User Reviews

Lots of more or less recognizable faces in this El Cheapo Production, most of them over the hill. Of the half dozen astronauts who travel to Venus, Bobby Van is a baby-faced wisecracker, Daniel Wilcoxin started out in movies in 1931, the ligneous Grant Williams' best-known role is as an incredible shrinking man, Ruta Lee is a determined doctor of cosmology or cosmetology or something, Mala Powers was Roxanne in the Oscar-winning "Cyrano de Bergerac" twenty-two years earlier. But I kind of liked the line up. Any cast with two dancers among the principals -- Bobby Van ("Kiss Me Kate") and Ruta Lee ("Seven Brides For Seven Brothers") -- is okay with me.

And with that, the accolades disappear into outer space. The acting is perfunctory. The dialog is formulaic -- full of phony technological static. "Don't change your azimuth because we can only give you two degrees of yaw on the nose." The inside of the space ship is bigger than my living room. Hell, it has more square footage than my entire mobile home. And its only furniture is six chairs for the astronauts, and the chairs are recycled recliners.

I didn't get past the space ship's journey to Venus but I know from the diligent research I've done that the plot has something to do with a Doomsday Machine that the Chinese Commies have buried two hundred miles deep in the earth. When it blows, it will set all the faults of all the earth's plates in motion. (Better that, than that they should dump their dollars and start investing in Euros.) To be honest, I knew I'd never be able to handle it shortly after the launch of the space ship. The director must have dozed off. I can understand some tense radio exchanges about technical junk but the scene dragged on and on -- and on. And -- NOTHING HAPPENS. And so we say good-bye to the six resourceful space travelers as they sail off into the sunset.

The movie is available without cost through Hulu Movies on the internet as part of a package called Elvira's Movies Macabre. I don't know if everyone knows who Elvira was but many years ago, in the LA area, people looked forward to seeing her. She was all made up in ludicrous vampire garb but still sexy, what with her cantilevered bosom. Her comments were never scary and sometimes funny. Here, she carries on girlishly about putting a man on Venus. How about putting ARMS on Venus first! (Then she has to explain the joke because otherwise nobody living in Los Angeles is going to get it.)

A fine "B" movie cast is wasted by using awful production values in a project that likely ran out of money before it was finished. The tacked-on ending without a doubt uses different actors than the on-screen talent (Grant Williams, Mala Powers, Denny Miller, Bobby Van). Probably the WORST special effect is the destruction of the earth. "The Doomsday Machine" gets a "3" from me because it was at least always coherent. It's sad whatever happened during production prevented the movie from being filmed as intended. I feel especially bad for Grant Williams, a fine actor, who was likely blacklisted because of his sexual preferences, not to mention a well publicized feud with Jack Webb, then director of production for Universal. Better William be remembered for "The Shrinking Man" and "Hawaiian Eye" than this crap. Ditto, Mala Powers for "The Time Travelers".

The movie came from a February 1966 screen play story outline by Stuart J. Byrne called Deadmen in Space. It was optioned to Fred Long of Pleidas Productions, Inc. Allied Artists Studio. In March, 1966, Henry Blum and Fred Long agreed to form a corporation to be known as Blu-Lon Ent. which would acquire certain properties, one of which was "Dead Men in Space" also known as "Armageddon 75". (The corporation never was formed but Blum and Long worked as a 50/50 partnership on this movie).

Seeing possible conflicts with the title Armageddon, the property was registered on March 29, 1967 with the Motion Picture Association of America, Inc. as "Doomsday + (plus) 7 (seven)". There was a private screening of the incomplete movie on June 21, 1969 with the title listed as "Doomsday Plus 7". (There are audience participation cards.) On the 22nd of November, 1969, Fred Long signed over all rights to the "partially completed feature length motion picture, tentatively entitled 'DOOMSDAY PLUS SEVEN', by FRED LONG as Producer ... to Q R C Productions ..." and lost all control, possible profit and his name was stricken from the picture.

There is much more to the story. The budget overruns and mismanagement. The threats of lawsuits. Rising government costs almost at will. The way Stuart stood by Fred Long and how the Hollywood machine just chewed up the little guy. If a movie were made called "The Making of Doomsday + 7", it would be a money maker in theaters today. I have the documentation and more.

I also have Fred Long family photos and negatives along with some personal items of Mr. Long that I would like to get back to the family. Fred Long is a stage name, the family will know his given name.

Do not judge Mr. Long's work by the completed film but by the work up to the point the actors morphed. Hokey - yes. Low budget - yes. But it didn't have to be a hack job. RIP Fred, I hope this helps.

Originally begun in 1967 under the title "Armageddon 1975", this movie was never actually completed. Why it was never finished is unclear. But somewhere down the line it was scrapped, shelved and forgotten. That was in 1967. Then about five years later, it was rediscovered by some amateur film maker and re-edited into a complete movie. When I first saw this movie, I realized I was watching two different films edited together. The original version stands out from the poor added footage that makes this movie terrible. The added footage alone is what destroys this flick ( too bad the producer couldn't locate the original actors to star in the re-edited version).Also, you'll see lots of footage taken from old Japanease Godzilla and Rodan movies. What a mess! The Doomsday Machine is one DOOMED MOVIE!

Considering that most of the film was made in 1967 and then sat on a shelf for nearly a decade before it was completed, you certainly can't expect much from "Doomsday Machine". What's worse is that none of the original actors were used in the new footage--making the final product rather incomprehensible.

When the Americans realize that the Chinese are about to deploy a doomsday device (thus killing EVERYONE), they quickly scramble to add women to the already scheduled flight to Venus--in the hopes that this crew can continue the human race. No matter that their space suits consists of silver motorcycle helmets AND the actual atmosphere of the planet will both crush them all to death AND it's deadly poisonous AND hotter than the temperature of most ovens! Sounds like the Garden of Eden, huh?! Most of the rest of the film consists of the folks on the ship over-emoting--yelling and trying to get noticed by the camera. It also consisted of the crew of men becoming VERY horny--and fights broke out among the crew over who would have the privilege of inseminating these three space gals. Ultimately, a disembodied voice tells the humans to get lost, as they destroyed the Earth and Venus wants no part of them...and the movie ends! All in all, a very dull movie that is, at times, unintentionally funny--BUT DULL. Not exactly among the worst films made...but close.

As far as the special effects go, they were state of the art in 1960. However, by 1976 they were VERY outdated and the film looks downright cheap.

By the way, look carefully for tiny roles by Mike Farrell and Casey Kasem.

UPDATE: I saw this film AGAIN and so I thought I'd review it again. Here goes:

I give "Doomsday Machine" a score of 1 as it's an incredibly dumb mess. A thoroughly bad film, by the end it completely gives up on trying to make any sense at all. I have no idea what the story is behind this film, but the project comes off like 4 or 5 different films all sloppily pieced together.

The film begins as an espionage film—with some Chinese folks breaking into a top secret (and easy to break into) government base. They learn by looking at some silly props in a cage that it's some sort of doomsday machine—though how they know this is completely baffling. Next, a US space mission to Venus is quickly altered. No, they haven't called it off because it's impossible to land there due to the planet's crushing and toxic atmosphere (real facts can't get in the way of this film!). It is to substitute a few hot ladies for some of the crew. This is in case the doomsday machine is used, they might be able to send horny men and women into space to continue the species.

This isn't a terrible idea for a film. HOWEVER, the execution is so terrible you have to see it for yourself. First, the astronaut outfits and ship look as if they are from a 1950s hokey sci-fi film---even though this movie was completed(?) near the time "Star Wars" debuted. Next, during their trip through space, you randomly see clips from earlier sci-fi films—some of which are Japanese! You also see models of the Earth that look like they came from the 50s as well. As far as the acting goes, it's just bad—and you know that if Bobby Van gets top billing you are in for trouble. But the most awful aspect is the ending. The last 15 minutes or so were obviously tacked on later and is 100% INCOMPREHENSIBLE. They put space helmets on two people who are NOT from the film to hide that they aren't and they pretend to be Van and his new girlfriend—though their voices aren't even close and their space costumes are different!! Then, a disembodied voice gives a long-winded speech and the film abruptly ends!! You just have to see it to understand what a terrible mess it all is—so bad I can't see how this film was ever released anywhere!

Hey, a space ship that comes with its own seat belt equipped laz-e-boy recliners! OK, given that this thing was started by one bunch in the 60s and then finished by another group in the 70s you can pretty much figure that continuity is out the window. Hairstyles change, the Russian chick looses her accent, and boy does Danny's voice ever change. But given the circumstances, like two entirely different crews, I really don't think continuity and the lack of same ought to be a factor. The folks that took this thing out of mothballs and tried to make it work deserve kudos for the effort. And they did a fair job up until the very end. Pseudo-philosophical meanderings just don't fit well in a sci-fi movie that comes across like the B films of the same genre out of the 50s. But, thats rather where a lot of those flicks tried to go too, so I guess it was to be expected. At the end they even set it up for a sequel. Well, be thankful that never happened. The cast is fun, with players recognizable from "Wagon Train" to "M.A.S.H." and beyond. Its not so bad, and kinda fun to watch. With all the problems it survived, hey, maybe, at the edge of our solar system, there is an adventure awaiting the "last of man".

"An upcoming space mission to Venus becomes even more vital after a startling secret is revealed. Foreign agents have revealed a secret plot by the Chinese where they have manufactured the ultimate weapon, capable of destroying everything on the surface of the planet. The mission to our sister planet now becomes a fight for the survival of the human race, as the crew must try to save the Earth from destruction," according to the DVD sleeve's synopsis.

Apparently, the "Red" Chinese are preparing to attack the NATO Allies, with nuclear weaponry. So, a 1975 manned (and womanned) space mission to the planet Venus takes on added meaning; if the Earth is destroyed in a nuclear war, the only human survivors may be those people traveling to Venus. These men and women learn they will be playing "Adam" and "Eve" -- except for Henry Wilcoxon (as Dr. Perry), who is portrayed as too old for sex, at age 61 (when this was filmed).

There are very few redeeming qualities in "The Doomsday Machine". You will get to see Ruta Lee (as Marion) slap Bobby Van (as Danny) once. You could watch to see how performers like Grant Williams (as Kurt Mason) and Mala Powers (as Georgianna Bronski) handle their unenviable assignment. You might want to admire James Craig (as Haines)'s admirable physique, during his shirtless scene. Or, you could observe how space flight affects ladies' hairstyles. Casey Kasem and Mike Farrell have cameos.

I bought the video because the plot sounded like an adaptation of a great mid-1960s comic book I own, one of my prized possessions. Alas, I was wrong. This movie is SO bad, it's quite funny!

Where can I start? The movie begins with an Oriental cold-war/espionage plot, followed by a military end-of-the-world scenario (with Casey Kasem as a Mission Control Capcom!), then becomes a battle-of-the-sexes-in-outer-space flick, finally ending with a bizarre philosophical encounter with a superior alien intelligence.

The special effects are laughable--Barcaloungers or La-Z-Boys are used for crew couches in the spaceship; two entirely different craft (a V-2 -like rocket and a circular space station) are supposed to be exterior views of the SAME spaceship; and the Apollo CSM serves as a Russian interplanetary craft with a quite-spacious interior.

Character development is not much better. One of the main male leads, supposedly one of the astronaut corps' finest, becomes a sex maniac the minute he leaves Earth orbit.

Highly recommended for all who love bad movies!

Very cheaply filmed sci-fi seems to be from the sixties not 1972. The special effects are a combination of photos of NASA models found in the local hobby store and special effects stolen from a Japanese film, probably Gorath. They probably didn't ever finish the original film as the ending is a combination of voice overs and repeated special effects. A very bad production. Interesting to see Mike Farrell before he did anything noteworthy.

Only good as a record of film making incompetence from the 60's/70's. Unfortunately the average sci-fi film shown on the SciFi channel these days is frequently no better.

I'm glad for other comments concerning the putting together of unmatched pieces in this film. It is almost non-sensical because of it. Had I thought there was some sort of order, I would have wondered who the incompetent was who hatched this. As it is, it is simply using pieces that were probably rather expensive to make a poor man's "2001: A Space Odyssey." The ridiculous interactions among the crew, the whole point of even going on the voyage, the spy stuff with the Chinese at the beginning. The silly inclusion of a group of women added at the last minute, make for a total mess. We are left out of any sort of coherent flow and so the thing falls dead in its tracks. It reminds me of the stuff the school cooks used to make out of all the bad food that was left over from a week of hot lunches.

I can see the light at the end of the proverbial tunnel, as I'm nearing the end of my infamous Mill Creek 50-film 'Nightmare Worlds' pack. This was a really strange viewing experience, and honestly made me wonder if my red wine had been spiked with some hallucinogen by some ne'er-do-well prankster. It had some intriguing ideas, a big one being that the USA and USSR are afraid that China is going to destroy the world, so at the last minute, just before a scheduled space flight to investigate Venus, NASA administrators replace three of the astronauts with female counterparts, and include a mysterious large suitcase.

Though it says 1972, you can distinctly feel that it was made years earlier, before the game-changers of '2001: A Space Odyssey' and the manned space flight to the moon completely changed the way sci-fi films were made (unless you're the sad saps behind monstrosities such as 'Star Odyssey', that go on as if any relationship with the way things are in real life is an entirely accidental and unintended coincidence). Most of it was made in 1966, but funding ran out, and it shows. The filmmakers couldn't even afford the intended climax, and that shows--the film simply ends. But for all of that, this bizarre experiment of a forced Adam and Eve scenario in outer space, as a future for Earth, is decent--and it would be two generations later, when in Christopher Nolan's 'Interstellar', that this idea would be fully realized with human decency and artistic integrity.

Send four men (one old - one psycho) and three women (one old one - one who doesn't know why she's going) to start a new world?!? It's hard to believe anyone would choose this crew for this purpose. Terrible writing, stupid plot, bad acting and funny special effects make this movie a must for bad-movie fans.