User Reviews

It's always quite a painful and embarrassing establishment having to admit after watching a movie that the opening credits were, in fact, the best part. My mate and I got suckered into watching this Spanish/German co-production because of the appealing title in English – "Man Eater of Hydra" – and because we saw a little preview of the credits, which are animated and really look like a lot of fun. The film itself, unfortunately, never at one point surpasses the level of mediocrity, but it's still very endurable in case you're a tolerant fan of cheap 60's Euro-exploitation and/or an admirer of the charismatic B-movie villain Cameron Mitchell. I was quite intrigued to discover here on the IMDb that director Mel Welles also co-directed the Roger Corman vehicle "Little Shop of Horrors" (albeit unaccredited), as that particular no- budget classic actually has fairly many components in common with this "Man Eater of Hydra". With a slight bit of imagination, this film could even have been titled "Little Shop on Horror Island", because it likewise deals with murderous plants on a rampage. An assembly of stereotypical, and thus very dim-witted, tourists goes on an excursion to Baron Von Weser's island to visit the famous botanical gardens. Immediately upon their arrival, the witness the gruesome death of one of the Baron's servants, but he assures the group that this man was ill since a very long time already. Still, the cadavers start piling up and all the blood has been drained from their bodies. The stupider guests begin to believe in the old legend of a vampire living on the island, but the smarter ones gradually discover that the Baron is secretly experiencing with crossbreeding flesh-eating plants. "Man Eater of Hydra" is slow-paced and cheaply produced, but it could still be entertaining if you watch it with the right mindset. Instead of anticipating suspense and bloody carnage, please yourself with spotting all silly dialogs and obligatory horror clichés, like thunderstorms and grisly looking servants. The film could also be discovered as some sort of homage to those typical "Mad Scientist" horror movies of the 30's and 40's, in which the role of evil genius on his private island was standard played by either Boris Karloff or Bela Lugosi. From that point of view, Cameron Mitchell was a terrific choice to play the Baron, as he always drags this sinister aura around with him. And hey, even if you end up hating the film, at least admit that the crazy animated opening credits were fantastic.

n upbeat, typically sixties animated credits sequence leads us into this strange but not totally successful flesh-eating plant film. If you're going to deliver a weird plant film – give us more weird plants and less inter-personal drama!

A group of rubes are talked into taking a short cruise an a botanical tour of an almost deserted island. Amongst those travelling are a drunken slutty wife and her boring husband, a lady who loves talking pictures of everything, a young girl (Elisa Montes – a regular Western actress), a young guy, and a botanist, who is the only person who would realistically want to go on a tour like this. Things take a turn for the worst almost right away when an old man covered in weird wounds stumbles in front of the car and dies.

Cameron Mitchell shows up as the Baron who own the usual big scary mansion and tells everyone not to worry about the dead guy as he was insane and sick anyway (the old woman takes a picture of the corpse for good measure). Cameron, who is dubbed by someone else, explains that he's got all sorts of weird plants everyone can have a look at (and I admit I drifted away from his botanical jibber jabber – and I have an allotment!).

He's still gibbering on about nitrogen in the soil or what not during dinner, but at least he dishes up a cucumber that tastes like beef! This leads to more jibber jabber, plus there's the twin brother of the dead guy that frightens the crap out of people, and apart from the strange porcupine plants he shows them, the film settles in for people bickering for a while when we should have more footage of whatever strange plant is sucking people's blood out.

I guess people go on about the ending as it's the only really interesting part of the film. Turns out there's this huge tree that attacks people and Cameron wanted to feed it the tourist, plus the thing spews blood everywhere when you hit it with an axe. It's very possibly that I would have liked this film more if the print wasn't full screen, jerky and twitchy, but then again the film did say 'Starring Cameron Mitchell' so what was I expecting?

Killer plants will return to Euro-cinema in Contamination .7!

Cameron Mitchell will return to crappy films as a mad doctor in Nightmare In Wax, a crappy overacting criminal in Greek giallo Medusa, a member of the KKK in the Klansman, as whatever he was in the slasher film Haunts, a terrible psychic in shitty South African slasher film The Demon, a cop versus Satan in The Nightmare Never Ends, a mumbling cult leader in Martial Arse film Low Blow, a grizzled bar owner in great eighties action film Codename: Vengeance, and also as a crooked country park owner in Memorial Valley Massacre – and those are just the Cameron Mitchell films I own!

In spite of one of the alternate release titles making this obscure little film sound as if it concerns the hungry amblings of a tiger, it's actually a taut little horror entry concerning a blood-drinking tree which preys on the unwary visitors to an isolated island.

I caught this one on late night television in the early 1970s, and bits of it still stick with me, due to a certain nastiness in the effects work. Cameron Mitchell seems to be a researcher who is studying a bizarre tree which literally drains the life from anyone unwise enough to sleep within groping distance of its slim, mobile branches.

Constructed like a willow, the creature is capable of extending whiplike branches and fastening a cuplike sucking "mouth" to a victim. From there on, things are strictly downhill.

Not strictly a carbon copy of other "plants gone bad" films, such as THE WOMAN EATER or NAVY VS. THE NIGHT MONSTERS, ISLA reflects the stronger attempts many European producers were attempting in order to draw in the jaded horror film crowd. Over the years, this desire to punch up the graphic content resulted in such unique entries as the Blind Dead series and the deja-producing BLOOD AND BLACK LACE.

Needless to say, though creepiness was evoked, the inclusion of stronger content or wilder plot tricks didn't necessarily ensure boxoffice success.

Not Mitchell's worse, but miles below the early promise he showed in his film career.

Nothing about the plot makes any sense. A bunch of strangers get talked into a tour of an island that ends with the car hitting a man at full speed. But they are at the end of a castle's driveway and just leave the body and go stay at the castle. What?? That's not a spoiler, that's the first five minutes. They somehow all know each other's names, even though they were never introduced and have only been together a few minutes. After that it gets very slow but never makes much more sense. I hope that it all made more sense before being dubbed but in English it's just terrible. Never watch this.

"La isla de la muerte" (alternately called "Island of the Doomed" and "Maneater of Hydra" in English) is the sort of movie that only three people could present: Elvira, Joe Bob Briggs, or at least one of the guys on "Mystery Science Theater 3000". I saw it on Elvira's show. It's basically a "Day of the Triffids" ripoff. A bunch of tourists go to an island where a man is breeding carnivorous plants. Naturally, the whole thing is an unintentional laugh riot. To be certain, the character Myrtle reminded me of Kyle's mom on "South Park", while the character David looked how Tony Randall would look if left in the microwave too long.

Anyway, it's the sort of thing that you watch for pure entertainment. When the Mistress of the Dark presented it, she naturally added no shortage of campy commentary (namely that a plant-themed movie has a character whose last name is Moss).

PS: director Mel Welles played the flower shop owner in the original "Little Shop of Horrors".

Innuendo bingo throughout. " You almost touched my giant......gardenia. As for the makeup artist(?)... the eyebrow pencil is a bit excessive on the men! Fun movie tho.

A group of tourists vacationing in the Mediterranean visit an island occupied by botanist Baron von Weser (Cameron Mitchell). They decide to stay for a few days unaware that the baron has carnivorous plants that feed on blood. It all comes to a bloody end on a dark and stormy night.

It's cheaply done with bad dubbing, a lousy music score, terrible acting and poor special effects but it moves quickly and (for 1967) it's pretty bloody. Also Mitchell's OTT performance is amusing. Worth a look at least once.

I agree with several of the posters here. I'm hugely attached to European horror films (especially Italian ones, which this isn't, though I always thought it was), but even considering that, I think it's really enjoyable. It's a shame (as one poster says) that Cameron Mitchell didn't do his own character's voice, but that's about the only hitch. One accidentally comical thing is that "Mrs. Callahan" (who's played by an actress with a Spanish name) has dubbing that makes her sound for all the world like a comical "yenta" character! This film also has one line that isn't hurt AT ALL by the dubbing. After the baron kills "Professor Demarest," he calls in his servant to get rid of him. Then he says, "Use discretion. He was a nice man." To me, this is one of the great "ironic" lines used by a horror movie villain!

Maneater of Hydra was a regular part of the Creature Double Feature program rotation, which aired in New England during the 70s-80s showing monster/sci-fi movies. I remembered this one vividly, for it features a vampiric tree killing the visitors to a mad baron's island. Z-grade movie regular Cameron Mitchell played the Baron. Memories of the film were better than the actual movie, which I managed to hunt down 20 years after last seeing it, but I still find in enjoyable and there is a great B-monster payoff in the last 15 minutes. The animated opening credits with orchestrated music is worth the price of admission alone.

Maneater is a great bit of nostalgia, bringing back childhood memories of rushing home every Saturday to catch Creature Double Feature, spending 3 hours of the afternoon watching the cheesiest movies ever made, and having a blast doing it. This film isn't as bad as people would have you believe.

"Maneater of Hydra" (1966) was a delirious Spanish-German horror tale that aired 5 times on Pittsburgh's CHILLER THEATER from 1969-1972 (I missed it, too young). The dubbing isn't as bad as it could have been, and Cameron Mitchell does not dub his own voice, but it certainly had a weird atmosphere that 1962's "The Day of the Triffids" couldn't match. Obscure in its day, and even more so now, this is a perfect example of the types of features that we enjoyed in the days of late night movies-till-dawn, replaced by dull-as-dishwater paid programming and network gabfests indulging pseudo-hipsters with rabid young audiences that have never experienced anything else. These titles can be difficult to find, and this one was no exception, with a starring role for Cameron Mitchell, who gets to dominate the screen from start to finish. It doesn't work as a mystery because we already know that Baron v. Weser is up to something with his carnivorous plants, feeding a mouse to one, while a fellow botanist steals a cute bunny rabbit to do the same with an unseen creation outside. The director is veteran Roger Corman actor Mel Welles (working behind the camera primarily in Europe), immortalized for his marvelous turn in 1960's "The Little Shop of Horrors," which also dealt with a bloodthirsty plant (he would later direct 1972's "Lady Frankenstein" for Corman's New World Pictures). Welles had just finished an acting part in 1965's "The She-Beast," shot in Italy and Yugoslavia by 21 year old cult director Michael Reeves, and remained in Europe for the remainder of the decade. Cameron Mitchell was coming off a starring role in "Nightmare in Wax," another CHILLER THEATER regular, no stranger to European cinema, whose best work came in the Swedish "Face of Fire" (1958), in a rare sympathetic turn. This must rank as one of his best horrors, with a remarkably grisly climax for its period. He remained busiest in Italy, and frequently collaborated with genre pioneer Mario Bava, particularly on the 1964 cult classic "Blood and Black Lace," which aired 6 times on CHILLER THEATER (quite a showcase for rabid horror fans like myself). "Maneater of Hydra" may not be a classic, but I never found it dull, definitely worth a look.

Back in seventies a lot of obscure European movies mostly from the sixties used turn up lot on late night television and then seemed to vanish, going back under the rocks they seemingly came out from under. However, recently many of these films have recently surfaced on small video labels. Often these film starred either European casts unknown in the U.S.A. with anglicized names in the credits and/or as in this case, American stars who had fallen on hard times. In this film Cameron Mitchell, whose voice appears to have been dubbed by another actor, plays Baron Van Wiser, an evil scientist who has been creating monstrous plant mutations. He invites an assorted group of characters to visit his island estate, where one by one the guests become meals for his creations.

The film was shown on American television as MAN EATER OF HYDRA, although the plants really don't eat anyone, they suck their victims blood like a vampire. The murderous plant, which we really never get a good look at (perhaps we can be thankful) resembles a yew tree with weeping willow like branches. At the end of the branches are flowers whose stamens do the blood sucking. The killer trees are apparently able to walk, but we never see them walking. It's unclear why the baron invited the visitors, but apparently he wanted them as food for his creations. The baron tells a botanist visitor the he wants to keep his discoveries secret. The baron seems to think having a group of visitors to his island all end up dead isn't going arouse any suspicion, even though the island would be crawling with police once word got out the hapless visitors were reported missing. Why is it these mad scientists/crazed maniacs never lure people who go un-missed like tramps, cheap hookers, homeless bums for their evil purposes?

MAN EATER OF HYDRA (or ISLAND OF THE DOOMED) is one of dozens of cheaply made 1960's shockers from Europe. This film is slightly more entertaining then most these films. The film tries to drum up some atmosphere, throws in a little sex, and provides a few good shocks, but like most of these cheap sixties European shockers, there is an air "lets get this thing over with" attitude prevailing over the film.

Mysterious and ghastly movie dealing with the suspicious Baron von Wesser : Cameron Mitchell who lives at a island with exotic botanics and he owns strange plants with special penchant for a peculiar specimen . A group of tourists : Jorge Martín, Elisa Montes , Ricardo Valle , Kai Fisher .... arrive in the island , discovering bizarre secrets . Then the unfortunate tourists start dying one by one , as an obscure being is draining the blood the killed people through a small hole in the face cheek . What was the terrifying secret if the vampire tree .? You'll never forget ! .. The clutching horror ! Made to kill or love on command !!!. Death stalking vegetation devours human blood !

This is an offbeat , spine-chilling terror film , including supernatural events , packing tension, suspenseful, exploitation, shocking scenes and lots of blood , gore and guts with primitive but functional FX . This Island of the Doomed takes parts here and there of the classic "The Day of the Triffids" 1963 by Steve Sekely in which some survivors face off walking , carnivorous plants . Resulting to be an eerie and bizarre film with thrills , chills and rousing finale with plenty of blood , gore and shocks. Stars Cameron Mitchell experimenting with bizarre horticulture and crossbreeding dangerous varieties of plants , he plays competently as as a mad doctor whose practises leading to fateful consequences . He is well accompanied by a good Spanish cast, such as : Jorge or George Martín as the hero who takes on the ominous enemy , the beautiful Elisa Montes , the veteran Matilde Muñoz Sampedro, Ricardo Valle as Alfredo , and German actors as gorgeous Kai Fisher , Hermann Nehlsen , among others.

It displays a moving and chilling musical score by compose Anton García Abril . As well as colorful cinematography by Cecilio Paniagua and Juan Marine. Although photography needs a perfect remastering , being it really necessary because of the film copy is washed-out . Shot on location in Arenys de Mar, Sant Feliu de Codines, Barcelona, Catalonia , Spain. The motion picture was regularly directed by Mel Welles and Ernst Ritter von Theuner , though the final part turns out to be really breathtaking and thrilling . This B-actor and director Mel Welles was a second-class craftsman who made some films in all kinds of genres such as : "Joyride to nowhere , Lady Frankenstein, , The Last Mercenary , Hellow Glen Ward House Dick, A quiet Business and Code of Silence" . Rating : 5.5/10 . Acceptable and passable . The flick will appeal to 60s terror fans .

I hadn't watched this film for about 15 years, but after watching it again I must say that it works quite well. There is an excellent sense of atmosphere created, and Cameron Mitchell underplays his part more in the manner of a Karloff than of a Lugosi (as this is really an update of the old "mad doctor" films of the 30s and 40s). We take six diverse people--an unhappy married couple with a younger wife, a scientist, an older eccentric lady who is voiced in a Fran Drescher manner, a heroic young man (George Martin), and a desirable young woman for him to be interested in--who choose to vacation at the estate of a Count who is engaged in odd scientific research, and watch them deal with the gradual sense of doom...and the gradually more aggressive killer plants developed by Cameron Mitchell. The film is well-paced, and it leads to an exciting climax. MANEATER OF HYDRA/ISLAND OF THE DOOMED must have looked great on a massive drive-in screen back in 1967--it's still worth seeing today for the fan of 60's Euro-horror and for fans of the great Cameron Mitchell (although Mitchell does not dub his own voice).

The heroine in the clutches of a vampire tree, the hero leaping to her aid with an axe - slashing at blood-sucking branches with his weapon - then being attacked by the mad scientist who created the tree, also with an axe!

An axe battle between the two, under the writhing blood-sucking branches, in the middle of a rain-drenched thunderstorm. GREAT staging! What happens next is bloody (incredibly bloody, in fact), outrageous, melodramatic, over-the-top, and (dare I say?) EXCITING!

Now come on - isn't that last ten minutes worth the previous hour and 20 minutes of bad dubbing and odd characterisation?

And what the HELL is that old German woman gibbering on about?

Fans of Man-Eating Plants should check out the Mel Welles site.

I saw this film in the early 70's on our local Saturday afternoon movie called Monster movie Matinee.

This film for some reason stuck with me for over 50 years and have always wanted to see it again.

At last I have found it in TubiTV!

I never knew the title, but remember the opening scene the characters driving on the island.

Apparently, after reading the reviews the film struck a chord with others 😂 I'm just glad at last I found it!