*** The US State Department gets wind that master Soviet spy Rick Randell, Jim Davis, is having an affair with singer-dancer-stripper Angela Booth,Beverly Michaels, and plans to use her to have him tracked down before he does any more damage to his country the USA as well as the Free World. With Randell planning to meet Angela on New Years Eve at the Oxhead Inn outside of London she gets sideswiped when in a fit of anger she smashed her agent Julian Lord, Ralph Michael, face in with a mirror when he refused to let her out of her contract and then tries to assault her. Ending up in prison for six months on an assault conviction all that Angela has on her mind is to escape and get married to that "Hunk" of a guy Randell before she can finish her sentence.

What is soon planned by the US State Department and Scotland Yard in having Angela allowed to escape so she can lead them to Randell so they can make the pinch on him for treason against the USA. It's Angela by being left out in the cold to what her lover is really up to goes along with the escape plan secretly set up by Scotland Yard being engineered by in house stollie and fellow prisoner Granny Rafferty, Thora Hird, who's only in it, the escape, for the fun & excitement and nothing else.

***SPOILERS*** Crashing of the the womens prison together with Granny and fellow prisoner Margurite, April Olrich, and her six month old baby who was born to her behind bars Angela, after a number of wild and crazy incidents with the police, finally makes it to the Oxhead Inn only to find it bordered up and out of business. Lucky for her as well as Scotland Yard & the US State Department Nick Randell, obviously drunk from celebrating the New Year, shows up staggering out of the woods as well. Not expecting Angela to show up at all Randell loses his cool, in suspecting that she set him up, and starts to slap her around showing her what a heel as well as traitor to his country he really is. With US Secret Agent Kent Forster, Richard Travis, hiding in the nearby bushes Randell ends up shooting it out with him only to be the one who ends up getting shot!
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6/10
Bright and Blonde
Fairly straight laced telling of a Jailbreak to nab a felon and turncoat by the State Department.

They use his girlfriend to lure him in and she happens to be blonde...hence the title.

Most of the story is about the contrived breakout and the end wraps up before you can say jailbreak.

Mildly entertaining while it lasts.
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4/10
Four out of Ten(ko).
southdavid23 April 2024
Another Hammer movie watched to go with the "House of Hammer" Podcast and after a few welcome weeks of otherworldly horror, we're back with a noiry crime thriller. I usually write my reviews a few days after watching the film, so as an aide memoire I usually make a couple of little notes. Here I've just written down one word, in big letters, "BORING".

Angie Booth (Beverly Michaels) a lounge room singer of some renown, plans to marry her shady boyfriend Nick (Paul Carpenter) on New Years Eve. With Nick out of the country, Angie is imprisoned for an assault on her murderous club promotor and will miss the arranged date. However, the British and American authorities are aware of the planned nuptials and, using an informant, 'Granny' (Thora Hird), try to organise a Prison break, so Angie can lead them to Nick.

Despite not one, but two, salacious titles, the version of this film I saw on Youtube was catastrophically dull. There appears to be two very different versions of the film, with "Blonde Bait" recasting Nick and adding new actors and scenes, I think I was watching the original though.

The women's prison seems remarkably clean and organised and there's not much antagonism going on between the staff and convicts. Some of the other prisoners have an impact on the story. Marguerite, played by April Olrich, has had a baby that will be taken from her and put up for adoption soon, as the rules of prison dictate and so joins the escape and bigamist Babs (Sheila Burrell) who has married twice and is released before the escape takes place. There are a couple of recognisable actors in this, recognisable to me anyway. One is Thora Hird, who is playing a character called Granny in 1956, it's almost incomprehensible that she'd still be playing elderly characters on TV fifty years later, she's great though. Gordon Jackson is also in the film too.

What should be an interesting thriller, about a state mandated prison escape leading to the capture of a wanted felon gets hopelessly lost in the mundanity of the second act, so much so that I can't even recall the specifics of if they catch Nick at the end. It's not surprising that a new ending was created for "Blonde Bait" as this one is very underwhelming.

This feels like a step backwards for Hammer, after the horror successes of the last couple of films and I'm glad it doesn't appear to last too long.
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10/10
I'm here becuase of Beverly Michaels!
juanmuscle8 March 2019
I saw her in Wicked Woman (1953) on youtube, some has dubbed this from VHS , for our viewing pleasure, I know this because the tracking at the bottom needs a bit of ajustment, but that's neither here nor there, what is important are these wonderful thespians and gems from the era...

I was a bit flummoxed for at some point this took a strange turn and sort of jumbled up everything sort of willy-nilly you see, and I ceased to be able to distinguish from regular dames and bad dames and good guys and bad guys since everything sort of took a big leap in the sophistic episodes of "Three's Company" see where everything sort of gets mixed up , but like the episode everything ambiguous became clear and resplendent and once again order out of chaos was of course restored! Huzza, huzza! lol,

But yes, this dame is cool, this dame really knows how to pose for the screen, I think most of the thespians especially the female actresses really knew about lighting as they were poised to pose for the camera, terrific!

A really fun film, a good show, a good show! Seeing Beverly run away into the night with roman candles exploding everywhere behind her made the flic for me, how about you?
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