A short film which has its emphasis on back street walls with peeling posters and the constant pedestrian traffic in the foreground. It has a static camera positioned in front of the walls; experimental editing techniques, no dialogue-just background music, and quick edits of blackness throughout.—ARCHIE MOORE <ar.moore@student.qut.edu.au>
This short experiment shows the same, rhythmically cut footage of back-street (and essentially water-less) Venice three times, each time with a different soundtrack, emphasizing the way a soundtrack affects what we actually see and perceive.—Martin E. G. Anhalt