Coplan sauve sa peau (1968) Poster

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6/10
Arty, offbeat, drawn-out
gridoon20246 July 2010
Warning: Spoilers
Some pluses: Margaret Lee (in a dual role). Margaret Lee performs one of the sexiest belly dances EVER. Authentic location shooting (around Istanbul for the first half, then at a remote fortress with multiple castles, surrounded by hills and valleys). Some offbeat (for the genre) touches - like open incest (!), and an assassin who can't stop eating. An inexplicably compelling villain. A whip-cracking, knife-packing, horse-riding Amazon villainess. Some technique in the fighting.

Some minuses: The film is very drawn-out. Many talky scenes in the first half with characters who turn out to be unimportant. A boring hero who has the same pained expression on his face for about 95% of the time (he's good at the action parts, but that's about it). Occasional feeling of pretentiousness (like in the scenes with Klaus Kinski, playing a weird sculptor).

Ultimately, this film is a mix of parts that you need to see and parts that you can do without. If you're looking for an almost arty take on the spy genre, it is worth catching. **1/2 out of 4.
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Deserves to be watched.
dbdumonteil3 December 2002
Yeah,and in spite of the very poor rating.At the time ,France was trying to make its own James Bond movie.So they made a lot of OSS 117,Coplan,and other secret agents from the deuxième bureau.All of these attempts failed dismally because of the poor screenplays and the shoestring budgets which couldn't hold a candle to Salzman-Broccoli productions.

"Coplan sauve sa peau" is a different matter because the director is ,well,a true director:Yves Boisset was to become later an important -and often politically committed- auteur with such works as "RAS" (Algeria war) ,"Dupont Lajoie" (racism) or "Allons Enfants" (WW1).It is his first effort and it's really something that should be restored to favor.I'm sure Boisset was not that much interested in Paul Kenny's hero and novel.The screenplay is sometimes impossible to decipher anyway.It's much more the treatment,the atmosphere that matters .There are a lot influences here,particularly "the most dangerous game" and Count Zaroff whose shadow hangs over the ending;the two sisters recall "Vertigo" ;the dwarves Tod Browning and "freaks" ;Bernard Blier 's murder the Italian horror movies ;the fortress and its last door "secret beyond the door".But there are also hints at Greek mythology:the hunting which may (or may not) have been an ancient Hittite custom;Pandora's Box ;the gorgonia.Besides ,except for the last sequences,the hero is no longer the strong he-man:most of the times ,he seems to be completely overtaken by events .He's got his arm in a sling during the first third.The dialogue remains often obscure and the supporting cast-Bernard Blier,Jean Topart,Jean Servais- much better than the leads , gives a very nice tongue-in-cheek performance.

No masterpiece,but much better than most of spy thrillers of the sixties.
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