User Reviews

This is a Zapata western set early XX century on the overlong Mexican civil when happened the confrontation executed by Pancho Villa and Emiliano Zapata against Porfirio Diaz , and , later on , against Carránza and Obregón . A misfit group formed by a bandit priest (Robert Mitchum) , an IRA Irish young man (Ken Hutchinson) and a gunrunner (Victor Buono) , all of them are hired by a Mexican colonel (John Colicos) to kill De la Plata (Frank Langella) , a Mexican tyrant .

The picture displays lots of action , battles , tongue-in-cheek , shootouts and a little bit of violence like the brutal killing a little boy . The casting is frankly well , Robert Mitchum (¨Night of the hunter¨ , ¨5 card stud¨ , ¨Bandido¨) is excellent in his usual facade of indifference and lazily acting as a greedy priest and wielding a Thomson machine-gun . Mitchum chewing up scenery in this peculiar role . The newcomer Ken Hutchinson provides added depth as an Irish terrorist with a bitter past ; however , this one being his most important role , as he went back England and only acting in TV movies . Frank Langella (¨Drácula¨) plays an elegant psycho killer who bears a deep hatred to Catholic Church . The famed secondary Victor Buono (¨What ever happened to Baby Jane¨ , ¨Hush , hush..sweet Charlotte¨) plays convincingly an avaricious gunrunner . Enjoyable performance by Rita Hayworth in his last completed film (her previous movies during her downfall were the Italian ones : ¨The bastards¨ and ¨The rover¨) , despite Alzheimer disease . In fact , she had difficulty remembering her lines and the crew believed it was because of alcohol abuse , but only later did they realize they were seeing the early stages of her Alzheimer's condition . Besides , there appears habitual secondaries who usually work in American productions shot in Mexico , such as : Gregory Sierra , Enrique Lucero and Chano Urueta . The motion picture was rightly directed by Ralph Nelson who made other good Westerns as ¨Soldier Blue¨ and ¨Duel at Diablo¨ . This offbeat Western will appeal to Robert Mitchum fans.

A tongue in cheek ,very funny "western" -although it features plenty of death-),not as tragic as Nelson's more famous "soldier blue" .A good chemistry between the three mates ,even though Mitchum is obviously the stand out.I did not go to confession for years ,but if I had a "priest " like him,well....His words are often Bunuelesque ,recalling "Nazarin"(1958) when he talks about the stranglehold the wealthy ones have on religion.In spite of the presence of a positive catholic character (Rita Hayworth's last part,her next-to-last was a strange French movie where she played the role (sadly premonitory)of a woman losing her mind "La Route De Salina" ),it is a very unfriendly look at the catholic Church,not exactly a Hollywoodian politically correct one.

The scene of the execution when the screen becomes completely black ("and it has not taken three days !say one of the condemned persons)is memorable ;and the title is thoroughly justified in the last scene when God's hand punishes the heathen .

I saw The Wrath of God as a sneak preview in 1972 when I was 14. I saw it with my dad at the now long gone Sunny Isle Theater in North Miami, Florida. I recall the film was action packed and concerned a South American Revolution around the early to mid 1900s. These type of films were popular in the 1960s and early 1970s: 100 Rifles, The Wild Bunch, The Professionals, Villa Rides, and the Wrath of God. Rita Hayworth looking surprising young and attractive. I believe she was 52, but looked about 40. Her part was small, and she looked extremely unhappy. Turned out to be her last film. Nothing really great here. Only fair, but lots of action. Only stands out as Rita Hayworth's final curtain call.

What a splendid mix this film has. It uses Robert Mitchum in some ways better than any of his later vehicles ever attempted to. He plays "Father" Van Horne who on the surface is a Catholic missionary but in actuality is an accomplished bank robber cutting a swath through Central America with a prayer book in one hand and a Thompson machine gun in the other. He encounters Victor Buono as an English gun runner named Jenning and Ken Hutchinson as an IRA assassin named Emmett Keogh. Together the 3 men comprise Col Santilla Unholy Trinity charged with the liquidation of his nemesis, one Tomas De Laplata(Frank Langella) who has a murderous antipathy toward any and all clergy. With a setup like this you go along for the ride. Believe me you won't be bored.

It's a revolutionary central American country in 1920s. Oliver Van Horne (Robert Mitchum) is dressed as a priest. Irishman Emmet Keogh (Ken Hutchison) buys a ticket to anywhere to escape the growing unrest but it gets stolen. He encounters men loyal to revolutionary leader Colonel Santilla (John Colicos). He tries to rescue mute native girl Chela from them only to get strung up and then they're both rescued by Van Horne. They are captured by Santilla. The two imprisoned men and immoral gunrunner Jennings are recruited to assassinate his opponent Thomas De La Plata (Frank Langella) who is using a mine for his war chest. Rita Hayworth plays De La Plata's mother.

This has the Peckinpahesque violence like shooting a kid in the back. It's like a spaghetti western. The motivations are a little clunky. There are some compelling characters although Hutchison may not be leading man material. His looks is more towards villainous henchman. It's also notable for being Hayworth's last film. Her role is very much supporting and most compelling for the name. The Mexican location is great and the local colors are enticing. This is a fine B-movie.

The style of "The Wrath of God" seems strongly influenced by Italian westerns of the era in style and violence level. And, like these sorts of films, it's not set in the United States but in some Hispanic country...an unnamed one at that.

The story is about three scoundrels who have been sent to murder a warlord named Tomas de la Plata (Frank Langella). One scoundrel is a fake priest with a penchant for killing people (Robert Mitchum), another is an arms merchant (Victor Buono) and the final in this unholy trio is a displaced Irish revolutionary (Ken Hitchison). Who wants this warlord dead? Another scum-bag warlord, Colonel Santilla (John Colicos). If it sounds like there are no good guys in this picture, you've got the right idea. And, on hand for no apparent reason is de la Plata's mommy (Rita Hayworth...in her final film).

Overall, this is a dark but enjoyable film with a violent and wildly improbable ending. Dark....well, because no one is really good in this film...with everyone either being wolves or just sheep awaiting their deaths. Worth seeing...not a great film for kids or your mother.

From STRAW DOGS to SWEENEY 2 to LADYHAWKE to beating GANDHI to a pulp, intense British actor Ken Hutchison played mostly villains but in-between scored the heroic lead in THE WRATH OF GOD opposite Robert Mitchum; the latter a foul-mouthed priest to Hutchison's feisty/fun Irish rogue, all taking place in Central America (shot in Mexico), and the best scenes have the trio, including likable con man Victor Buono, pursued by antique cop cars, involved in various shoot-outs and almost getting executed, right down to the black bandana around the eyes...

A crooked General had spared them for a mission involving an old mine and then to overthrow the dictator of a rural town... Enter Frank Langella as the real bad guy, and he plays it moody and natural, at times even low-key...

Split by devout Catholic mother Rita Hayworth and a personal hatred of religion, especially (bogus?) priest Mitchum, he's simply not evil enough for our heroes to spend so much time preparing a revolution by training ill-prepared townspeople....

So what both works and fails here are the eclectic sub-genres ranging from Spaghetti Western Revenge; Classic Gangster involving Mitchum, a Tommy-gun and an attempt to smuggle prohibited booze; and a barrage of Sam Peckinpah style slow-motion firing squad deaths in the opening credits....

And since a world-weary Mitchum and rambunctious Hutchison (the latter subtly romancing gorgeous mute local Paula Pritchett) are always game to either fight or run away, it's a shame things got so serious halfway through.

The Wrath Of God is a kind of parody on the films Robert Mitchum was so routinely cast in back in the Forties and Fifties and even later on which he was doing know for a good paycheck. It's funny in spots, but ultimately doesn't quite come off.

Humphrey Bogart's The Left Hand Of God is the closest comparison one can make to this film. Bogart is also an adventurer in priestly disguise who aids a Chinese village during Kuomintang China days.

The Wrath Of God has Mitchum as a priest who is also a conman and handy with a variety of weapons, particularly the Thompson submachine gun. He, Victor Buono and Kenneth Hutcherson form an alliance of convenience which wasn't easy with Buono and Hutcherson refighting all the recent troubles in Ireland.

They get impressed into service by a strutting Colonel played by John Colicos whose behavior and that of his troops doesn't inspire a whole lot of confidence that Colicos's bunch are the good guys. Colicos has to get inside the stronghold of a wealthy Don played by a young Frank Langella in one of his earliest films. Colicos is no prize, but Langella is positively psychotic, especially on the subject of religion. In his domain he's forbade the Catholic Church and any of its priests from any practice of the religion. He's got his reasons, but they're kind of out in left field to say the least. Mitchum's convincing guise a priest might just draw him out.

The Wrath Of God marked the final screen appearance of Rita Hayworth who got the film as an act of charity by Mitchum according to the Lee Server biography of Mitchum. Hayworth was having financial problems and was drinking heavily. Little did anyone realize that the reason for her bad behavior which occasionally got reported in the press back then was the onset of Alzheimer's Disease. The woman was drinking literally because she was losing her mind. She caused a lot of production delays. A truly sad end to the woman who in my humble opinion was the greatest screen sex goddess of all.

What delays Rita Hayworth didn't cause Ken Hutcherson did with an accident which injured his arm and the insurance had to pay big bucks. The film was delayed by several weeks while Hutcherson healed and as Server put in his book, the insurance company wound up owning the film.

They didn't wind up owning Gone With The Wind.

Adaptation of James Graham's western book plays like a leftover co-feature dating 30 years back. Robert Mitchum is very likable cast as a machine-gun toting "priest" who, along with two criminals, is cornered into an assassination plot in 1920s Central America. Curious combination cheeky asides and formula bloodshed takes a good while to jell; director Ralph Nelson appears to be attempting a quirky approach, but he doesn't go far enough with his dark-humored take. However, the pacing does pick up after a draggy first hour, and the supporting players are interesting. Rita Hayworth, cast as a sympathetic Señora, makes her final screen appearance. ** from ****

To some extent Ralph Nelson's "The Wrath of God" spoofs westerns, but like Nelson's "Lilies of the Field," under the comedy is, I think, a deeply felt belief in divine grace. Both movies focus on unlikely human materials having a vocation they fail to recognize and consciously resist. Herein, Robert Mitchum plays a con man masquerading as a priest and a Catholic martyr in the tradition of Thomas à Becket or Thomas More mistaken by many as a hedonist.

In her last screen performance Rita Hayworth has preternaturally red hair (fire-engine red, not a color of any natural human hair), few lines, and is required to look devout (which she manages to do). As her flamboyantly traumatized and traumatizing son, Frank Langella gets to chew up the scenery, which he does with great relish (before "Dracula," after his memorable film debut in "Diary of a Mad Housewife" and Mel Brooks's adaptation of "The Twelve Chairs"). Ken Hutchinson does fine as the token normal guy who is embroiled in others' plots, including the romantic subplot that involves him with a mute Indian maiden (Paula Pritchett). In a Sidney Greenstreet-kind of role as a corpulent and corrupt gun-runner Victor Buono is suitably droll. Still, it is Mitchum's movie, and he is as compelling when he takes his priestly role seriously as when he plays the usual disengaged but competent existentialist who expects nothin' from nobody. <bt><br> A motley gang of foreign mercenaries getting involved in the confusions of the long-running Mexican revolution and taking a side against their financial interest recurred in a number of late-1960s and early-70s movies, including "The Wild Bunch", "The Professionals", and "A Fistful of Dynamite." The latter two use considerable humor within the genre of expatriates taking sides (which in Mexican settings of different eras includes "Vera Cruz", "Old Gringo", and "Bring Me the Head, of Alfredo García").

A strange curio from 1972 which takes place south of the border. An Irish ex-pat is about to head home when he's given one last smuggling job to perform only to be enlisted in an assassination scheme hatched by a Spanish revolutionary to off his competitor. Joining him is an English smuggler played by Victor Buono (TV's Batman's King Tut) & 'is he or isn't he' a priest limned by Robert Mitchum. Written & directed by Ralph Nelson who made a few films w/Sidney Poitier (including his Oscar winning turn in Lilies of the Field) , this mish mash feels better suited for someone like Sam Peckinpah who had mastered these kinds of stories of lost men fighting lost causes. Veering unsteadily between brutality & cheap laughs, the conceit never really catches on so we have to suffer through the end product. Featuring an early turn by Frank Langella as the intended target & the last role by Rita Hayworth who plays his mother.

It's been my experience that many times,reviewers of this strange gem have been puzzled or turned off by the strange plot and readings that the players have provided.This is NOT just a standard western,with rebels trying to overthrow a tyrant.This is a parody of every flm cliche of that particular vintage.Mitchum is doing a burlesque of Bogart or any other reluctant hero fighting a tyrany.Langella is doing Jay Robinson's psychotic Caligula from "The Robe"or"demetrius and the Gladiators".Hayworth is every suffering mother,Colicos is every sly villain,and buono is having the time of his life and career as a virtuoso impersonator of Sydney Greenstreet.Get this film,make lots of popcorn,plenty of beverages,and enjoy.

Ralph Nelson proved himself to be a great director shooting some really great productions in black and white ("Requiem for a Heavyweight, Lilies of the Field) but his color efforts are clumsy and "TV movie-like" ("Duel at Diablo," "Embryo" and this, "The Wrath of God." Nelson captures not of the epic sweep and poignance available in this material. One could only dream of what director Sergio Leone might have accomplished, even given the awkwardly structured, exposition-laden storyline. Fortunately, Nelson had a wonderful cast (Mitchum, Buono, Hayworth and, most notably, Ken Hutchinson and John Colicos) with which to work. Only Frank Langella seems to indulge in overacting, and he arrives more than 45 minutes after the beginning of the film (my "45 minute" rule: if a two hour movie is still introducing major characters after 45 minutes, the movie is usually a dog. Fortunately, Nelson handles the humor better than the drama and there is an abundance of it, albeit irreverent.

The theme of "The Wrath of God" is "redemption through sacrifice." Mitchum did this better in "Heaven Knows, Mr. Allison". Sam Peckinpah did it better with "The Wild Bunch". Richard Brooks did it better with "The Professionals". Heck, even Anthony Quin did it better in "Guns for San Sebastian," the movie this one most nearly resembles thematically. Still, there is much to enjoy in "The Wrath of God" to dismiss it entirely, even with the flat, disappointing ending. I give "The Wrath of God" a "5".

Would have never known that was Rita Hayworth if not for the credits. She looked really bad. The only reason I stayed to the end was because of the action. But the unbelievably fake blood even ruin that.

Remarkably funny western/revolutionary action pic stars Mitchum as a con artist who poses as a priest and Langella as the South American' dictator he and his friends have been blackmailed into assassinating. Hayworth appears briefly as Langella's tormented mother.

The action is fast and well staged, and the film's humor is so effective that it has often been seen (mistakenly, I believe) as a spoof of its genre, rather than as the fine example it is of the genre at its best. This whole line of reasoning bothers me, because it implies that an adventure movie can't be funny, that it has to take itself deadly serious. Much like "Duck, You Sucker!" this film's irreverent humor is one of its main ingredients, but it does not detract from its standing as a decent action flick. It's in fact closer to the way action pictures are made today -- I would question whether the critics and fans who see this as a "parody" also think that Schwartzenegger's "Commando" and "The Running Man" are also parodies?

As Mitchum's character becomes more involved with Langella's peasant village, giving them the sacrament because they haven't seen a priest in years, he begins to BECOME the priest of his con-game, but his actions keep his friends and Langella guessing as to the extent of his "conversion." This brings up the theme of the appearance becoming the reality, an unusual theme for a western action flick.

Good performances and an unusually good film results.

I have no idea who put forth the suggestion that Ken Hutchison was a marvelous actor; maybe his mom?

He was awful here, making me think that he could only play a creep effectively. He wasn't helped by the terrible writing and garbage acting surrounding him. Mitchum was obviously retired by this time and it showed. Langella improved over the years, but here he was laughable in an unamusing way. Rita Hayworth may have done the best job in the movie.

Don't waste your time.

Not everyone agrees that this a parody. I have read that the film turned out confusing because of problems on the set. Including, Rita Hayworth's Alzheimer's and an actor who had a part for the first six weeks of filming. He was severly injured and couldn't complete his part properly. Therefore the confusion. Everyone wanted to just forget the whole thing but they released it anyway. All wasn't lost however, I personally found it very unique and intriguing. And as a Mitchum fan a rare, wonderful find on the classic movie channel.

He put some heart in this one, not to mention physical effort. I had never heard of it let alone seen it before. With four strong screen presences for leads I should have known it would be compelling. I'm not even counting Rita Hayworth, or some strong supporting cast performances. I have since read there are continuity gaps but I had no problem following the action. It was rare that Robert Mitchum had a scene stolen from him but Frank Langella did it. More than once.