... If You Meet Sartana Pray for Your Death. (1968) Poster

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7/10
He is your Pallbearer
marc-3668 June 2005
Sartana (played superbly by John Garko) has one of the greatest entrances on screen of all the Spaghetti protagonists. When accused of looking like a scarecrow, he utters the classic line "I am your pallbearer" before gunning down all the bandits facing him. A classic moment, with the black clad Sartana setting the scene perfectly for this Gothic tinged western.

The story itself is a very complicated affair, and one which I'm not completely sure I followed from beginning to end (I blame the wine consumption). In simple terms, the story evolves around a stagecoach robbery and murder (with the culprits themselves hijacked and massacred by Lasky - played by the ever brilliant William Berger - and his gang). Enter Sartana, in the midst of further double crossing and more double crossing. And cue bloodshed aplenty!

Sartana combines the gadgetry of Parolini's later Sabata movies, with the darkness and brutality of Django. There are classic performances from Garko and Berger together with the familiar faces of Fernando Sancho and Klaus Kinski.

The success of Sartana is clearly demonstrated by the string of sequels (and name-checks) that followed. And rightly so, the character is in equal parts cool, mysterious and deadly. Much like the film. I just wish I understood it better (time to put away the bottle, and rewind the video perhaps).
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6/10
SARTANA is an entertaining SW with lots of action, gun-play and fun
ma-cortes30 June 2009
A coach is stolen and its passengers are killed. Later occur a murders series starred by a bandit named Lasky(William Berger, unforgettable co-starring in ¨Sabata¨ as the banjo man). The stagecoach's strongbox has disappeared turning into several hands. The dark,elegant hero, a freelance gunman, named Sartana(Gianni Garco or John Garco) appears to chase the nasty gunfighter and discover the robberies and killings.The confrontation will be inevitable among the town's despots(Sydney Chaplin, Gianni Rizzo), a cruel murderous( top-notch Klaus Kinski, as always), a Mexican general named Tampico( the great Fernando Sancho in his regular character), Lansky and of course Sartana.

The first movie on Sartana starred by Gianni Garco is plenty of action, shootouts, double-crosses, twists and loads of violence and blood. It was followed by director Alfonso Balcazar with ¨Sartana non Perdona or Sonora¨. Miles Deem directed two Sartanas deemed lousy and cheesy. Giuliano Carmineo , alias Anthony Ascott, directed various with George Hilton who replaces to Garco. Hilton played more natural and roguish than Garco who was cold and peculiar. The movie gets the usual Western issues, such as greedy antiheroes, violent facing off, quick zooms, exaggerated baddies, among them. Appear very secondaries the habitual at Italian Western and Peplum genre, such as Sal Borgese, Carlo Tamberlani Andrea Scotti, and cameo by the director Parolini as a gambler. Special mention to Franco Pesce, Spaghetti's customary, as an old gravedigger. Atmospheric musical score by Piero Piccioni and appropriate cinematography by Sandro Macori. The picture is professionally directed by Frank Kramer or Gianfranco Parolini, subsequently he directed another Spaghetti-hero named Sabata with Lee Van Cleef in two entries.
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5/10
An Insult to the Spaghetti Western Genre.
JohnWelles28 May 2011
"If You Meet Sartana Pray for Your Death" (1968), directed by Gianfranco Parolini and starring Gianni Garko, William Berger Fernando Sancho, Sidney Chaplin(!) and Klaus Kinski phoning in a cameo role, has only one great thing going for it, and that's its ridiculously over the top title. The rest is a banal Spaghetti Western that has no tension and no direction.

The script, such as it is, has a lot of incident and detail, none of which is interesting, as it is completely convoluted and very hard to care what happens to whom. Still, the plot is something like this: Sartana (Garko) gets involved with an insurance swindle run by several dignitaries, who hire a Mexican gang to steal a strong-box, and an American gang, led by Lasky (Berger), to kill the Mexicans.

It takes a very long time, too long, to find all this out, and by that point, I ceased to care. Berger is a good actor, one that fits very well into the greed-fill world of Spaghetti's, but isn't given anything interesting to do and is wasted completely. Kinski obviously was doing his role for the money, which is a shame, as his is, career wise the best actor in the film. Garko has a good opening line ("I am your pallbearer."), but not much else, and doesn't have the same magnetic presence as Clint Eastwood or Lee Van Cleef.

The director made "Sartana" and other "Circus" Westerns like this. They're called "Circus" Westerns because there is so much jumping around and choreographed back-flips that you might be watching a kung-fu movie and not a Spaghetti. The sets here aren't so much grand as big, to accommodate all the acrobatics; it has a hefty budget, but the desert scenes are shot in some quarry. Why? I suspect because Parolini was more interest in making an action film that just happened to be set in the West than creating a Western. These types of Spaghetti's were certainly very popular in their day, and they gave a lifeline to an ailing genre a few years later. I just wish the lifeline had been better. Maybe saying this movie is an insult to the genre is too strong, but when you see progressive and transcendent Spaghetti Westerns like "Black Jack" and "Once Upon a Time in the West" that were made in the same year, you realise how lazy this film is.
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Just an average Spaghetti Western.
bruce31 February 1999
I am a big fan of Spaghetti Westerns (the good ones, anyway), and was really looking forward to seeing "Sartana." I loved the film "Django"--I can understand why it was so successful and inspired so many imitation Django-films. But after viewing the English language video of "Sartana", I can't see any reason why "Sartana" inspired any imitators, or was so successful. To me, "Sartana" was just an average Spaghetti, with a high body count--mostly resulting from the villains killing each other. I watched the video twice, and I still don't understand the plot--it was a jumbled mess; perhaps the original Italian version made more sense. Klaus Kinski's role was limited to just a few scenes, with almost nothing to do. William Berger made a charismatic villain, but his personality inexplicably alternated between bravery and cowardice. (And I don't know how Berger was able to recruit gang members, the way he was always killing his own men.) The unshaven anti-hero Garko (who bore an uncanny resemblance to James Franciscus in some scenes) was pleasing but unexceptional in the lead role, his only unique feature was his weapon, a tiny four-barrel pepperbox-style pistol--which in reality, with its short barrels and tiny bullets, should have been vastly inferior in range, accuracy and effectiveness when compared to an ordinary six-shooter. Even the background music was bland. Too many incidents were lifted from the Leone/Eastwood films: the musical watch, the metal plate deflecting a bullet, the eccentric coffin maker. And Sartana wins the final showdown by using a trick, instead of his skill. "Sartana" is a historically important Spaghetti Western because of its success and the number of imitators (in name, at least) that it inspired, but there are many better films within the Spaghetti Western genre.
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7/10
Nice Spaghetti Western
bensonmum223 April 2006
Warning: Spoilers
Nice Spaghetti Western. The story concerns four rival groups out to get a chest full of gold. While the plot is actually almost incomprehensible, it's fun to watch Sartana and others switch allegiances about every five minutes. But the story here is secondary to the action. The body count is very high with entire gangs being wiped out by the burst of a Gatling gun. Gianni Garko as Sartana and William Berger as Lasky are just fun to watch. It's not the best Spaghetti Western I've seen, but I'm glad to finally have a copy.

While the movie prominently lists Klaus Kinski in the credits, his screen time totals about 10 minutes.
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6/10
Dreadful and confusing
thomayre23 April 2021
I'm a big Spaghetti Western fan and fairly tolerant of the stylistic excesses, but this film made little sense. It's not clear what is motivating Sartana, the undertaking laughs insanely, William Berger does not know how to act, etc.
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7/10
A great set up for the series
BandSAboutMovies16 April 2018
Warning: Spoilers
For the first film in what would come to be the Sartana series, star Gianni Garko wanted a character whose motivation was more than just vengeance. After turning down script after script, Renato Izzi's take on the character - a man free from sentiment who pits rivals against one another - Sartana was born.

What breaks the character away from the mold is both his air of mystery and his love of gadgets, which many attribute to director Gianfranco Parolini (God's Gun) love of James Bond films. His first line of dialogue says all you need to know about him. When faced with an entire gang of killers, led by Morgan (Klaus Kinski, Death Smiles at a Murderer), one of them says, "You look just like a scarecrow." Sartana coldly replies, "I am your pallbearer," before ruthlessly killing everyone but the gang's leader.

The first few scenes of this movie set up that everyone is looking for coffins filled with gold, from Morgan's gang to a Mexican army led by General Jose Manuel Mendoza (Fernando Sancho, Return of the Blind Dead), who says, "How many times I tell you... that my name is Don José Manuel Francisco Mendoza Montezuma de la Plata Perez Rodriguez... but you can call me General Tampico!" Then there's another group led by Lasky (William Berger, a frequent actor in Jesus Franco films), who uses a gatling gun to wipe out his rivals. He's working with/blackmailing Stewal (Sydney Chaplin, son of Charlie who appeared in Satan's Cheerleaders) and Alman, a politician and banker.

Sartana remains the fly in Lasky's ointment, taking his money in a card game and defeating Morgan, who is sent to kill him. He even wipes out Lasky's entire gang. But then Stewal and Alman turn him in to Mendoza, who goes after both Lasky and Sartana.

What follows is an elaborate series of double-crosses, with Stewal trying to escape with the gold but being killed by Mendoza to Lasky killing Mendoza and his men and Alman's wife killing him and taking Lasky to the gold before he kills her. Finally, Lasky and Sartana have a duel, which ends with our hero riding out of town with the coffin filled with gold.

This film sets up the character of Sartana quite well - no one is sure why he does what he does, appearing with the sound of a dead man's watch, being able to seemingly disappear at will. He's always a few steps ahead of his enemies and always appears unflappable in the face of sure death.
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7/10
The First of Five
gavin69421 July 2018
Crooked bankers plan an insurance swindle and hire a Mexican gang to steal the bank's gold but they also pay Lasky's gang to kill the Mexicans.
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9/10
Sartana, angel of death!
chaosrampant25 February 2008
It is very obvious why Sartana created an avalanche of sequels, only second to Django. Even if it looks like yet another tale about stolen gold, Mexican bandits and switching allegiances, Sartana feels (and is) different. Of course seen back in 1968, it must have wowed European audiences with its bleak cinematography and nihilistic characters. However, 40 years (!) down the line, and it still feels as refreshingly dark and stylish as ever.

As in with most spaghettis, the plot is near incomprehensible. It has something to do about a stolen shipment of gold and a constant switching of allegiances, as thief betrays thief to get the gold. But, again as in with most spaghettis, the plot isn't the issue at all.

Sartana (1968) is a capsule of pure spaghetti western style. Everything is kept very minimal here, from the scarce dialogues, to the perennially empty town streets. Yet there's a hellish ambiance to proceedings and the nonsensical plot only adds to its psychotronic charm. I gave up trying to follow the plot after a while and just immersed myself in the surreal happenings.

Sartana himself is like a crossover between The Man with no Name (the standard by which every spag antihero is measured) and Django, a black-clad amoral anti-hero. He's not out there to catch the baddies. He's just out for money and blood. His quirky gadgets often bring to mind the other Parolini character, Sabata, but Gianni Garko's character plays on a whole other level. There is of course, the occasional comic relief, in the form of an old gravedigger, but it only confirms that Sartana is indeed a grim western. That same darkness would resurface in Clint Eastwood's High Plains Drifter years later, on the other side of the pond.

Overall, this is a must see for SW afficionados. If you're a fan of Corbucci's nihilistic side (Django, The Great Silence), Sartana will make you cream your pants. Dark, stylish, with a streak of Euro horror running through it, Sartana is a criminally forgotten piece of celluloid. Watch it and find out.
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7/10
Sartana stylized as Clint Eastwood's facet !!
elo-equipamentos17 March 2020
Forget the plot that was usual, this unique genre spaghetti western certainly are their colorful characters, Sartana (Gianni Garko) portraits a soft spoken hero, overtly akin as Clint Eastwood, but highly stylized, handling a sort of cylinder tagged with cards symbols, spinning around, playing poker, winning of course, those enemies as the Mexican General Tampico, who wants for any means who everybody shall call him as real name "DonJosé Manuel Francisco Mendoza Montezuma de La Plata Perez Rodriguez, very usual on realty spanish members, what a name, what character eating the chicken with dirty hands on a few bites only, also the blue eyes Lasky (William Berger) as often a crook and a special guest Klaus Kinski as the skillful dagger man, beauty girls, without forget the funniest older undertaker, the screenwriter and friendly director Gianfranco Parolini states at bonus material that never received a penny for this picture, which he had 30% of the profits, the producer did swear that lost all his money and couldn't pay his share!!!

Resume:

First watch: 2020 / How many: 1 / Source: DVD / Rating: 7.25
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4/10
No classic
JasparLamarCrabb8 June 2013
Warning: Spoilers
A so-so spaghetti western marred by some fairly inert direction by Gianfranco Parolini. Gianni Garko is Sartana as he runs head on into a town populated with double & triple crossing lowlifes. When a treasure chest of gold goes missing, all hell breaks loose. Parolini, who would go on to direct the classic SABATA a few years later, shows very little imagination here, save for a few gunfights and clever death trap set by Garko. Still, there's much to recommend...Garko is excellent and the supporting cast is very colorful: Sidney Chaplin; Klaus Kinski (billed as Kinsky); Franco Pesce; Gianni Rizzo. William Berger is Garko's chief adversary, a greedy gun for hire who'll stop at nothing for a payday. Pesce, as a very hyperactive coffin maker who seems to be channeling both Walter Brennan and the Italian comic Totò at the same time, is very funny. In the end everyone gets what they deserve! The music by Piero Piccioni is terrific.
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8/10
A Fabulous, Trend-Setting Failure
Steve_Nyland15 May 2005
Frank Kramer's SARTANA (1968) has emerged as one of the most interesting examples of the classic era Spaghetti Westerns and yet exists as a sort of exuberant failure, reveling in it's sense of artiness & bad taste at the same time. Yet it's an important failure, a movie that spawned a recurring character and helped to shape the Spaghetti Western into a genuinely "adult" form of cinematic entertainment. The film was classified with an "X" certificate in much of Europe when first released and only made it's way to English speaking audiences in a somewhat diminished cut -- and has now been released by indie Spaghetti Western label Wild East Productions on DVD in it's complete form, and demands some re-evaluation. When I first encountered this movie I was admittedly caught up in a wave of excitement about the film's look & style. Here is a pretty much pure example of the Spaghetti Western, made entirely in Italy by an all European cast with no standout Yankee Gringo star turn, unless you count Klaus Kinski's ten minutes or so on screen. Gianni Garko headlines as Sartana in the second of five screen outings by him as a character named "Sartana" but the first from the loosely related series featuring Sartana as a hero: 1966's $1000 ON THE BLACK depicts Sartana as a crazed, barbaric killer and is not related to the Good Guy Sartana movies ... or so the thinking goes.

Sartana's character in this first Good Guy outing is actually more successfully realized than the movie he inhabits, which tells a sort of labyrinthine plot by various bigwigs in a tumbleweed nowhere to intercept a shipment of gold & screw each other over for their percentages, resulting in murder and mayhem: the usual boring stuff. What works is Sartana's character fleshed out by Garko: A black garbed, laconic, mysterious gunfighter who appears out of nowhere with motives all his own and no past history (perhaps the ghost of the original Sartana, sent back to atone for his sins on Earth??). Yet he seems to know what everybody in the movie is up to and has a plan to play the different sides against each other & move in once the dust has settled to pick up the pieces for himself like a Hyena, which is how one character aptly describes him. Sartana is there to preside over the deaths, and make sure everyone gets buried in style.

This is done with a minimum of dialog, an emphasis on mood and a staggering body count for a movie of such limited scope. Which plays out very much like an arty, dark-toned cartoon or graphic novel, with Sartana as a sort of Batman like avenger who takes justice into his own hands. Garko wears his Sartana personal like a tailored suit, even perfecting a way of turning while gazing up from underneath the brim of a hat that reminds me of watching a cobra moving with a snake charmer. He also has more in common with James Bond than Clint Eastwood, armed with a small pepper-box type Derringer pistol that behaves more like a movie prop than an actual weapon, and more often then not scheming his way out of a jam or around his adversary's flanks. He is the epitome of "cool" as a Spaghetti Western anti-hero, and it is easy to see why his performance spawned a series.

The film also boasts a first rate A-list supporting cast of genre veterans: the crazed William Berger, Sydney Chaplin, Spaghetti Western legend Fernando Sancho, Andrea Scotti, Sal Borgese, and of course Klaus Kinski. One of the attributes that gives the film a decidedly surrealist bent is Kinski's "performance", which appears to have been filmed over the course of a long weekend without anyone else present on set but Kinski. Watch him in the barbershop scene: He appears to be dialing it in from another dimension, and in all is on-screen for about ten minutes. What a way to make a living. The later "Sartana" movies directed by Anthony Ascott became increasingly cartoonish but this film has a dark, nasty, almost sadistic side to it that is quite special. I would almost refer to it as "mean spirited", and filmed on a shoestring budget that allowed no quarter for artifice. The offbeat musical score by Piero Piccioni is uniquely un-cinematic with an organ as the central instrument instead of the usual Morricone flavored bravado, and most of the outdoor scenes were filmed near a dump outside of Rome. You can see the green yucky chemicals polluting the pond around which one scene is set, which seems appropriate for a ghoulish, overtly violent cartoon. Or even a horror movie.

8/10 for Spaghetti fans, 5/10 for everybody else, and a classic of the genre any way you slice it.
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6/10
Duly enjoyable, though troubled by lack of subtlety or finesse
I_Ailurophile8 November 2022
Spaghetti westerns can claim some essential classics among their ranks. For a handful of exemplars, and the way that westerns have largely faded as a genre since the 70s, I think it's often overlooked that of all the spaghetti westerns ever made, not all are equal. 'If you meet Sartana... pray for your death' is enjoyable, but I think it's safe to say that it's not one of the best examples of the style. There's a decided bluntness and lack of polish that characterizes the entirety of the picture, not least of all in its editing (brusque and tactless), cinematography, sound design (rather tinny), plot development (far less than fluid and natural), acting (quite overcooked), dubbing, and direction. All the solid bones are here of a concrete narrative, and one that should be compelling in and of itself, yet as it presents to us it feels like much of the fine detail has been sandblasted away, leaving blocky rough edges as one element of the feature ill-fittingly abuts another. This isn't to say that the movie isn't clever at points, but it seems like we're mostly getting the broad strokes, and only the crudest form of the tale as we could be seeing it.

In the fundamentals this is just as suitable as most of its brethren. The production design, art direction, costume design, and filming locations all serve to build a strong look and feel to the proceedings. Action sequences in and of themselves are done well, some better than others while some instances are undercut by curt or overzealous camerawork and editing. All this is well and good, but also only goes so far in securing a picture's favor. And more to the point, again, such quality is set against the wild dearth of subtlety that often strips the plot of coherence as the story advances. I'm not entirely sure that some scenes or beats have meaningful connective threads between them, for they've been worn away by the coarseness. And what is a movie, a western especially, without a distinct, united tale to impart?

'If you meet Sartana... pray for your death' is entertaining, and fairly worthwhile on its own merits. It's also notably flawed, and considerably weaker than many of its contemporaries. Just a little bit more of a delicate hand in any regard would have gone a long way toward improving the title as a whole. Opinions vary and no doubt other folks get much more out of this than I did; I also wonder if I'm not being too kind. One way or another this is a decent way to spend 90 minutes if you come across it, but don't go out of your way by any means.
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5/10
For a few Dollars less
kosmasp29 November 2018
I guess if you copy something (more or less), you can and should copy from the best. So this can be seen as an homage to Leone. Although the character of Sartana seems to have gone through quite something before emerging in his first official outing. The same actor (who got his name "englified", played Sartana, based on a Santana, not the Carlos Santana musician of later fame) in most of this officials outings and in one unofficial one, which unfortunately was not in the Arrow box set I purchased.

Now if you feel that I rated this too low and you had much more fun with it, I did not mean to offend you. I quite enjoyed it too. Yet it does not hold a candle to the few Dollars movie, which in itself was a masterpiece of course, in many regards. One of them being the charisma and stoic face of Clint. Garko is good, but he also is no Clint. Motivations are "unclear" apart from everyone being after the money/gold. The bodycount stacks and the twists keep on ... twisting. Doesn't matter if it makes sense or not, if it can "surprise" the viewer.

Good set design and costume department. Even if some things may have been borrowed from other ... "venues". They do fit into this world of cowboys going rogue ...
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8/10
If you meet Sartana, smell his breath
Bezenby14 May 2016
Now this is more like it! Corpses everywhere, strange enemies, even stranger heroes - this is a good Italian Western, right here. Take that, Dead for a Dollar! Gianni Garko (of Body Count) is the mysterious Sartana, out to get some gold that's been scammed by local businessmen in conjunction with an amazingly over the top William Berger (Dial: Help, Maya, Spider Labyrinth and Keoma). Berger for me plays the best character in the film, a heartless, hyperactive killer who is not shy in double crossing folks, but can intuitively know when to hook up with Sartana too if the situation demands it.

Yep, it's one of those films. Missing gold, uneasy alliances, double crossings, and many, many shoot outs leading to corpses lying everywhere and a mere two characters left alive at the end. This is the kind of film you're looking for. It's got everything you want. Except boobs.

Some come for the Garko, who plays Sartana in a laid back, but deadly way, and stay for the Berger, who's anything but laid back here.

WHUP!

Oh, and seemingly, Klaus Kinski turned up on set one day, stared into the camera a couple of times, and got paid for it!

WHUP!

Oh, and this film has the loudest 'eating a chicken' foley effects I've heard ever heard ever heard.

WHUP!
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2/10
Overrated
TheOneThatYouWanted11 February 2022
This movie is shameless, even by spaghetti western standards. The only thing good, or sort of watchable about the film is the fat bad guy who shameless copycats the character of Tuco from the Good, the Bad and the Ugly.
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9/10
Bounty Killer,Insurance Company Agent or Rattlesnake?
TankGuy31 July 2013
Warning: Spoilers
The Spaghetti Western was always well known for it's quirky, colourful characters and anti-heroes, they were more than just your average, gruff cowboy seen in the American western. They often had their own unique characteristics which audiences remembered them for so well, also due to the James Bond craze, they were also given a wide range of weapons and gadgets,Sartana is one such example, a cunning, super fast and super smart gentleman gunslinger who dons a black cape,suit,white shirt and red neck tie, not to mention cowboy boots complete with Spurs. He uses a six shooter and Winchester rifle but often favours an easily hid Derringer, he is also very shrewd and creative in outsmarting his enemies and in the first of five films he is played by Spaghetti Western veteran Gianni Garko.The plot of this first film in the series "If you meet Sartana, prey for your death" is like this, a stagecoach carrying a gold shipment from the local bank is attacked by Mexican bandits who kill everybody on board,however,just as the bandits are about to make off with the gold, they themselves are attacked and all of them killed by sadistic outlaw Lasky(WILLIAM BERGER)and his men. But Lasky in turn kills his own men when they try and steal the gold,however,when he opens the strongbox, he finds it is full of rocks. Unknown to Lasky, the real gold has been hidden and he is also in league with the town's two corrupt bankers, Jeff Stewal and Al Holman who want the insurance money from the robbery as well as the gold, on top of this, a gang of ruthless Mexican bandits also want the gold, but things are made worse when mysterious gunslinger Sartana(GIANNI GARKO)comes on the scene and is also interested in the whereabouts of the gold. Everyone involved double crosses each other and the body count gets higher and higher, so who will get the gold...

The film is very similar to SABATA(1969)as Sartana dresses in the same way as the character of Sabata and displays the same characteristics and uses the same weapons. The storyline is also quite similar and SARTANA is directed by the same guy(GIANFRANCO PAROLINI,or FRANK KRAMER)who directed SABATA too. The film has a very body count and the action scenes are brilliantly done. The horse chases and shootouts are fantastic and I enjoyed watching all the guys fall through the air and perform hilarious stunts as they are shot. I loved the way Lasky uses a Machine Gun to dispatch his enemies and I loved the first scene when Sartana shoots 4 guys with his Derringer and then finishes off the other 2 with his Winchester, having only to bring the Rifle down from over his shoulder to shoot out the last two guys, really impressive. The stagecoach robbery in which the bandits chase and shoot at the stagecoach and are later all shot dead themselves was also excellently done. I was also impressed with the shootout between Sartana and Lasky and his men and the shootout at the bandit's hacienda, check out how Sartana rolls over whilst at the same time shooting his enemies in true Spaghetti fashion, also watch as Sartana crashes through a window and shots a few more guys, really cool. I liked the final duel between Sartana and Lasky, it was suspenseful and quite dramatic, also look out for the scene in which a group of guys chase Lasky into the countryside and enter a building rigged with Dynamite which Lasky shoots, causing the building to explode and there's a really funny scene where Sartana sets a trap for one of the bad guys, causing the latter to go flying out of a window, which really made me laugh. I was extremely impressed with the film's action scenes and thoroughly enjoyed watching them.

As I said earlier, the film has a very bondian feel to it in terms of the character of Sartana, who is sort of similar to James Bond. Just like Bond, Sartana is very sharp witted and makes a lot of smart jibes and remarks, you gotta love his first line at the beginning of the film before he shoots 6 guys, "I am your pallbearer". I really like the character of Sartana and he's played brilliantly by Gianni Garko, forget George Hilton or anyone else,Garko is the man and he succeeds fully in creating a really cool and likable Spaghetti Western anti-hero, he is a pleasure to watch. William Berger is also excellent as the double crossing Lasky and a more restrained Klaus Kinski is great as his silent partner, other Spaghetti veteran Fernando Sancho wonderfully plays the brutal bandit leader. Aside from Sartana though, my favourite character is probably the old man,Dusty,a coffin maker who helps Sartana, he's really funny and has some of the best lines. He appears in the other Sartana films alongside Garko, he reminds me of Walter Brennan who appeared as the same type of characters in dozens of American westerns.

The only thing I didn't like was the soundtrack which in my opinion was very poorly done, the storyline was good but it got a little confused at times as the characters are constantly double crossing each other and at times I didn't know who was double crossing you or why they're doing it.But the first entry in the Sartana series ranks among the best Spaghetti Westerns and I really enjoyed it, I have only seen one other Sartana film, LIGHT THE FUSE,SARTANA IS COMING(1970)and I would say that this film is just as great as the latter and is on a par with it.Fun,enjoyable and highly reccommened.9/10.
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5/10
Another forgettable Sartana western
jordondave-2808511 February 2024
(1968) ... If You Meet Sartana Pray for Your Death/ Se incontri Sartana prega per la tua morte DUBBED SPAGHETTI WESTERN

Co-written and directed by Gianfranco Parolini that opens with a sabotage of a horse and carriage and taking a letter from a lady and her husband and the rider riding behind them. They think Morgan (Klaus Kinski) with his long range rifle has shot and killed the rider following the buggy, but apparently as soon as the other bandits showed up, he stands up to confront them before he guns all six of them down and Morgan escapes. Meanwhile, a transfer of gold is supposed to be placed inside of a stagecoach. With both bandits and another greedy gun man, Lasky (William Berger) leading his own outlaw gang until he is double crossed, and he guns them all down by a sub machine gun. And upon opening up the trunk/ chess, it is filled nothing but rocks. Upon Sartana coming back into town, he bonds with the pallbearer, Dusty (Franco Pesce). And he meets other shady characters such as General Jose Manuel Mendoza (Fernando Sancho) and his gang; the banker, Altman (Gianni Rizzo) and mayor, Jeff Stewal (Sidney Chapin) with the many twists, turns and revelations where the gold might be.

There is many gun fights except that there is like, only one interesting moment regarding Morgan (Klaus Kinski) confronting Sartana inside Dusty's funeral place. I did not care for the way the movie had ended that although Sartana ended up with the gold, he did not give any to Dusty the pallbearer, who did help and aided him to get that gold- his role has kind of being ignored and disregarded.
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8/10
Excellent spaghetti Western
Woodyanders24 February 2010
Warning: Spoilers
Shrewd and lethal ace gunslinger Sartana (a fine and commanding performance by Gianni Garko) goes after the dangerous band of thieves who held up a stagecoach for a fortune in gold. Sartana engages in a deadly battle of its with the equally crafty and ruthless Lasky (splendidly played to the wicked hilt by William Berger), a total bastard who's willing to do anything necessary (including killing his own men!) to have exclusive dibs on the booty. Director Gianfranco Paulini, who also co-wrote the convoluted script with Werner Hauff and Renato Izzo, relates the complex and compelling story of greed, deceit, and treachery at a constant snappy pace, stages the plentiful thrilling shoot-outs with considerable skill and brio, maintains an appropriately tough and gritty tone throughout, and tops everything off with a nice sense of amusingly sardonic humor. Moreover, there's a marvelously grotesque rogues' gallery of no-count villains: the always terrific Fernando Sancho as wicked bandit Jose Manuel Mendoza, Sydney Chaplin as shifty banker Jeff Stewal, Gianni Rizzo as gross fat creep Alman, Heidi Fischer as the fetching, but duplicitous Evelyn, and, in a regrettably brief role, the immortal Klaus Kinski as Lasky's icy henchman Morgan. Frank Pesce delivers a delightfully spry turn as rascally old coot undertaker Dusty. The tricky narrative keeps you on your toes with all its surprising twists and turns and culminates in a tense and exciting final confrontation between Sartana and Lasky. Both Sandro Mancori's expansive widescreen cinematography and Piero Piccioni's jaunty'n'groovy score are up to speed. An enjoyable film.
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8/10
pew pew pew
petermckn10 September 2018
First of the sartana films ive watched and i wasn't disappointed. Its not a complex film and isn't very gory either but what it does have is lots of shootouts if you are looking for something to turn off your brain to its this film. Sartana is this badass guy trying to unravel everything he's deadly, he's quiet, he resembles Clint Eastwood, he plays poker like James Bond, has his own special pistol and he has his own unique style of clothing which makes him standout in the desert. I'm rating it high just because its a fun movie and what other reason is there to watch a movie in all honesty. Even has his own outcast side kick the coffin maker weird how they always seem to be the outcast in westerns.
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