User Reviews

Made in the heyday of the TV movie-of-the-week, "The Dead Don't Die" can be best thought of as "They Shoot Horses, Don't They?" meets "Night of the Living Dead" meets "Chinatown." Written by Robert Bloch and directed by Curtis Harrington, who a couple years earlier had made a truly strange, old-fashioned horror MOW called "The Cat Creature," this film features a host of reliable Golden Age Hollywood actors in cameos, including Joan Blondell, Ralph Meeker, Milton Parsons and William Benedict. It also gives creepy Reggie Nalder a good role, and he's almost as frightening here as he was in "Salem's Lot," but without the extreme makeup. Some eerie zombie scenes and an effective score add to the film's pluses. The minuses, however, start from the top. George Hamilton is badly miscast as the hero who seeks to find out who really murdered the wife of his brother, who was tried and executed for it, but was, of course innocent. The character is supposed to be a tough sailor, but Hamilton gives more of an imitation of a hungover Bruce Dern, saying his lines with the conviction of a script girl. Ray Milland as a sleezy dance-marathon promoter, whom Hamilton manages to convince that he's sees dead people, including his brother, also phones it in. Linda Cristal as a French femme fatale with a Spanish accent at least tries. The period detail is superficial, with the men's hair styles and costumes straight out of the 1970s (as are Billy Benedict's modern eyeglasses). Given the particpation of Bloch and Harrington, the plodding, talky script and flat TV-style direction is particularly disappointing. This seems to have scared a lot of people in 1975, but now, even at 72-minutes, it seems to go on forever. And anyone who can't figure out who the villain of the piece really is must be a genuine zombie.

This rather unknown '70s telefilm from the artisan Harrington can delight any non-demanding moviegoer thanks to the mix of genres and its sinister atmosphere. Set in the 30s, the film mixes gangster movies with classic terror in a plot that includes zombies, a sect that practices voodoo, the dance marathons typical of the Great Depression that one knows from movies like 'They Shoot Horses, Don't The?' (Sidney Pollack, 1969) and disturbing sequences in morgues, cemeteries and funeral homes. In addition to an execution in the electric chair at the beginning of the film.

To this set of morbid ingredients is added a cast led by George Halmiton, who plays a sailor obsessed with laundering the honor of his brother executed with capital punishment after being accused of murder, and which also includes Ray Milland, Linda Cristal. or Joan Blondell. All of them do their job with solvency in a film in which the mystery and creepy sensations remain until the end.

In 1930s Chicago, a sailor attends his brother's execution, and then starts to see his dead brother everywhere. A mysterious woman warns the sailor to leave town, but instead he begins to look into his brother's past, with the help of a gruff police sergeant (Ralph Meeker) and the brother's former employer, a dance hall owner (Ray Milland). What he finds goes beyond what we consider reality. A very young and handsome George Hamilton stars as the befuddled sailor and Linda Cristal is the bewitching mystery woman. Curtis Harrington directed from a Robert Bloch story, and the atmosphere is creepy and at times nightmarish. Harrington leave no doubt about where things are going by starting off with the brother's execution followed closely by a scene in the dance hall featuring a bunch of marathon dancers looking like the living dead. Within the strict limits of a 1970s ABC-type TV movie, Harrington even lays on a bit of true horror, in a scene when when Hamilton is trapped in a funeral home with a walking corpse intent on murder (Reggie Nalder of "Salem's Lot" fame). There's also a taut sequence in a graveyard when Hamilton and the dance hall owner dig up the deceased brother's grave. And the final showdown takes place in an old-fashioned slaughterhouse that takes on the feel of a hospital morgue. Nicely done, although no one in the star-studded cast is called upon to emote much.

Scripted by Robert"Psycho"Bloch,the DDD is a very spooky movie indeed!George Hamilton is a man determined to find the TRUE killer of his brother's wife.He is drawn into a shadowy world where the dead won't stay dead!With creepy Reggie"Salem's Lot"Nalder as a scary dead/undead guy.Is everything George sees real or a nightmare?Ray Milland and Joan Blondel co-star.Very Spooky indeed.

"The Dead Don't Die" is a genuinely creepy and inventive 70's made-for-TV gem that regretfully ended up in total oblivion, and this in spite of the involvement of several really highly acclaimed names in the horror industry, like writer Robert Bloch ("Psycho", "Torture Garden"), director Curtis Harrington ("Whoever Slew Auntie Roo?", "What's the Matter with Helen?") and a long series of veteran cast members (Ray Milland, George Hamilton, Ralph Meeker, Reggie Nalder, …). Even more impressive than the names is the screenplay's ability to actually evoke real frights and maintain a continuously unsettling atmosphere. This is story-driven suspense without fancy make-up effects or spectacular stunts, but definitely with a handful of unforgettable jump scenes like, for example, the electric chair execution near the beginning and a corpse emerging from its coffin somewhere halfway through the film. George Hamilton stars as a former sailor called back home to attend the execution of his brother Ralph for a murder he swears he didn't commit. Don vows to clear Ralph's name and find out who really committed the crime his brother got punished for. Searching in sinister places and encountering uncanny people, Don discovers that his brother wasn't actually framed for murder but merely 'selected' for execution by an expert in the occult who wanted Ralph to serve in his army of the undead. The plot isn't exactly plausible, but nevertheless convincingly brought by cast and crew. The events supposedly take place in the 1930's and Curtis Harrington masterfully recreates the grim atmosphere of that decade with exact period details (like vehicles and costumes) and a cheap looking type of cinematography lacking color. Then there's also a copious amount of slick details that are just plain bizarre and indescribably eerie, like a dance hall full of near dead couples and one cute lady spontaneously combusting! Ray Milland is terrific and reliable as always, while Reggie Nalder is one of the creepiest actors who ever lived. "The Dead Don't Die" comes very much recommended, if you can find a decent copy of course.

A solid step ahead for director Curtis Harrington and writer Robert Bloch from their collaboration on The Cat Creature, The Dead Don't Die is a delightfully unhinged and at times surprisingly chilling supernatural mystery, hearkening this time back to the 1930's but doing rather better in capturing the anything goes pulp serial atmosphere of that time. The story has Navy man on leave Don Drake on a mission to clear his brother's name, said brother having been executed for apparently killing his wife. On the trail he gets warned off by strange beauty Vera LaValle, and comes to find that something really rather bizarre is going on. Now although it's been more than a decade since I read Bloch's original story so I can't compare writing and adaptation, but Harrington expertly captures the surreal and melodramatic night- realm of great 20th century horror. Barely any scenes take place in daylight even when the timeline seems to indicate that they should, but the film makes all this night-time scrambling seem perfectly natural, as if the film takes place in some strange, half dreamt but grimly real region where light itself is unnatural and solutions or escape fleeting. Though the story ultimately comes down to traditional zombies stretched into a slightly ill conceived conspiracy, the general atmosphere and smattering of creepy details (like skin crawling dance marathon moments) brings the film into quality disturbing psychotronic territory. The generally great performances do a great deal as well of course, George Hamilton bringing things together as a rock solid, faithful and committed man steadily harrowed by strange circumstance, Reggie Nalder giving real heft to a traditional ghoul role, Ray Milland wearing his tired, worn and corrupt character with easy style and not a little sympathy, and Linda Cristal evocative as the haunted beauty of the film. The pace is somewhat measured and the set pieces (such as they are) evenly spaced, so those seeking swift gratification will surely be disappointed, and the sadly fairly poor quality of most copies of the film currently in circulation may well put off others, but for the dedicates of this kind of cinema, The Dead Don't Die is a definite winner. It's a great example of traditional zombie horror at a time when the Romero paradigm was close to taking over, the cast is classy and the scares still resonant despite the lack of any gruesome or outré shocks. All in all a solid 7/10 from me, highly recommended to fans of this sort of thing.

Pretty good horror film from Robert Bloch (Psycho) and Curtis Harrington (Ruby). This one's a doozy. George Hamilton plays a guy whose brother is executed for a crime he didn't commit. There's a spooky execution scene, and then George has to find out the truth. Upon investigation Hamilton discovers zombies. Set in the '30s or '40s ( I can't remember ) this is a particular creepy TV movie I originally saw in 1975. Reggie Nalder (Salems' Lot) plays a zombie. The scene in a funeral parlor with Nalder rising from the dead is really cool. Ray Milland also stars and is his slimy best. Pretty good and shocking for a TV movie.

This is a fun one. I remember being scared as hell. In an attempt to solve a murder mystery, George Hamilton finds himself in a town inhabited by zombies. He even has a love scene with one of them!! It would be cool to see a remake. There has never been a zombie movie movie quite like this one. Hope i find it on a video shelf some day.

"The Dead Don't Die" is set in the 1930s. When the film begins, Don Drake (George Hamilton) is visiting with his brother...just before the brother is to be executed for a murder he insists he didn't commit. He begs Don to investigate the killing and find the real murderer. As for Don, he was in the Navy and couldn't help until now...and he's committed to finding the truth. The trail leads to some weird places...and during his investigation he gets a glimpse of his dead brother walk about town! He chases him but the zombie-fied brother escapes. The trail leads to a zombie master named Varek---and Varek is intent on killing Don! What is going on here?!

In many ways, this film is like a 1940s horror film--but in color and made for television. It has a super-creepy atmosphere, over the top characters and features a villain who was surprisingly easy to defeat at the end. Combine this with few nice supporting actors (Ray Milland, Joan Blondell and Ralph Meeker) and you've got a film that's stupid but very enjoyable! Worth seeing but don't try to think too much when you watch!

Ralph Drake is about to be executed for the death of his wife, but he claims he's innocent and wouldn't dare harm her. His brother Don promises to find the real killer and clear his name. This leads him into an unusual world, where nothing seems quite right and he doesn't know who to really trust. The mysterious Vera LaValle warns him he's in trouble in if he digs deeper and he sees his dead brother. The only one who he can really turn to is Ralph's former employer Moss, who runs a marathon dance hall.

Traditional voodoo/occult mumbo jumbo is the source behind this quite eerie, foggy, and darkly atmospheric made for television horror fable. It's all about the mysterious story, and moody shades in what you call an old-fashion slow-burner, which throws around little edgy suspense and some knotty twists to keep the audience rather unsure if it's reality or nightmares affecting the protagonist. In that role George Hamilton gives a winning performance. The premise is penned by "Psycho (1968)" writer Robert Block and while it can drag in parts. Still the concept (like out of a crime-pulp novel) has a unique quality that goes well with the gloomy setting, 1930's time frame and some spooky set pieces that feature a prominently subtle, skin-crawling performance by Reggie Nalder. There are faults evident in the story's uncertain structure, but the dreamlike appearance helps slightly to iron out those creases. Those looking for zombie action will only get it in minor, if unspectacular doses. Director Curtis Harrington goes about things very low-key, but competently puts it together and executes a shadowy tenor. The film has that washed-out look, but the camera-work is crisply tailored and the ominous sting in the electronic music score adds to the able production. A top cast, commits highly to the production. Hamilton and Nalder are perfect. Ray Milland is boldly effective as Moss and Linda Cristal smoothly glides through her part as Vera. In admirably solid support parts are Joan Blondell, Ralph Meeker and James McEachin. Yvette Vickers also makes a colourfully quick appearance.

A delightfully decent TV chiller.

This long forgotten gem gets my vote as the gr8est zombie movie ever. it was creepy, scary and haunting. Some of DDDs images will stay with you for a long time. George Hamilton does a great job as the lead. I've seen him in a lot of comedic roles and on all those 70's-80's wacky game shows but he pulls this off as a serious actor.

I think the biggest mistake horror movies make is when they try too hard to mix comedy in and I was sure that, that was what Hamilton was supposed to do. BOY WAS I Surprised! You won't laugh once. Definitely one for the collection.

Buy it... wait till midnight, turn out the lights and enjoy DDD!

A thought provoking view of how people may or may not enter into the other side. I found this film to be a very good late night movie.

This is quite a creepy TV movie, a horror story where a naval officer tries to prove the innocence of his brother, which brings him into a diabolical world.

The plot is fast-paced and full of suspense from beginning to end. The acting was well done and to-the-point, none of those unnecessary fluff and sappy stuff. The horror level may be tamed by today's standards, but definitely does give you some intriguing and entertaining moments.

Grade B+

Simple, low budget, and atmospheric. The time setting really adds to creepiness.

I remembered seeing this movie when it first aired (on NBC, I think), and I seemed to remember it being above average for a TV movie. So I found a copy of it for under $5 and watched it again, nearly 30 years later. Wow, what a difference time and experience make. The premise is an interesting one, and the film relies more on subtlety than shock value. But, man is it slow. I found myself losing interest in it a couple of times. This is a movie that screams to be remade.