Updated: There has been another round of content removal from Disney+, this time in the Emea region, which consists of Europe, the Middle East and Africa. More than 120 titles have been taken off this week, primarily Disney Channel original movies and vintage Disney live-action films, as well as a few series, including Zeke and Luther, Pepper Ann, So Random and the first three seasons of Nat Geo’s Genius and ESPN/Nat Geo docs.
According to sources, the takedowns were a result of a library title review. There have been several content purges at Disney+ over the last year amid cost-cutting, most notably the removal of a slew of original series last May.
Here is a list of movie titles that are said to be gone from Disney+ in Emea, compiled by Drew Ryan.
A Tale of Two Critters
America’s Heart and Soul
Angry Sky (ESPN)
Babes in Toyland...
According to sources, the takedowns were a result of a library title review. There have been several content purges at Disney+ over the last year amid cost-cutting, most notably the removal of a slew of original series last May.
Here is a list of movie titles that are said to be gone from Disney+ in Emea, compiled by Drew Ryan.
A Tale of Two Critters
America’s Heart and Soul
Angry Sky (ESPN)
Babes in Toyland...
- 2/3/2024
- by Nellie Andreeva
- Deadline Film + TV
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
And Then We Danced (Levan Akin)
To be a Georgian male is to be masculine—especially in dance. Merab’s (Levan Gelbakhiani) teacher Aleko (Kakha Gogidze) demands that he stand straighter and stronger, a monument that can withstand any blow. While his country’s aesthetic had allowed for a softer tone, conservative tradition prevailed a half century ago to move things back to the rigid separation of gendered movement and the complete erasure of sexuality. How Aleko’s dancers perform becomes a visual metaphor for their nation. It will not be defeated. It will not show weakness. And anyone who dares to refuse giving one hundred...
And Then We Danced (Levan Akin)
To be a Georgian male is to be masculine—especially in dance. Merab’s (Levan Gelbakhiani) teacher Aleko (Kakha Gogidze) demands that he stand straighter and stronger, a monument that can withstand any blow. While his country’s aesthetic had allowed for a softer tone, conservative tradition prevailed a half century ago to move things back to the rigid separation of gendered movement and the complete erasure of sexuality. How Aleko’s dancers perform becomes a visual metaphor for their nation. It will not be defeated. It will not show weakness. And anyone who dares to refuse giving one hundred...
- 3/27/2020
- by Jordan Raup
- The Film Stage
The Call of the Wild plays like the kind of live-action movie Disney released in the ’60s and ’70s, then in the ’80s and ’90s under the Touchstone banner. This film, adapted from the Jack London novel of the same name, was developed as a 20th Century Fox project, before the studio got scooped up by the Mouse House.
Directed by Chris Sanders and starring Harrison Ford, the playful-yet-nostalgic tone is established early on. We meet a dog named Buck, the live-action/CGI hybrid lead of the story, as he bounds about a luxurious California home. His owner, Judge Miller, loves the pet but is tired of his hyperactive shenanigans. Buck eats up a celebratory feast because he just can’t help himself, the rascal! He appears to be a creature destined for bigger things. If those last two sentences read a bit cheesy, consider it a fair approximation of the film itself.
Directed by Chris Sanders and starring Harrison Ford, the playful-yet-nostalgic tone is established early on. We meet a dog named Buck, the live-action/CGI hybrid lead of the story, as he bounds about a luxurious California home. His owner, Judge Miller, loves the pet but is tired of his hyperactive shenanigans. Buck eats up a celebratory feast because he just can’t help himself, the rascal! He appears to be a creature destined for bigger things. If those last two sentences read a bit cheesy, consider it a fair approximation of the film itself.
- 2/17/2020
- by Dan Mecca
- The Film Stage
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