Mensch und Bestie (1963) Poster

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6/10
West German War Drama with Götz GEORGE
ZeddaZogenau31 January 2024
Warning: Spoilers
In 1963, this West German-Yugoslav war film was shown in the BERLINALE competition. Directed by Edwin ZBONEK, who also shot the two Bryce Edgar Wallace film adaptations THE MAD EXECUTIONERS (1963) and THE MONSTER OF LONDON CITY (1964), an exciting story from the time of the Second World War was created in Zagreb and Kikinda .

Franz Köhler (Götz GEORGE) is imprisoned in the Mauthausen concentration camp. His half-brother Willy (Günther UNGEHEUER) works there as an SS guard. One day Franz manages to escape. He is then followed by the security guards. His half-brother Willy becomes his most relentless pursuer...

A historical drama turns into an action-packed cat-and-mouse game that, although incredibly exciting, is not exactly appropriate for the seriousness of the situation. Günther UNGEHEUER is convincing as the diabolical SS half-brother, and EUROPEAN FILM AWARD nominee Götz GEORGE (he was nominated for AFTER THE TRUTH in 1999) can demonstrate his performance in various Karl May classics (TREASURE OF THE SILVER LAKE (1962), AMONG VULTURES ( 1964) and WINNETOU AND THE CROSSBREED (1966)) make full use of the action skills they have acquired. The production doesn't make it clear enough why the relationship between the two half-brothers is characterized by such hatred. As producer, Artur BRAUNER from CCC FILMKUNST probably pushed for a few cuts, so that after its showing at the BERLINALE, the film was not shown again in West Germany until the 1970s.

The rarely shown West German war film is definitely worth seeing, as it also shows the misery of the oppressed population, who come into contact with the deadly duel between the hating half-brothers as they pass by.
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5/10
COLD AND UNINVOLVED
J. Steed18 May 1999
Götz George has a fine role here, but that is about the only feature of this WW2 film. Director Zbonek never gets a real control of things, the film is cold and uninvolved; and a real tension in the relationship between the two brothers is never established. With some doctoring on the script we could have been spared an introductory exposé that is awkward and very 60's-modern, and that is rather separated from the main story.

One of the many WW2 films that only repeat WW2 without adding something new.
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