Directed by
| Frank Tashlin | ||
Writing Credits
| Frank Tashlin | ... | (screen story) |
| Frank Tashlin | ... | (screenplay) |
| Rudy Makoul | ... | (story) |
Cast (in credits order)
Produced by
| Ernest D. Glucksman | ... | associate producer |
| Jerry Lewis | ... | producer |
Music by
| Walter Scharf | ||
Cinematography by
| Haskell B. Boggs | ||
Editing by
| Alma Macrorie | ||
Casting By
| Edward R. Morse | ||
Art Direction by
| Tambi Larsen | ||
| Hal Pereira | ||
Set Decoration by
| Robert R. Benton | ||
| Sam Comer | ||
Costume Design by
| Sy Devore | ... | (costumes: men) |
| Edith Head | ||
Makeup Department
| Dean Cole | ... | hair stylist |
| Nellie Manley | ... | hair stylist |
| Harry Ray | ... | makeup artist |
| Frank Westmore | ... | makeup artist |
| Wally Westmore | ... | makeup artist |
Production Management
| Frank Caffey | ... | production manager |
| William Davidson | ... | unit production manager |
| Curtis Mick | ... | assistant production manager |
Second Unit Director or Assistant Director
| Lloyd Allen | ... | assistant director |
| Ralph Axness | ... | assistant director |
| Charles C. Coleman | ... | assistant director (as C.C. 'Buddy' Coleman) |
| Nat Merman | ... | assistant director |
| Hal W. Polaire | ... | assistant director |
Art Department
| Eugene Acker | ... | standby painter |
| Cline Jones | ... | prop shop |
| Robert McCrellis | ... | props |
| Barnard Schoefelt | ... | props |
Sound Department
| Charles Grenzbach | ... | sound |
| Gene Merritt | ... | sound |
| Bud Parman | ... | boom operator |
| Glen Porter | ... | sound recordist |
| Keith Stafford | ... | sound editor |
| Howard Beals | ... | supervising sound editor (uncredited) |
| John Smirch | ... | mike grip (uncredited) |
| Ted Wasserman | ... | sound cableman (uncredited) |
Visual Effects by
| Farciot Edouart | ... | process photography |
| John P. Fulton | ... | special photographic effects |
Camera and Electrical Department
| Mal Bulloch | ... | still photographer |
| James Grant | ... | assistant camera |
| Ken Hunter | ... | assistant camera |
| Howard Kelly | ... | gaffer |
| Joe Schuster | ... | best boy |
| Darrell Turnmire | ... | company grip |
| Leonard J. South | ... | camera operator (uncredited) |
Casting Department
| Alice Moriarty | ... | casting secretary |
Costume and Wardrobe Department
| Bud Clark | ... | costumes: men |
| Ruth Stella | ... | costumes: women |
Editorial Department
| Richard Mueller | ... | color consultant: Technicolor |
Music Department
| Robert Oates | ... | whistler |
| Israel Baker | ... | musician: violin (uncredited) |
| Arnold Belnick | ... | musician: violin (uncredited) |
| Mahlon Clark | ... | musician: clarinet (uncredited) |
| James Getzoff | ... | musician: violin (uncredited) |
| Justin Gordon | ... | musician: clarinet (uncredited) |
| Lily Mahler | ... | musician: violin (uncredited) |
| Gale Robinson | ... | musician: french horn (uncredited) |
| Walter Scharf | ... | conductor (uncredited) |
| Harry Sukman | ... | musician: piano (uncredited) |
Script and Continuity Department
| Marvin Weldon | ... | script supervisor |
Additional Crew
| Lionel Comport | ... | rabbit trainer |
| Rudy Makoul | ... | dialogue director |
| Jack Mintz | ... | assistant to producer |
| Art Sarno | ... | publicist |
| Yasushi Taguchi | ... | technical advisor |
| Snag Werris | ... | technical advisor |
| Al Peterson | ... | craft service (uncredited) |
