Going Home (1971) Poster

(1971)

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5/10
Interesting character drama marred by Vincent's unlikable character
a_chinn29 October 2017
I'm a big fan of Robert Mitchum and also of Jan-Michael Vincent, but I was disappointed with this father/son drama. The film has an interesting set-up, with Vincent reaching out to his recently paroled father, who had been put away for killing his wife, Vincent's mother, many years before. What doesn't work as well is that Vincent is such an unpleasant character and in terms of narrative seems like he should be the character the audience needs to want to follow and identify with. Mitchum is excellent as the father who is happy to help his son and to reconcile, but who avoids pushing himself on his son given his past actions. Vincent is an underrated actor, but this character is so damaged and hurtful that it makes the film an unpleasant experience. And it's not that I can't appreciate or enjoy challenging familial dramas, but they at least need to interesting characters or solid narrative, both of which this film lacked. Overall, this film was only made watchable thanks to a nuanced performance by Mitchum. Brenda Vaccaro, Sally Kirkland, and Josh Mostel appear in supporting roles and an uncredited Audrey Landers appears as a teenage Arby's customer.
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6/10
A tug at your heart strings drama even some 48 years later
Ed-Shullivan13 June 2019
If someone says they have had the perfect life they are either lying or are a single child being raised by a single parent, and even then maybe they just have not lived long enough. There are three fine perfomances on display by a young Jan-Michael Vincent, Brenda Vaccaro and of course Robert Mitchum.

This is a story only a few families may be able relate to in relation to a murder of one parent by another parent, and in this case it is about Robert Mitchum while in a drunken stupor murdering his own wife as his young son around seven (7) years of age is left parentless after his father is imprisoned. Eventually Mitchu is released from prison and he has a new girlfriend (Vaccaro) to which they are trying to re-build their lives when unexpectedly Mitchum's now teenage son (Jan-Michael Vincent) suddenly appears at their door.

Neither father, son, nor Brenda Vaccaro who is Mitchum's live-in trailer girlfriend know how to adapt to being a family since Mitchum has spent the last decade or so in prison while his young son grew up in foster homes. It is not an easy watch as stuff happens in real life that is unpleasant to have to hear, let alone watch. But families can overcome great difficulties if they can learn to live with their pasts and become better people. This is the story of father Harry K. Graham (Robert Mitchum), estranged son Jimmy Graham (Jan-Michael Vincent) and Harry's live in girlfriend Jenny Benson (Brenda Vaccaro) who have to try and find a way to not only survive but to live as a family.

A 6/10 rating
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6/10
Downbeat character study.
barnabyrudge22 November 2005
Warning: Spoilers
Made in 1971 for MGM, Herbert Leonard's film "Going Home" made little impression at the American box office and consequently was barely (or never) released in other countries. Since then, it has vanished even further into obscurity. One would assume that for a film to be so completely forgotten and overlooked, it must be pretty terrible (perhaps something like The Magus or Inchon, two long-lost atrocities which, through a combination of actor-power and public indifference, have become almost impossible to track down). Surprisingly, "Going Home" is not bad at all, and features some strong performances and memorable scenes. There seems to be no rational explanation for the disappearance of this film other than the fact that it was a flop during its initial run. If you are fortunate enough to come by it, it is a film worth catching.

The story begins with a powerful sequence in which an injured, bleeding woman stumbles downstairs while reaching desperately for her young son, who stands terrified at the foot of the steps. She is trying to give him one final embrace before she dies. However, the boy is so horrified at the sight of his blood-drenched mother that he dodges her and she eventually collapses dead on the floor. A few moments later, the boys drunken and dishevelled father comes down and stands ruefully over the corpse. We gradually realise that in a fit of drunken rage, the man has beaten his wife to death. The story cuts forward to show the young boy now a 19-year-old who has spent his youth in and out of various boys' care homes. Young Jimmy (played, as a 19-year-old, by Jan-Michael Vincent) decides the time has come to renew a relationship with his father Harry (Robert Mitchum). Initially expecting his father to be in jail, Jimmy discovers that Harry is out on parole, and eventually tracks him down to his home at a rather unglamorous trailer park. Here Jimmy awkwardly reunites with his dad, and the pair of them begin an uneasy relationship under the constant cloud of what Harry did to Jimmy's mom.... as well as the presence of Harry's new girlfriend, Jenny (Brenda Vaccaro), which further heightens the tension between them.

"Going Home" is basically a character study revolving around the three principal players, particularly Harry and Jimmy. Mitchum gives a strong performance as the father, and Vincent (in only his 8th film) is really good as his secretive, smouldering son. There are some great, understated touches of irony in the film too (e.g. Mitchum killed his wife by striking her with a ten-pin bowling trophy; later in the film he nonchalantly starts a conversation with his son about ten-pin bowling, barely realising the terrible memories it might trigger in the boy). It is definitely a slow-burning story and quite often it's hard to figure out what drives the characters to act as they do (in particular, many of Jimmy's silent, moody moments are frustratingly hard to fathom). However, in its quiet and downbeat little way this is an interesting, well-acted and thoughtful character piece.
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Bizarre But Worth Watching for Mitchum's Performance
Michael_Elliott23 June 2012
Going Home (1971)

** 1/2 (out of 4)

This rather bizarre drama features Robert Mitchum playing a man who gets released from prison after thirteen years for killing his wife in cold blood. His now adult son (Jan-Michael Vincent) comes to stay with him in hopes of reconnecting as well as finding out what happened that night. GOING HOME seems to be trying to be one of those dark dramas that were starting to take over the decade. Think FIVE EASY PIECES but in this case the movie was serving as a comeback for star Mitchum who ended his brief retirement for this picture. This is an extremely bizarre film and from what I've read it was one of several pictures that MGM cut and re-arranged so that they could avoid an R-rating. I'm not sure what the complete history is and there are some really strange plot points but the film is still worth seeing for the performance of Mitchum. It's really a shame that the film didn't match the excellent performance because we're given an interesting story but very little is done with it. The thought of a kid witnessing his dad kill his mom and then trying to reconnect with him was something that should have worked but the film never makes too much sense in what it's trying to do. You'd think that we'd have sympathy for the kid but we don't because he's a complete weirdo and a creepy. You'd think we could understand this because of what happened to him as a child but the movie doesn't even try to play that angle and instead he's just shown as a very bad person and especially after a plot twist that happens towards the end. Again, I've read that in the original version this made more sense but by cutting the picture it really does seem that the studio hurt not only the film but whatever they were going for with the character. Again, Mitchum is excellent in his role and you could say it's one of his more memorable performances from the later part of his career. He was quite believable in the role of the father and made you care for the guy and want to see him get his life in order. Brenda Vaccaro is excellent as his girlfriend and she certainly helped carry the film. Vincent is good in his part but I just wonder what else the film had to offer his part. GOING HOME is still worth seeing for the Mitchum performance but there are just so many unanswered questions remaining.
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7/10
Dark and realistic
HotToastyRag4 October 2022
Going Home is a pretty upsetting movie, so I caution only those who can handle it to rent it. I thought it was going to be one of those "ex-con makes good" stories, but it wasn't at all. Robert Mitchum does start the movie getting out of prison, and he does try for a fresh start in life, but there's a lot more to the story. His teenage son, Jan-Michael Vincent, has a whole mass of problems because of what Bob did. We never learn why, or even if he did it, but he went to prison for murdering his wife. As a little boy, Jan-Michael witnessed the tail end of the crime. Understandably, he doesn't want anything to do with his father upon his release.

Except, he does. He tracks his dad down to the trailer park where he's living and tries to get to know him as an adult. Full of angst and feelings he doesn't even understand, Jan-Michael is an absolute mess. Bob tries to be friendly, but he knows they can't have a normal relationship. Bob's girlfriend, Brenda Vaccaro, also tries to be friendly. She's closer to the son's age than the father's, and since she doesn't know or understand the whole story, she thinks a few family dinners will mend everything. Unfortunately, she learns the terrible lesson that no good deed goes unpunished. I really like her performance in this movie. I believed her at every moment, from blending into her trailer park surroundings, to trying to make a go of a relationship with a broken man because she knows they're on the same level, and finally, fear and disbelief when Jan-Michael shows his true colors.

This story is so interesting because obviously Bob is the villain in the story, but he doesn't really act like it. Jan-Michael is far meaner, inconsistent, and out for revenge. Bob is merely trying to get by the best he can after fifteen years in prison and forfeiting any relationship with his only child. In fact, I found Jan-Michael so horrible, every time I've seen him in another movie I shrink back behind my pillow and say, "Oh no, the rapist!" Bob does have a chill that washes over his entire performance, which is very effective. He has lived through so much, there just isn't room for regular, raw feelings anymore.

Part of the reason why this movie is so hard to watch is because of the flashbacks. Not only do we have to watch the murder over and over, but we see some very touching flashbacks of their relationship before Bob went to prison. It's sad to see him in a different stage in his life, contrasted with the way he is at the present timeline. If you can handle this extremely dark, adult movie, you'll see some very good acting and a realistic storyline.

Kiddy Warning: Obviously, you have control over your own children. However, due to violence and an upsetting scene involving a child, I wouldn't let my kids watch it. Also, there may or may not be a rape scene.
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6/10
Leaving Sleeping Dogs Lie
bkoganbing28 March 2012
After Ryan's Daughter Robert Mitchum retired from the screen and found he was bored with retirement and with writers sending him scripts as they always do, he picked Going Home as a comeback vehicle. I don't think Mitchum was gone even a year so it wasn't like he was missed.

What could have been a classic settles into the ordinary as Mitchum plays a father just released on parole from prison. What he did back in the day was kill his wife in a drunken rage. It was a manslaughter count that he would have plead guilty to. But also his young son witnessed his father do the deed.

The kid grows up to be Jan-Michael Vincent who started his career playing sensitive youths. Vincent of course is barely concealing his anger and he takes it out on Mitchum in a not too subtle way.

With that murderous act creating a gulf between them there was no hope of reconciliation and both would have been better off to have left sleeping dogs lie.

The third person in the mix here is Brenda Vaccaro who was coming off a great performance in Midnight Cowboy. She plays Mitchum's girlfriend and her in the picture isn't guaranteeing anything but sexual tension all around.

Going Home is an interesting film, but just doesn't quite get its message across. All these people had some great work ahead, Mitchum and Vincent would be together in The Winds Of War which is far superior to Going Home and they would be father and son again.
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4/10
Interesting premise buried beneath a flawed execution and poor character development
tcordes4 April 2000
"Going Home" explores a potentially interesting premise: a child who witnessed his mother's murder at the hands of his father grows up and confronts his parolee father. Where this movie fails is in its execution, which becomes progressively more confused and convoluted often leaving the viewer unsure as to where a scene is actually taking place. Frustratingly, most of the lead characters, especially Jimmy, come across as erratic. Their behavior at times seems entirely unrealistic and whatever motivations they might have are never really explored.

About the only thing that saves this movie from a lower rating is Mitchum's characteristically strong performance considering the confused story and direction he has to contend with.
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6/10
I just can't brake the ice with that kid
sol-kay29 March 2012
Warning: Spoilers
***SPOILERS** A story of both revenge and redemption with a very confused and bitter Jimmy Graham, Jan-Michael Vincent,not knowing if to make up with his just released from the slammer or prison dad, Harry, Robert Mitchum, or beat his brains out! That in Harry screwing up his life as well as his own by murdering, in a drunken rage, his mom right in front of him when he was six years old.

Tracking down his dad to the seaside New Jersey town of Wildwood where he works as a car mechanic it takes a few days for Jimmy to introduce himself to Harry who at first, by sitting outside his trailer park camper, thought he was just a local hippie high on pot. Harry not at all wanting anything to do with his long lost son who's testimony at his murder trial convicted him, in Harry being drunk and out of his mind, of 2nd degree murder he later takes a shine to him and invites Jimmy to stay in his camper along with his live in girlfriend Jenny Benson, Brenda Vaccaro.

Not knowing if to strike back or not at his dad from killing his mom and ruining his life, Jimmy spent the last 12 years in and out of orphanages, Jimmy soon targets the innocent,in him mom's murder, Jenny in order to get back at his dad. Drunk like he old man was when he murdered his mom Jimmy tricks Jenny into seeing him at a local chicken coop, where they illegally train rosters in the art of cock-fighting, and brutally attacks and rapes her. Now feeling guilty at what he did Jimmy takes off to Pennsylvania to the house where he once lived in, that's now a bar and bordello, where his mom was murdered. Calling up his dad and confessing his crime,raping Jenny, Harry comes shooting out to the place in his battered Dodge pick-up to give him the beating he should have gave him when Jimmy testified against him in open court!

***SPOILERS**** A bit confusing, like Jimmy Graham, to say the least the film "Coming Home" is never boring in that Robert Mitchum is staring in it. You like Jimmy get to like Robert Mitchum's character Harry Graham despite him being a very unlikable and uncouth, especially with his off-color and bathroom jokes, guy in the movie. Yes Harry never makes excuses in what he did and tries to get his life back together after serving 13 years behind for doing it. It in fact takes Jimmy a lot longer to get over his dislike and hatred of his dad and even goes over the edge,by raping Jenny,when he eventually loses control of himself. It's in the final few minutes of the movie that both Harry and Jimmy, who almost got killed by him, came to a mutual understanding. In that by putting the past behind them will finally put an end all this resentment as well as violence that may very well, if it continues, end up killing both of them!
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3/10
It's hard to feel sorry for people when they feel SO sorry for themselves!
AlsExGal17 September 2018
When Jimmy Graham (Jan Michael Viencent) was six years old he witnessed the aftermath of his father, Harry Graham (Robert Mitchum), murdering his mother. He was forced to testify against his dad, and after his conviction he was passed around between foster homes and boys' schools. Thirteen years later, and Jimmy Graham is a kid with a mighty case of PTSD, a chip on his shoulder, and a case of smoldering anger against his dad.

When Jimmy makes one of his infrequent trips to the prison, he discovers that dad was paroled months ago and didn't bother to get in touch with him and tell him he is out. He looks dad up and sees dad is getting on with his life - living in a trailer park, working as a mechanic, he even has a steady girl. Not that Harry seems to know what to do with their relationship. He alternately acts friendly towards his son and then out of the blue rejects him. At least, though, we have some of that Mitchum laconic coolness on display where I get some idea of where he is coming from.

Jimmy, however, has as close to a resting b**ch face that a man can have, and wanders around mute and behaving largely in a passive aggressive fashion. Sometimes he acts like he wants to get close to dad, other times he is complaining to the parole board about the fact that Harry is even out, another time he scratches a BEWARE OF HARRY GRAHAM message on the men's room wall. Towards the end, however, Jimmy does a deed so foul that no amount of childhood trauma can excuse it. At that point I just wanted Mitchum to show up and go all Cape Fear on this unlikable person.

The editing is not great either. Jimmy seems to have no life at all when he decides to decamp and go meddle in dad's life. Yet at the end of the film he shows up at some house of ill repute where people see him and say "Quitters are not welcome!". Jimmy calls his dad and tells him where he is, and dad says emphatically "I told you never to go back to that house!" and feels so strongly about it he has to go drive over and get him. What is this house? Until these scenes it has not been shown and I have no idea what it is doing in this film.

The 3 stars are for Mitchum, who is a presence even in a bad film with a bad script and bad editing.
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6/10
rape comes out of nowhere
SnoopyStyle20 September 2020
Warning: Spoilers
Jimmy Graham (Jan-Michael Vincent) is rejected from enlisting in the Army. As a boy, he testified about his mother's death which put his father Harry K. Graham (Robert Mitchum) in prison. He had a tough upbringing. He tries to visit Harry in prison but is told that he's been released. Harry is living in a trailer. Jenny Benson is his girlfriend. Jimmy is still angry at his father and wants him back in prison despite spending time with him.

The rape comes out of nowhere. It needs a better setup. The movie is going along great up to Harry smashing the car windows. I was assuming that Harry was innocent at that point and expected a reconciliation story. After Harry confesses, I don't see reconciliation as a good story path. I would prefer more anger from Jimmy. If he becomes more volatile, the rape becomes less abrupt outlier. There is also another problem. Jenny becomes less as a character and more as an object. The movie treats it as a conflict between the men when the crime has been committed against the woman. It's an awkward turn. There is some value in the complicated family conflict in the movie. I like the turn and the resolution much less.
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3/10
Poor execution, graphic violence doom this film
Rich35931 March 2012
Warning: Spoilers
Its hard to like a character, no matter how well they act in the latter part of a film, when the first scene you see is a graphic murder of a mother by the father, witnessed by a small child. It reminds me of film openings of various horror films. Then we see the films credits roll over some cutsie 70's song. This film is unrelentingly mean-spirited and confused in its message. The adult child reunites with his father 13 years later,after the father is released from prison, only to provoke his father and wallow in violent fantasies of his father attacking him. Why, perhaps he wants his fathers attention? Who knows. We are also witness to a graphic rape of the only likable person in the film, an ugly harassment in a boardwalk arcade of the same woman by a bunch of sailors, a repulsive stag party, beatings, a sadistic parole officer, and a psychopathic hen farmer. This might be o.k. if it had a point, but it doesn't. The movie, which is blue-collar in its location and tone, seems to hate and condescend to these people. The only redeeming quality of the film is the great New Jersey shore location shooting.
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8/10
Superb Mitchum film...
moonspinner555 November 2005
Underrated, little-seen melodrama got shelved in the early 1970s after a limited run. Too bad, it gives Robert Mitchum a fantastic role as parolee who served time for killing his wife. The movie follows his release and eventual reconnection with his estranged teenage son, who as a child witnessed his mother's death. Jan-Michael Vincent is very good as the kid with the tangled feelings (curious about his father, but also angry and resentful); Brenda Vaccaro is terrific as a new woman in Mitchum's life (it's possibly Vaccaro's finest hour). The wife's death, seen in flashback, is tastefully handled by director Herbert B. Leonard, who gets some wrenching scenes out of his cast. A low-keyed, affecting gem about conflicted human emotions. ***1/2 from ****
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6/10
**1/2
edwagreen15 August 2017
Warning: Spoilers
The film is slow paced and we never really know why the Bob Mitchum character killed his wife. We saw her fall at the end of stairs on the floor and dead. Their young son witnessed this and was called on to be a witness for the prosecution at the trial.

The boy grows up in orphanages and comes of age and goes to visit his dad in prison while picturing certain scenarios after meeting his dad. He then finds out that dad was paroled and is living with Brenda Vaccaro in some trailer.

As the son, John Michael-Vincent has many emotional problems including extreme sexual attractions to women including Vaccaro who is molested by him. Mitchum almost strangles the boy but his fatherly instincts kick him, the two talk about life and he tells his son that he will one day be 20 and rides away. We're bewildered by all this as Vincent walks away.
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5/10
Subpar TV direction hampers superb Mitchum performance
msghall30 April 2022
Awkwardly directed throughout, with crappy TV music, this movie's clumsy editing brings down a wonderfully nuanced performance from Robert Mitchum. In fact, some of the acting by all the actors is solid but undermined by a lifeless atmosphere, almost stagey at times.
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3/10
Talk about awkward moments!
planktonrules17 September 2018
Warning: Spoilers
Note: This film shows a rather vivid rape scene. You might want to consider this before you watch the movie...particularly if you have been a victim of such an assault.

Long ago, Harry Graham (Robert Mitchum) killed his wife. His young son, Jimmy (Jan-Michael Vincent), witnessed her death and spend his childhood in the Boys' Home in Oakdale, Pennsylvania*....and the father spent a long stretch in prison. After many years, Jimmy comes looking for his father...though it's not certain whether he wants to re-connect with him or kill him! And, not surprisingly, it results in some very awkward moments between the two when they meet.

This is a very slow paced film. This doesn't necessarily mean it's bad....but that it's just very deliberate and slowly unfolds. Some might balk at this. I think it was done mostly to show Jimmy's own ambivalence towards his father...as if he isn't really sure what to do or make of the man. What he eventually does...well, that DID come as a surprise.

Overall, while the film had many excellent moments and scenes, I was so taken aback by the rape that I am hesitant to recommend the film. It could have been done much less candidly and I worry that person some weird folks might actually enjoy seeing it.





*I looked it up and this place actually DOES exist.
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2/10
Lacklustre story - Can't imagine it got made
GFDTommasino21 November 2023
Warning: Spoilers
This film is what is wrong with the world or should I say USA. The film is about the character played by Robert Mitchum who has committed a serious crime at an earlier point in his life. And how after his release from prison on parole he is trying to make good while living in a trailer..

The female lead is excellent, and Robert Mitchum's acting is good and understated. The film turns on the issue of Robert Mitchum's character's grown son re-entering his life.

The son presents to us as a good-for-nothing aimless sort. And by the end of the film we find out why he has returned to Mitchum's character. Basically to get back at his father for the crime against his mother.

The son instead of wanting to create a clean life for himself comes back to avenge the crime against his mother. This is what I meant when I referred to what's wrong with the world or USA. Some of us want to make sure that the pain we experience is experienced by others no matter what it costs us or anyone else.

A truly sad portrayal of the human condition. Why would ANYONE want to go see a pointless film of futility such as this one. It has no redeeming message except that Robert Mitchum's character faces upto his demons and still tries to make good.

Leaving the past behind is critical instead of digging up buried skeletons. If you want to do that it needs to be done as inner work in therapy and not in seeking revenge in the external world. Because all you are doing is adding to the misery of the world, of which there is more than enough.
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8/10
Fascinating, rare movie with a young Jan Michael Vincent
robespierre92 July 2008
Warning: Spoilers
Found this rare movie through an online rare movie collector (www.subcin.com). JMV plays Jimmy Graham, a 19 year old who goes in search of his father Harry K Graham (Robert Mitchum). Jimmy was a witness to his father murdering his mother when he was a child. He lingers around Harry's trailer and Harry's new girlfriend Jenny (played splendidly by Brenda Vaccaro), seemingly awaiting his father's explanation of this hideous act. There is great Oedipal tension with JMV and Brenda Vaccaro as Jimmy seems to think of her as his lost mother. He wants to protect her from lewd sailors in the arcade in which she works, and at the same time her feels anger and jealously towards her. There is a very well-acted rape scene (in a suggestive cock-fighting chicken coop)in which Jimmy attacks Jenny. Jimmy also broods when he's with his father. He seems to want to provoke his father's anger towards himself. There's a great scene at a gas station where Jimmy 'dreams' of his father attacking him. Also, the rape itself was also meant to provoke his father's anger. The ending is very interesting - no true resolution is made, and Harry Graham finally admits (rather coldly) that there was no reason he killed Jimmy's mother. It was murder born out of simple anger. The son has his answer. Then, the father drives away, leaving Jimmy on his own.

The story has a very blue-collar setting- trailer parks, bowling alleys, etc. Jan Michael Vincent is excellent in this movie. It's one of his earliest roles. He would later play Robert Mitchum's son again in the TV series WINDS OF WAR. It's a very quiet, simmering performance with a James Dean angst to it. You can tell JMV has a great intensity about him, even at this young stage of his career. Robert Mitchum is also very good as Harry Graham. He has a very non-chalant, intimidating quality to him. Brenda Vaccaro gives a truly moving performance.
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10/10
Underrated gem
dudejul31 January 2024
As I read some of the glib dismissals of this movie, it occurred to me that their authors neither understand it or know anything about 1970s American cinema. Mitchum, one our finest actors, elevates every film he's in by his presence and subtlety as an actor. Yet this script was made for him. Herbert Leonard, the director, chose naturalism as his approach, which allowed for the inarticulateness of the two other key characters played by Vaccaro and Vincent. There are three people, then, trying to love one another and express themselves without the capacity to do so, just like real life.

Going Home has three violent peaks: the flashback to Mitchum's foundational crime, its near-reenactment between Vincent and Vaccaro, and then the final confrontation between father and son that partakes of both incidents. Vincent insists on being truthful to Mitchum, who reacts understandably but then relents from exacting his revenge. There is no defending the crimes of father and son, of course, since neither can be justified. So the film ends at this terminus with the separation that must occur.

Mitchum turned in some fantastic performances at the end of his career, better showcased in good stuff like Eddie Coyle than in less successful films such as Farewell My Lovely and The Last Tycoon. Savor everything of his that you can. There is no other like him.
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9/10
An auto 9 for noir
Delrvich26 September 2022
An auto 9 for noir. Noir is a tragic tale with a moral. In this case, dysfunctional parents often raise dysfunctional kids or similar. And, their flaws are often exploited by the state and misunderstood by the public. Hence the need for court reform, Big Brother, etc. Unfortunately, from glancing through the top reviews, I don't seem to be very far from wrong.

Should be on a double bill with A TASTE OF HONEY (1962).

600 characters required?

Psshaw. This is a review. Not a thesis.

Repeat --- An auto 9 for noir. Noir is a tragic tale with a moral. In this case, dysfunctional parents often raise dysfunctional kids or similar. And, their flaws are often exploited by the state and misunderstood by the public. Hence the need for court reform, Big Brother, etc. Unfortunately, from glancing through the top reviews, I don't seem to be very far from wrong.

Should be on a double bill with A TASTE OF HONEY (1962).
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9/10
Excellent father son story
searchanddestroy-18 October 2022
It was made in seventies, early seventies, and that explains the way it was directed, played and written. Two decades later, it would have been different. Anyway, that did not interfere with the pleasure I had to spend time watching it. Robert Mitchum gives the portrait of an ambivalent character, a bit disturbing, in the father character, and not the ordinary father, not the good family man whom you could expect in a normal family. He killed his wife and years later his grown up son goes to find his father and get some explanation, talk to him...That's precisely at this point that the story comes interesting, gripping. An underrated film, I guess.
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