We open to Peter finding a picture of Neal with Vincent Adler. Cut to Neal's apartment that night where Neal is working on a Monet-like painting when Peter drops by. Peter questions him about it, but painting clears Neal's head. He isn't excited to see Peter. Peter confronts Neal about Adler and Neal says "he's the man who made me who I am today," raising the stakes. Peter accuses Neal of holding out, but Neal needs to "reconcile the Adler I knew with the man responsible for…" Obviously Neal is struggling with the new info, but Peter's excited about catching Adler. He even bought beer (Neal: "I'm not much of a beer drinker.") for himself and cheap wine for Neal. Again, Neal's not thrilled. "Wow! I don't even need a corkscrew." Bwah! Peter wants to know everything Neal knows about Adler but Neal won't implicate himself in past crimes. "A few secrets are good Peter.
- 2/3/2011
- by Dahne
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