A senator returns to a Western town for the funeral of an old friend and tells the story of his origins.A senator returns to a Western town for the funeral of an old friend and tells the story of his origins.A senator returns to a Western town for the funeral of an old friend and tells the story of his origins.
- Nominated for 1 Oscar
- 4 wins & 3 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJohn Wayne suggested Lee Marvin for the role of Valance after working with him in The Comancheros (1961).
- GoofsWhen teaching his students, Ransom asks what the supreme law of the land is. When a pupil (Pompey) gives the correct answer of the Constitution, he incorrectly tells him the right answer is the Declaration of Independence. The Declaration is a statement of principles and a justification for the colonies' rebellion, but certainly not law in any way.
- Quotes
Ransom Stoddard: You're not going to use the story, Mr. Scott?
Maxwell Scott: No, sir. This is the West, sir. When the legend becomes fact, print the legend.
- ConnectionsEdited from Tales of Wells Fargo (1957)
- SoundtracksMain Theme
(The Dew Is On the Blossom) (1939) (uncredited)
from Young Mr. Lincoln (1939)
Music by Alfred Newman
Featured review
John Ford's Meditation On The Passing Of The Wild West
Based on a short story by Dorothy M. Johnson, THE MAN WHO SHOT LIBERTY VALANCE tells the story of Ransom Stoddard, an eastern attorney who has the misfortune to be victimized by notorious outlaw Liberty Valance during a stagecoach robbery. Left for dead, Stoddard is rescued by rancher Tom Doniphon and brought to the small town of Shinbone. Disgusted by the lawlessness of the area, he determines to use not a gun but the law itself to end Valance's reign of terror.
Released in 1962, VALANCE was among the last films directed by John Ford, who was more closely associated with the Western than any other Hollywood director--and in one sense it certainly has the classic "good guy vs. bad guy" plot one expects from from a western classic. But Ford was not a superficial artist, and VALANCE is a remarkably multi-layered film that plays much deeper than you might expect.
Tom Doniphon is all that is right about the west; Liberty Valance is all that is wrong. But both are part and parcel of the same code, a society in which law and order are merely words on the lips of a cowardly marshal, a world where a man either dominates through fear or is dominated by it. It is a world that is coming to an end--and Rance Stoddard is in the vanguard of the new civilization. Both Doniphon and Liberty must fall before Stoddard if the worst of the west is to be tamed.
The cast is superior. James Stewart (Stoddard) and John Wayne (Doniphon) have unexpected chemistry on screen, and Lee Marvin (Valance) is easily one of the most unpleasant black-hats you could ever want to see in a western, vicious to the point of being psychotic. Supporting players Vera Miles, Andy Devine, Edmund O'Brien, and Woody Strode are equally fine. Although the script is occasionally a shade overwrought, it is laced with a very fine irony and sense of loss, and John Ford brings all the various pieces together without beating the viewer to death in the process.
GFT, Amazon Reviewer
Released in 1962, VALANCE was among the last films directed by John Ford, who was more closely associated with the Western than any other Hollywood director--and in one sense it certainly has the classic "good guy vs. bad guy" plot one expects from from a western classic. But Ford was not a superficial artist, and VALANCE is a remarkably multi-layered film that plays much deeper than you might expect.
Tom Doniphon is all that is right about the west; Liberty Valance is all that is wrong. But both are part and parcel of the same code, a society in which law and order are merely words on the lips of a cowardly marshal, a world where a man either dominates through fear or is dominated by it. It is a world that is coming to an end--and Rance Stoddard is in the vanguard of the new civilization. Both Doniphon and Liberty must fall before Stoddard if the worst of the west is to be tamed.
The cast is superior. James Stewart (Stoddard) and John Wayne (Doniphon) have unexpected chemistry on screen, and Lee Marvin (Valance) is easily one of the most unpleasant black-hats you could ever want to see in a western, vicious to the point of being psychotic. Supporting players Vera Miles, Andy Devine, Edmund O'Brien, and Woody Strode are equally fine. Although the script is occasionally a shade overwrought, it is laced with a very fine irony and sense of loss, and John Ford brings all the various pieces together without beating the viewer to death in the process.
GFT, Amazon Reviewer
helpful•196
- gftbiloxi
- Jun 11, 2007
- How long is The Man Who Shot Liberty Valance?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Covek koji je ubio Liberti Valansa
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,200,000 (estimated)
- Runtime2 hours 3 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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By what name was The Man Who Shot Liberty Valance (1962) officially released in India in English?
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