OK, since this movie was only film by RWF - beside Ali:Fear eat the soul - that I saw, I would not dare to judge him properly.
Though, this movie inevitably let the audience sense that it was made in such a hurry, and there are room for some refinement. Still, these unpolished scenes bring surprises with its idiosyncratic shot composition and editing, as Godard's early films do. as another reviewer mentioned, the last scene was a delight and sorrowful, simultaneously.
Peter's character (played superbly by Vitus Zeplichal) is one of the most interesting characters I've seen, but at the same time, it's a character that is most likely to exist in real life, and it is easy to relate. Definitely an interesting movie for people interested in psychology, it raises a lot of questions.
There's another layer of narrative ,which is told by RWF directly towards the audience through a text on the screen. I found this layer to be rather 'too-much-information' and redundant, but at the same time, it gave the audience an unrestricted perception of character's mind.
Though, this movie inevitably let the audience sense that it was made in such a hurry, and there are room for some refinement. Still, these unpolished scenes bring surprises with its idiosyncratic shot composition and editing, as Godard's early films do. as another reviewer mentioned, the last scene was a delight and sorrowful, simultaneously.
Peter's character (played superbly by Vitus Zeplichal) is one of the most interesting characters I've seen, but at the same time, it's a character that is most likely to exist in real life, and it is easy to relate. Definitely an interesting movie for people interested in psychology, it raises a lot of questions.
There's another layer of narrative ,which is told by RWF directly towards the audience through a text on the screen. I found this layer to be rather 'too-much-information' and redundant, but at the same time, it gave the audience an unrestricted perception of character's mind.
