Schön ist die Welt (1957) Poster

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4/10
The world may be beautiful, this film is not Warning: Spoilers
This is a movie that runs for slightly over 80 minutes and is almost 60 years old already. Operetta or Lehár lovers will maybe enjoy it, but everybody else probably not so much. The lead actor is Rudolf Schock and he plays also a character named Rudolf. The cast is not too known, at least to me. i only know Willy Millowitsch, mostly because of his daughter. I cannot even say the music in this film wowed me as it is basically only one song, namely the one in the film's title that they keep singing all the time (especially Schock) and from which we keep hearing the melody. The mountain landscapes are beautiful, but they cannot make up for all the overacting. Sadly, this is an issue for so many 1950's German films. Also, the script is not inspired at all. Basically everything that happens was somewhat predictable, especially the relationship between the two protagonists. Which was especially ridiculous as there seemed to not get along at all for pretty much the entire movie.

Director Géza von Bolváry (one of his last films) is one of Germany's most known filmmakers to this day and was incredibly prolific from the 1920s to 1950s, even if he only became 63 years old. This film has four writers and is a good example of how too many cooks spoil the broth. There are several weak scenes, but the negative highlight was probably the courtroom sequence and the random singing there, especially as Holm sounded like a cackling hen occasionally. It was also not funny to me with very few exceptions ("Meineid"), but humor was something else in the 1950s I guess. Not recommended. It's really only worth a watch to see how different movies were back then.
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2/10
Only for lovers of Franz Lehár's music
hassonickele7 August 2001
Forget the story! It's both ridiculous and unbelievable. As in many other German and Austrian films of this time, you can find high mountains, a blue sky and happy people. The story is only useful to fill the gaps between the songs of Renate Holm and German post-war comic-opera-star Rudolf Schock. This movie is only remarkable for the appearance of two Austrian actors. The one is the wonderful comedian Rudolf Vogel - his acting is also in this movie a guarantee for really comical moments (the other actors only pretend to be). The other is Peter Garden. The smart-looking Garden made a slow career after the war and at its peak it came to an sudden end. Shortly after he finally got his own show in German television called "Peter's Garden Party" (1970), his career as a very active and very tricky informer for the Gestapo during the war was covered up. What was thoroughly helpful after the war to start a career (or to extend it), was at that time, 1970, the end of it - even in Germany.
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