Vengeance of the Three Musketeers (1961) Poster

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7/10
Part 2 of a 2 part French Production of The Three Musketeers
FromBookstoFilm19 February 2007
Warning: Spoilers
Spoilers I recently purchased the dubbed in English version of this 1961 production known in the United States as Vengeance of The Three Musketeers from Movies Unlimited and I was so glad I did. It is the story of the latter part of the Dumas novel which it follows quite well with a few exceptions. Everyone turned in fine performances and Gerard Barray in my opinion is the closest in physical type to D'Artagnan and one of best. The sets and costumes are authentic. Director Bernard Borderie did a fine job with this production. The Athos character is much like the Athos character in the book but in this version instead of the executioner executing Milady. Athos takes justice on Milady himself runs her through with his sword after she fatally stabs Constance (Milady murdered Constance in the same manner in the 1929 sequel to the 1921 version and in the MGM 1948 version,in the novel Milady poisons Constance) and attempted murder of D'Artagnan. D'Artagnan is abducted by the Cardinal's Men along with Constance but is released and seduced later by Milady de Winter. D'Artagnan was also abducted in the 1935,1939 and 1993 versions. In the novel Constance alone is abducted. This version retained the storyline of Milady seducing Felton into killing the Duke of Buckingham. In a departure from the novel D'Artagnan kills Rochefort and this was used in many Musketeer films 1929,1973,1993 and 1999 versions. In Dumas novel D'Artagnan and Rochefort become friends at the end of the novel but Rochefort and D'Artagnan become enemies once again in the Twenty Years After and D'Artagnan finishes him off. Milady's fleur de lis brand is on her upper back near the shoulder not on her shoulder. The Actor playing Cardinal Richelieu is well cast. He actually looks a lot like the paintings of the real Cardinal Richelieu. The Actor in the role of de Rochefort is the closest portrayal to character in the book only much more villainous.This is a fairly faithful adaptation that follows the complete novel and it is a keeper for any true Musketeer fan. If anyone should want to buy it definitely buy this with Part 1 known here in the United States as The Fighting Musketeers. I strongly recommend this 2 part Franco-Italian dubbed in English production. Other recommended complete adaptations are the Richard Lester films,the 1978 Russian production,1966 BBC Production,1948 MGM version a 1999 stage play to video production and the 2005 French-Canadian production D'Artagnan et les trois mousquetaires.
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7/10
A fairly amusing swashbuckler well starred by Gerard Barray as the intrepid D'Artagnan
ma-cortes30 January 2021
Spectacular and entertaining adventure with a lot of fencing about the four audacious Musketeers and the wicked Milady of Winter. This colorful second installment packs feats, derring do, romance and lavish scenarios. As dashing D'Artagnan goes on to take part of the Musketers under command of Lord Treville. This is the follow-up to former outing with same artistic and technician team. D'Artagnan : Gerard Barray assisted by his servant Planchet : Jean Carmet, along with his friends Musketeers, Athos :Georges Descrieres, Porthos : Bernard Woringer, Aramis : Jacques Toja unite forces to combat the villainous Milady of Winter: Mylene Demongeot. To carry out a merciless vengeance from the previous entry, Milady joins again her nasty allied : the treacherous Rochefort : Guy Delorme, and uncanny Cardinal Richelieu : Daniel Soriano against the Musketeers, King Louis XIII : Guy Trejan and Queen Anne : Francois Christophe. The previous bad guys confront the good guys, The Four Musketeers under the shout : "One for all and all for one".

A nice sequel to The Three Musketeers, shot back to back, being similar to the fist part. It contains thrills, emotion, luxurious palaces, glamorous costumes, a love story between D'Artagnan and Constance, as well as breathtaking sword-play. Gerard Barray giving a perfect D'Artagnan, showing splendidly his swashbuckling skills. While Mylene Demongeot is wonderful as the gorgeous but poisonous Milady of Winter. The motion picture was competently directed by costumer expert Bernard Borderie.

There are several versions based of the famous Alexandre Dumas novel, these are the following ones : 1921 silent rendition by Fred Niblo with Douglas Fairbanks. 1935 by Rowland V Lee with Walter Abel, Paul Lucas. The best version by MGM directed by George Sidney with Gene Kelly, Lana Turner, Gig Young, June Allyson, Vincent Price , Paul Lucas, Frank Morgan. 1973 by Richard Lester with Michael York, Oliver Reed, Richard Chamberlain, Faye Dunaway, Raquel Welch, Frank Finlay. 1993 by Stephen Herek with Charlie Sheen, Chris O'Donnell, Kiefer Sutherland, Oliver Platt, Tim Curry, Rebecca De Mornay. 2001 by Peter Hyams with Justin Chambers, Mena Suvari, Tim Roth, Stephen Rea . 2011 by Paul Anderson with Logan Lerman, Orlando Bloom, Matthew McFadyen, among others.
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7/10
French Adventure Flick with Gerard BARRAY
ZeddaZogenau22 February 2024
Sequel to the Musketeer classic with Gerard Barray and Mylene Demongeot

The lively fun continues here too. Of course, with a downside: a devil guarded by an angel! This can only go wrong!

Perrette Pradier remains a bit pale for me as Constance Bonacieux. The brave DÀrtagnan's comrades-in-arms also develop little life of their own, but they fight excellently. Georges Descrieres as Athos, Bernard Woringer as Porthos and Jacques Toja as Aramis fence and fight that it is a joy. As Cardinal Richelieu we see Daniel Sorano, who is a bit stingy with his scheming brilliance. A huge plus point of the film, however, is the character of Planchet, who saves DÀrtagnan more than once. Jean Carmet shines in this small but fine role. About ten years later, Jean Carmet (1920-1994) was there alongside Pierre Richard as a sidekick of "The Big Blonde with the Black Shoe", who first caused a storm of enthusiasm at the 1973 Berlinale and then in West German cinemas.

As a fan of cloak-and-dagger films, you can't go wrong with either film. Great battles, attractive actors and lots of French flair!
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Deuxième Epoque
dbdumonteil12 July 2012
When TV was not very common in France ,some theatrically released movies looked like miniseries,divided into two parts called "Epoques" ;this is the second part of "Les Trois Mousquetaires" called "Milady's revenge".

At the time,it was the swashbucklers craze and when they could not get Jean Marais,they hired his then alter ego Gérard Barray who was to become a specialist of the genre (see also "Pardaillan").

Bernard Borderie was a costume drama specialist,and he was about to hit the big time with his "Angelique Marquise Des Anges " saga which,unfortunately ,did not do the excellent books justice.

The same can't be said of this poor adaptation;Borderie once said he had to hide the paucity of his budgets with beautiful costumes,nice cinematography (wide screen)and plenty of horses :it shows here:neither the events in England nor the siege of La Rochelle are shown on the screen;even the death of Milady is botched (no "Bourreau De Béthunes"!) Mylène Demongeot is an attractive Milady but she is sadly unsupported by a poor script;Barray is dashing and has plenty of go;the three musketeers have a relatively short time on the screen .

NB:Gerard Barray has made few movies after the sixties,but one of them is a masterpiece :Amenabar's "Abre Los Oyos" ,the part of Serge Duvernois ,from L.I.,remade as "Vanilla skies".
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revenge
Kirpianuscus7 September 2022
The lovely second part of the adventures of musketeers. Same seductive air of well choreographed fight scene, twists, villains against noble fighters for justice.

A virtue - the chance to admire more Mylene Demongeot as Milady and, sure, the new level of the romance between Constance and D'Artagnan. The nostalgia, a sort of sweetness, beautiful costumes, noble ideals, doses of naivety are few virtues of this film about kidnapping, true love, tensioned situations and fair solutions .

In short, just delightful show, in which the lines of novel are fresh behind loyalty of director and a delicate world comes to life in admirable manner.
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