Richard Burton's diaries only sparkle occasionally, most notably when he's demolishing one of his illustrious contemporaries
Richard Burton died in August 1984 at the age of 58, shortly before the premiere of Nineteen Eighty-Four, in which he gave his best performance for more than a decade as Orwell's totalitarian apparatchik O'Brien. His diaries cover some 44 years, from his early second world war schooldays in south Wales to the spring of 1983. In May that year he appeared on Broadway in a poorly received production of Coward's Private Lives with his ex-wife Elizabeth Taylor, and on 3 July he married his fourth wife in a Las Vegas hotel. A hefty brick-sized book, it brings to mind the telegram Warner Brothers boss Jack L Warner sent to the director Mervyn LeRoy, who'd inquired whether he'd got around to reading Hervey Allen's blockbuster Anthony Adverse. "Read it?" Warner replied. "I can't even lift it."
The...
Richard Burton died in August 1984 at the age of 58, shortly before the premiere of Nineteen Eighty-Four, in which he gave his best performance for more than a decade as Orwell's totalitarian apparatchik O'Brien. His diaries cover some 44 years, from his early second world war schooldays in south Wales to the spring of 1983. In May that year he appeared on Broadway in a poorly received production of Coward's Private Lives with his ex-wife Elizabeth Taylor, and on 3 July he married his fourth wife in a Las Vegas hotel. A hefty brick-sized book, it brings to mind the telegram Warner Brothers boss Jack L Warner sent to the director Mervyn LeRoy, who'd inquired whether he'd got around to reading Hervey Allen's blockbuster Anthony Adverse. "Read it?" Warner replied. "I can't even lift it."
The...
- 12/16/2012
- by Philip French
- The Guardian - Film News
By Sam Weisberg - April 23, 2011
“Cinema Komunisto” is an exquisitely detailed, heartfelt look at the former Soviet Federal Republic of Yugoslavia’s thriving yet little-known film industry, circa post-wwii to 1980. Josip Broz Tito, the celebrated war hero, Prime Minister and eventually president-for-life during this time period, was a lover of grand-scale Hollywood films, which began to be shown in Yugoslavia after the country’s break from Stalin’s Eastern Bloc, and in turn Soviet influence, in the late 1940s.
Armed with newfound independence and chutzpah, Tito—who screened at least one movie a day, privately, for the next thirty-two years of his life—decided to make Yugoslavia a cinematic empire. The state-financed Avala Film studios would go on to produce ‘partisan films,’ insanely self-aggrandizing war movies that depicted Yugoslavia as an unstoppable, Nazi and Soviet-defeating force. (“A lot of these movies were absolutely terrible,” the actor Bata Zivojinovic admits; “I...
“Cinema Komunisto” is an exquisitely detailed, heartfelt look at the former Soviet Federal Republic of Yugoslavia’s thriving yet little-known film industry, circa post-wwii to 1980. Josip Broz Tito, the celebrated war hero, Prime Minister and eventually president-for-life during this time period, was a lover of grand-scale Hollywood films, which began to be shown in Yugoslavia after the country’s break from Stalin’s Eastern Bloc, and in turn Soviet influence, in the late 1940s.
Armed with newfound independence and chutzpah, Tito—who screened at least one movie a day, privately, for the next thirty-two years of his life—decided to make Yugoslavia a cinematic empire. The state-financed Avala Film studios would go on to produce ‘partisan films,’ insanely self-aggrandizing war movies that depicted Yugoslavia as an unstoppable, Nazi and Soviet-defeating force. (“A lot of these movies were absolutely terrible,” the actor Bata Zivojinovic admits; “I...
- 4/23/2011
- by Screen Comment
- Screen Comment
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