Tarawa Beachhead (1958) Poster

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7/10
The Good Cowboy and the Bad Cowboy
zardoz-1319 December 2009
Warning: Spoilers
"Battle of the Coral Sea" director Paul Wenkos' World War II epic "Tarawa Beachhead" qualifies as a grim, War-Is-Hell, combat movie about the U.S. Marines in the South Pacific. Kerwin Mathews and Ray Danton portray jarhead officers who clash because the latter is an ambitious but reckless glory hound while the former is a down-to-earth guy. This is one of those World War II movies were we were our own enemy. Many World War II movies during the 1950s adopted this inward look. Indeed, the Japanese adversaries are never given any lines and their perspective of the fighting isn't a part of the action. They remain the traditional enemy with whom we have no sympathy. They like to ambush G.I.s, play possum so they can kill again, and love to snipe at our guys. Meanwhile, Mathews and Danton buck heads because one believes the other murdered a soldier in cold blood. Danton argues that he was an accident, but earlier he had warned Mathews that he would shoot him for disobeying an order. Some brief, romantic moments occur in the middle of "Tarawa Beachhead," but the disposable love story never interferes with the action. As a matter of fact, once our heroes go off to fight the Japanese, the romance is dropped and we see nothing of Julie Adams.

U.S. Marine Lieutenant Joel Brady (Ray Danton of "The Rise and Fall of Legs Diamonds") sees war as "the key to the city." The action unfolds on Gaudalcanal in 1942 as Brady and his company cross the island. They come upon some caves where the Japanese have established deadly machine gun nests. Although they are in different theaters of operations, "Tarawa Beachhead" resembles the 1962 Don Siegel movie "Hell Is for Heroes. The G.I.s in "Hell Is For Heroes" found themselves pinned down by withering German machine gun fire. The G.I.s there resort to hand grenades and satchel charges to silence these pillboxes. Basically, "Tarawa Beachhead" is about Marines who have to blow-up pill boxes.

During the opening scenes on Guadalcanal, when they are contending with machine gunners concealed in caves, one of Brady's soldiers, Johnny Campbell (John Baer of "Riding Shotgun"), cracks up and runs. Brady guns him down Campbell with Sergeant Tom Sloan (Kerwin Mathews of "Barquero")watching. These two guys start out hating each other from the get-go. At one point, Sloan observes, "I want to see you blow-up green and stink like they're gonna stink." Such a comment to a superior officer is rather harsh. The sneaky Brody recommends Sloan for a field commission and Sloan winds up in New Zealland working for a high-ranking officer, General Keller. Sloan takes time out to visit Campbell's widow (the lovely Julie Adams of "The Creature from the Black Lagoon")and give her some of her late husband's mail. Keller uses Sloan on a secret mission to investigate the construction of new Japanese pill boxes and has Captain Brody lead the raid.

When they meet later, Brody calls Sloan and he the good cowboy and the bad cowboy. Sloan has lost none of his resolve now that he is an officer. He vows to Brody, "I'm going to take those bars and cut you wide open with them." Ironically, during a bunker scene near the end, Brody turns into a flesh & blood character who can no longer see the point of leading his men against such an entrenched obstacle.

Wendkos does a good job with a standard-issue war movie with some authentic combat footage cut into the action.
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6/10
Saw the movie being made
beauzozx3-738-83259122 July 2015
Warning: Spoilers
When I was a kid in 58 this movie was being shot right on Pass Ave. in Burbank, CA. It was in a field where they brought in palm trees and sand with pillboxes just off the street. My dad took 8mm movies of that I still have. I am watching the movie now and can see the scenes where they are fighting behind palm tree logs. Another thing, one of the characters by the name of Johnny Campbell murdered by the LT. is the name of my best friend from Burbank that was killed in Nam in 69. Crazy. Oh btw, the music is from "Here to Eternity". Apparently Screen Gems did all this on a shoestring. Ray Danton was a WB contract actor. Julie Adam was beautiful and her facial features seemed to be softly chiseled. Even when she aged she remained a very beautiful woman.
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6/10
B Movie Reuses Scenes from "Sands of Iwo Jima"
rogersde17 March 2019
Meh, it's a B movie from the 50s, running only 77 minutes. It's not terrible, but don't expect to see much that's accurate about the Battle of Tarawa...except perhaps for the justification for choosing the Central Pacific route to Japan rather than going exclusively through Australia, New Guinea, and the Philippines. As in "Battle Cry," another film concerning the 2nd Marine Division prior to Tarawa, much of the film is set in New Zealand, but some of the purported Kiwis have accents from no farther west than California and hair styles no older than the late 1950s. If you've seen "Sands of Iwo Jima," you'll recognize much of the battle and beach footage, just stuck into this movie in between dialogue scenes in order to avoid having to pay to stage it again, I guess. Some accurate, some inaccurate combat film is inserted; as for the latter, amphibious tanks and vehicles with Army markings spoil the mood if you're trying to get a feel for the real Tarawa, as do broad, sandy beaches and lush, intact vegetation. The hatred between the main characters is well done, and the villain is a good mix of hero and coward. The trope of the woman burned badly by losing a husband at war and determined never to fall in love again is on full display (as in "Battle Cry" and "The Americanization of Emily").
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Good acting enhances B-movie war escapade
Sleepy-1722 May 2003
A good story, a little tepid, but with a nice twist at the end. Kerwin Matthews (the best Sinbad), Ray Danton (Legs Diamond), and Julie Adams (Creature from the Black Lagoon) don't exactly form a triangle. Matthews gets to display the anger missing from his fantasy roles, Danton makes a complex bad guy, and Adams is gorgeous and sincere, a 50's version of Jennifer Conelly. Screenplay has some good lines (but not enough) by Richard Alan Simmons who wrote Incredible Shrinking Man (but not its story). If you like the actors, worth checking out.
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