Stakeout! (1962) Poster

(1962)

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5/10
Offbeat, seldom-seen very low-budget film
rooster_davis18 May 2008
Warning: Spoilers
Some films have a big budget and a crummy story; others have a small budget but a decent story, and that's the case here. The father (Joe Sr.) has just been released from prison, where he has been serving a three-year sentence for robbery, a crime he committed only out of desperation. He is determined to go straight. His son Joey (or Joe Jr.) has been abandoned by his mom and has been in an orphanage for three years. When dad gets released from prison, son runs away from the orphanage to meet up with him and try to make a new life together. They walk, hitch-hike and even ride a freight car along the way. There are ups and downs but they make it to Texas and at last Joe Sr. has a decent job. He gets an apartment for the two of them, and even Joey is working, mowing lawns for the landlord. It looks like things are really working out for them, until dad's past catches up with him. He gets fired for lying about his prison record, then he can't get hired anyplace else when he does tell the truth. Out of desperation he cooks up a kidnapping with a couple of other characters. At the end of the story he is killed while his son Joey looks on. Trying to console Joey, the police tell him that his father died a hero because he saved the kidnap victim from being killed by the other kidnappers.

This was indeed a low-budget film but it really didn't call for a large budget. The story drove home the bond between father and son. Was it a little 'mushy' in places? Maybe, but I didn't mind. On Joe Sr.'s birthday he loses his job and drowns his sorrows at a bar, then comes home to find Joey fallen asleep waiting for him to get him from work, with a birthday present and cake for him. The boy either doesn't notice or pretends not to notice that his dad is drunk and they have their little party anyhow. Together, they were 'Big Joe - Little Joe', no matter what. All this makes the ending credible when the father gets shot and the son is so distraught.

Billy Hughes Jr. stole this movie. It was one of his first roles, and only his second movie, but he had a real gift for acting. The shame is that truly talented kids such as Hughes are forgotten while many modern-day kid actors nowhere near as good become wealthy and famous for much less worthy performances. In the ending scene when Joe Sr. has been killed, Billy Hughes Jr. became so involved in the crying scene during the filming that Bing Russell (who played Joe Sr.) had to slap his face to get him to come out of it. Sadly, Hughes' acting career was cut short when he had to leave Hollywood several years later, supposedly for family reasons. He did make dozens of appearances between film and TV and they are worth seeing.

It's too bad that some older films like this are almost never shown on TV (though I believe Turner may have this one in their library). Yes, it's only black and white, and no, there's no sex or vulgar language or big-name stars, but there is a good story and engaging performances. If you can stand to watch a movie that has 'only' those things going for it, you might enjoy this movie.
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5/10
A little mushy, but interesting.
Glenn-829 August 2002
Warning: Spoilers
A basically honest guy, who made a "mistake" and paid for it with a jail term, re-unites with his son and tries to build a new life and shake off his unfortunate past. The film does a good job of showing the frustrations and temptations that ex-cons who are trying to go straight might have to suffer through. I have a low tolerance for mushiness, though, and there was enough of it here to make me squirm a few times. I'm talking about long, protracted displays of affection (or maybe I should say "chumminess") between the father and son, here only for the purpose of demonstrating what a nice guy Pop is. But anyway, Bing Russell does a workman-like job with the father role, and Billy Hughes, as the son, is BURSTING with personality. Most of the rest of the cast comes off well enough, particularly the black hobo in the boxcar who gives Junior a lecture on morals. Pop and Junior thumb and hoof their way through a few states of the southwest, with Pop trying to find and keep a steady job so he can provide for Junior. No such luck though, because his criminal history keeps getting revealed, causing his current boss to let him go even though he's done nothing wrong (lately). Finally, out of desperation, Pop teams up with some gangster friends (you can recognize them by their suits) to kidnap the son of a former employer. Here the film turns a bit amateurish, and what is supposed to be a shocking crime ends up being almost hilarious. Everything looks like it's going into the toilet, but then the film saves itself with a surprisingly exciting confrontation between the cops and the kidnappers, and a satisfying gunbattle with a tragic ending which sets the scene for more mush, as Junior mourns his dead father. Well, I really don't mind the mush here as it makes a fitting ending and Billy does a fine job with it.

Only one thing confuses me - if a kidnapper relents a little and sets the kid free during a shootout with the cops, does that make him a "hero"? Wouldn't it be better to not snatch the kid in first place?
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4/10
Model father tries a snatch
bkoganbing19 October 2013
Incredibly cheap production values and lousy direction prevent me from giving this film a higher rating. But there was a nice chemistry between father and son Bing Russell and Billy Hughes that smooth over a lot of the cheap.

Bing Russell plays an ex-convict who snatches his son Billy Hughes from an orphanage in San Antonio. He was oil driller who robbed a payroll when he desperately needed money and paid for it. He'd like to go straight, but no one will give him a chance.

When oilman Bill Hale does hire him under an alias, he fires him when someone rats him out. So this model father together with a pair of his running buddies kidnaps his employer's son for $100,000.00 dollar ransom. That particular crime doesn't compute with Russell's relationship with Hughes.

Stakeout was a Hughes family project and young Billy did have a short and good career as a child actor. All his subsequent work was with project on the big and small screen with far bigger budgets.

And it's a tribute to him that he even had a career after this one.
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