This early work by the Findlays signaled the in depth creativity and intellectualism within the sleaze genre. It's hard today to gage why anyone would explore this route. But if you combine the uncovering sexuality sweeping the garbage strewn streets of downtown New York, it is most apt. This move is less shock value than their later films, but much more ethereal, cerebral and philosophical. The poetry goes deep, beyond any significant plot line. The whole film itself is a tone poem for the disaffected, the frustrated, the utterly desperate. It projects itself clearly over what are simply a series of nudie shots, then cutting to the most decrepit Bowery Bum you ever saw. Michael Findlay, looking slimmer and strong couldn't bring himself down enough to play the main role, spying on his own wife. Roberta has a nice bod, but has an overbite. Combine that with her horrible Queens accent and you know why she rarely performed on camera. Iv'e watched 26 minutes of this film so far and I think it's one of the Findlay's finest! I wonder who would have associated with this weird couple back in the way-out 60s. Unless you were working for them, probably no one. Yes they were weird alright, but far ahead of their time, someone should write a book about them.