User Reviews

The photography is accomplished, the acting is quite good, but in virtually every other department The Greek Tycoon is a dreary bore. Taking its inspiration from the real-life love affair of Jackie Kennedy and Aristotle Onassis, the film is a glossy but absolutely empty soap opera of the kind that can be found on TV all day long. Viewers who embrace the whole "celebrity magazine culture" (paparazzi photographs and gossipy stories about the rich and famous) will undoubtedly find much to whet their appetite here. But those who prefer films with a bit more substance and craft and quirkiness will find the 107 minute running time a butt-numbing slog.

American president James Cassidy (James Franciscus) and his beautiful wife Liz (Jacqueline Bisset) are in Greece on official business. A ridiculously wealthy Greek shipping tycoon, Theo Tomasis (Anthony Quinn), catches sight of Liz at a party at his elegant manor. Despite the fact that both of them are married to someone else, there is an immediate attraction between them. Later, at a private party aboard his yacht, Tomasis makes his desires known to Liz. Some while later, President Cassidy is assassinated whilst out strolling on a beach. Liz is shocked and saddened by his death, but it isn't long before she seeks comfort in the arms of her Greek lover Tomasis. Eventually the two of them are married and their love affair becomes a favourite talking point for the world's newspapers, magazines, photographers and wags.

It is somewhat amusing to note the vigour with which the producers of this film denied that it was a dramatisation of the Kennedy-Onassis story. They wanted the film to be seen as an original story, rooted in fiction. But anyone with a brain can see where the movie is drawing its inspiration from. Even Aristotle Onassis himself knew The Greek Tycoon amounted to his love-life getting the Hollywood treatment (if rumours are to be believed, he actually had a hand in approving Anthony Quinn for the Tomasis role!) J. Lee-Thompson isn't really the right sort of director for this type of movie – he's better suited to action fodder like The Guns Of Navarone and Ice Cold In Alex – but he marshals the proceedings with an uninspired, professional adequacy. Quinn is very watchable as Tomasis; Bisset looks lovely as the object of his desires; Franciscus uses his toothy smile and a façade of integrity to make for a believable politician. Their performances are good on the surface, but there's little for the actors to do on any deeper level. Similarly, Tony Richmond's photography gives the film an elegant surface sheen as it moves from one exotic locale to the next, but the merest of scratches proves that there's nothing behind the film's glossy exterior.

Fictionalized account of the Greek shipping magnate, Theo Tomasis (Anthony Quinn) , Onassis lookalike , of humble beginnings , his wife, Simi Tomasis (Camilla Sparv) and his meeting and subsequent romance to the widow , Liz Cassidy/Jacqueline Kennedy (Jacqueline Bisset) , of assassinated U. S. president (James Franciscus). Theo dotes on his son, Nico Tomasis (Edward Albert) , a daredevil aviator , who he wants to follow in his footsteps in all aspects . Tomasis ends up divorcing Simi in order to marry his new lover . Then the distraught but vigorous widow of US President James Cassidy -who was assassinated while he and Liz were walking on a beach- marries the known playboy and shipping billionaire . Meantime, Tomasis and Liz Cassidy enjoying the high life in the process. He's one of the richest and most powerful men in the world. She's the beautiful wife of an American President. The world watched...She was the most famous woman in the world. He was a peasant, a pirate, a shark. What he couldn't buy with money he stole with charm

Fictitious semi-biography of the life of Aristotle Onassis, a Greek who rose to become one of the world's most wealthiest men , detailing his rise to power and unhappy marriages . Pointless fabrication to bring to life a known myth , dealing with the love story and marriage of Aristotle/Onassis and a certain president's widow . It seems to be a transparent depiction of the Onassis/Kennedy marriage done to a turn. The casting is formidable here for people so well known . Anthony Quinn gives a very nice acting in 'Zorba the Greek'-alike, including his popular dances , playing an aging Greek shipping magnate who works on his own moral code and eventually finds that money cannot buy happiness. Quinn is a good actor who captures the crude essence of Tomasis or Aristotles Onassis. While Jacqueline Bisset is awesome as the jealous and sweet Liz Cassidy/Jacqueline Kennedy. They are very well accompanied by a familar and international cast , such as : Marilù Tolo as Sophia Matalas or Maria Callas , Raf Vallone as Spiro Tomassis, the personal rival and alter ego of Aristotle's real life , Edward Albert , James Franciscus , Camilla Sparv , Charles Durning , Luciana Paluzzi , Robin Clarke as John Cassidy or Robert kennedy , Linda Thorson , Roland Culver and debut theatrical feature film of actresses Lucy Gutteridge and Cassandra Harris who married Pierce Brosnan , though she died early , at 49. These two powerful personalities , Onassis/Jacqueline , were so much alike their own passion . This ambitious film made for big screen in a co-production of ItalyUnited States and Greece follows the story of the two lovers faithfully . J. Lee Thomson made this spectacular film that puts the action in the places where the principals lived . The end result is a glossy look at that world of the ultra rich and famous people realized with great style and skillness enough. Overall this is worth watching because the subject matter is agreeable and the actors are first rate despite some physical differences and carried out in soap-opera style . A nice attempt to condense such an interesting man's life story that spans over twenty plus years of history into 107 min time capsule, though there's a DVD version running 112 minutes. Enjoyable and luxurious settings , charming musical score by Stanley Myers and colorful cinematography by Anthony B. Richmond in Technovision add only luster to tepid storyline . The motion picture was middlingly but professionally by the American craftsman J. Lee Thompson, though some critics even rate as good trash.

Other films about this famous figure are the following ones : ¨Onassis: The Richest Man in the World¨ (1988) by Warris Hussein Raul Julia as Aristotle Onassis , Jane Seymour as Maria Callas, Anthony Quinn as Socrates Onassis , Francesca Annis as Jacqueline Kennedy and Elias Koteas. ¨Callas e Onassis¨(2005) by Giorgo Capitani with Gérard Darmon, Luisa Ranieri , Anna Valle , Orso Maria Guerrini, Gabriele Ferzetti .

Anthony Quinn is perfectly cast in the role of a wealthy Greek aristocrat to Jacqueline Bisset's rich American widow. Set in the 1970s, the acting is passable though not fantastic. Quinn's turn is the best, though, as he plays an emotional, powerful man who is used to having his way in and out of the boardroom. Thinly veiled plot, you can figure out what is going to happen in the movie during the first few minutes, but it is worth sitting through for the scenery of the Greek islands. Even if the volume is turned to mute, it is nice to see how rich and famous frolic aboard yachts, in pools and on the beach. Serious film critics might just see this film as a glorified television movie of the week.

I suppose, it is one of films very easy to be critic about it. Or it is one of perfect options for the ladies loving soap operas.

In my case, it is one of the films of my childhood who I preserve a good memory. Not for comparation between characters and real people but for beautiful work, noble effort of Jacqueline Bisset and Anthony Quinn to propose fair interpretations of characters , a love story not so unrealistic , a nice paralel with what can be imagined about relation Bouvier - Kennedy - Onassis .

It is just, in profound sense, a beautiful film about mature love , acted with elegance.

This movie serves up every imaginable Greek stereotype. In one particularly galling scene the tycoon says "I'm just an ignorant peasant." As the grandson of Greek peasant immigrants who passed on a legacy of wisdom and love to their children and grandchildren, I found this movie contemptible and odious.

There is a scene in "The Greek Tycoon" that I consider the best scene of the film…

It was Sunset... The sun was disappearing below the horizon... The sea at its ever-changing wave style... The waves—in all its moods, clear and calm, mysterious, awesomely threatening— were beating under the old rocks...

Anthony Quinn (fabulous as always) was standing alone in front of this wonderful view...

The sky was offering the best looking effects of red and yellow lights... In the horizon some pale clouds were escorting the sun to another world... Tomasis was truly flavoring the moment... The beauty of this great view invited him to dance, to slowly move his hands and legs, to feel the fresh air, to hear the sound of music, to smell the salt of the sea...

Tomasis' dance was a farewell to a world he cherished… This beautiful scene makes me meditate about human life: God's 'greatest gift'... Sometimes we forget this precious present...

Surprisingly NOT based on a lurid bestseller, though it has exactly that trashy-novel-becomes-trashy-film feel, "The Greek Tycoon" is too pedestrian even to capitalize on the tastelessness of being a barely-veiled fictionalization of Aristotle Onassis and Jackie Kennedy's lives. There are a few unintentional laughs, mostly due to Anthony Quinn's inevitable scenery-chewing, but otherwise this doesn't have the verve or great trash-it's more like a run-of-the-mill TV miniseries from the era boiled down to two hours.

Quinn is well-cast at least, if alternately hammy and bored; Bisset is physically a decent choice, but as usual brings almost nothing to the part beyond looks. The supporting players are good enough, but the writing reduces them all to cliches, and thinks it's providing daring sexual electricity by having Quinn leer "Nice ass!" at every woman in the cast. (Admittedly, they seem to have been pretty much cast for such attributes.)

This is the kind of movie that serves up potentially grandiose melodrama so listlessly the main attractions become the locations, decor and clothes/ Though this being the 70s, what's meant to be the epitome of lifestyle glamour instead comes off on the budget-tourism level of a "Love Boat" episode. I saw this movie a long time ago and it left very little impression. I had hoped the passage of a few more decades would have let it ripen into fine cheese. I was wrong-it's still just Velveeta.

By the way, the film's Wikipedia entry claims it opened at #1 at the box-office, which I find very surprising. I remember when this came out, and don't recall it being very successful at all--it did have a wide release, but quickly disappeared from theaters.

I saw The Greek Tycoon when it first came out in 1978. I found it extremely boring. I thought it was no better than a travelogue except for one thing: For the first time in my life I realized why it would be good to be rich. Seeing the scenery off Aristotle Onassis' yacht and getting my first real peek into the lifestyle of the rich and famous opened my eyes. To paraphrase Martha Stewart: It was a good thing. Funny, I don't remember the sex scene. I hadn't seen the movie since it was on the big screen and found the lovemaking session with the mistress memorable this time. Maybe because I was younger and single back then, it was no big deal.

This thinly-veiled roman-a-clef depicts the story and courtship of Aristotle Onassis and Jacqueline Kennedy-Onassis.

People who have no interest in the lives of such public figures will no doubt find this story tiresome and completely without merit. This film wasn't made for them. This film was made for people who couldn't and still can't, get enough about this most famous couple; the widow of Camelot and the Golden Greek.

Anthony Quinn reportedly met with Mr. Onassis prior to Onassis' death. Onassis figured that a film may be made about him and wanted Quinn to play the part of the shipping magnate. Quinn plays his part well and gives the audience a very fine performance of the character as we might imagine him to be.

Jackie Bisset as Jackie Kennedy-Onassis gives a very fine performance as what we would imagine Jackie O to be like. As many of us would not know the lifestyle of the people portrayed in this film, all the actors in the film give convincing performances and humanize their respective characters. Raf Vallone playing Spiro Tomassis, the alter ego of Onassis' real life business and personal rival, Stavros Niarchos is actually funny and has some very humorous lines which he delivers without fail.

The film as a whole accomplishes what it sets out to do very well and doesn't disappoint.

The Greek Tycoon is supposed to be loosely based on the romance of Jackie Kennedy and Ari Onassis, but it's a pretty shameless copy on the surface. Jaqueline Bisset plays Liz, a high-class, prim and proper wife of James Franciscus, who plays an ambitious politician named Jack Cassidy. The soon-to-be president has an equally ambitious brother, Johnny, played by Robin Clarke, who soon gets promoted to Attorney General. I'm not kidding. They meet The Greek Tycoon, who has silver hair and dark glasses, named Theo Tomasis. I'm still not kidding.

No one in Hollywood knows what happened behind closed doors between Jackie and Ari, so beyond that, the movie is probably largely fiction. I hope the movie is largely fictitious, because neither lead is even remotely likable. "Theo" is an open womanizer who tells his new bride on his wedding night that he's going to sleep with his mistress the next day. He has a temper, and unlike most Anthony Quinn roles, he's not warm or tender underneath the roughness. "Liz" is cold and callous, giving an unbelievably heartless speech after her husband's assassination. She also has a temper, and she vacillates between boredom and anger, with no reason for either. Also, the so-called romance between the two is pretty ridiculous. She's married to a "Cassidy" and she's bored? She's married to a "Cassidy" and she is immediately drawn to the crude "Theo" even during her marriage? There's no reason for her hormones to take over when he's around, but screenwriter Mort Fine thought the audience didn't need a reason. Tony does a Greek dance and all of a sudden she can't control herself.

Jaqueline Bisset could have poured herself into the role, but either she chose not to or she wasn't able to, because I wasn't able to find any real acting on display. Anthony Quinn doesn't even do a good job! He gets in arguments with Jaqueline, loses his temper, throws a punch at his son Edward Albert, and sleeps around with various women. That's about it. The music is like a bad '70s tv movie, as is the very trite script. The only thing the movie manages to do is cast two actors are infinitely more attractive than the real people they're portraying.

DLM Warning: If you suffer from vertigo or dizzy spells, like my mom does, this movie might not your friend. The movie contains lots of shaky helicopter shots, and that might make you sick. In other words, "Don't Look, Mom!"

No pun intended - this very obviously and even without me knowing that much about him, is about Onassis and Jackie Kennedy. Mainly that is, because other characters will turn up too. Again I don't know all the players and all the relatives Onassis had (or maybe still has, offspring wise) - but I can tell this is about one of the richest mens this planet saw. The movie is not about how became wealthy either.

It is about an individual with money and his downfalls character wise and all that. Quinn who also has played Zorbas (in a way better rated movie than this, generally speaking) is of Italian descent. Just recently I read about big Greek historical (and fictional) people not being portrayed by anyone Greek. Not sure if that is a make it or break it case for you. But there is a saying between Italians and Greeks (Quinn being of Italian descent): una facia una ratsa (hope I wrote it correctly). Meaning we are alike to boil it down.

There are many things that remind us of Greece and greek mentality here. When I see him being open and loving, but also when I see a darker side in marriage and how he treats his son at times. No one is perfect - and one that has money may think he (or she) is invincible. A lot of drama, a lot of culture and life ... happening. Quinn was one of the greatest actors to grace the screen ... to greek the screen you say? Well that too.

Thinly disguised story about the marriage of Jacqueline Kennedy and Aristotle Onassis. In this Anthony Quinn plays Theo Tomasis a Greek millionaire with some shady dealings. He meets Liz Cassidy (Jacqueline Bisset) and falls in love--but she's married to President James Cassidy (James Franciscus). He's killed and she goes to Onassis...you know the rest of the story.

This was a huge hit in 1978 but destroyed by the critics. I think they were angry because the filmmakers kept insisting this was NOT about Kennedy and Onassis (which it most certainly was). Facts were changed (Onassis had a daughter in real life, here it's a son) and events but it was still pretty obvious. The characters themselves are treated very well. Bisset plays Cassidy as a beautiful, frightened, vulnerable yet strong woman. Quinn plays Tomasis as vulgar, stubborn but strong and learning how to love. Also Quinn has an infectious laugh and hams it up in an enjoyable way.

There's also beautiful scenery and a wonderful score. These combined with the acting push this across. No cinematic masterpiece but a pretty good love story if you can ignore the Kennedy-Onassis connection. I give it a 7.

I am ashamed of myself that I actually went to the theatre to watch this movie when it was first released. While I suppose its thinly veiled depiction of the Aristotle Onassis and Jackie Kennedy story is well enough done, it's a movie that should never have been made in the first place; hence, my low rating.

The film chronicles the tale of a wealthy Greek business shark called Theo Tomasis, who woos and wins the lovely young widow, Liz Cassidy, of a slain American President. Sound familiar? Yes, everything except the names.

The cast is not to be faulted. Anthony Quinn plays the Greek tycoon to perfection, and at least it's some consolation, having just read that Ari himself requested Quinn for the role. Jacqueline Bisset is of course beautiful and sophisticated in the part of (for all intents and purposes) Jackie, and James Franciscus has the all American good looks of the President.

I haven't seen this movie since it came out, nor do I wish to see it again. I seem to recall a fair bit of bad language and some general crudeness. Otherwise, I suppose it's a sensational and supposedly intimate glimpse into the jet setting lives of the rich and famous, frolicking aboard their yachts, beaches, pools etc. Yes, the scenery of the Greek islands is spectacular, the best part of the movie.

Of its type, it's okay, I suppose. There are no end of TV movies about the Kennedys, which I confess to occasionally tuning in to, and not to my credit. This is basically just another. Far better to allow Aristotle and Jacqueline Kennedy Onassis to rest in peace.

I remember the erstwhile BBC reviewer, Barry Norman, opining that Anthony Quinn's portrayal of Theo (Ari?) had 'all the appeal of an armpit'. One or two other reviewers over the years have rather dismissed Quinn as 'overrated'. Be that as it may, I thought the great actor played his part, at times, both sensitively and sympathetically. And, of course, Jackie Bisset remains a good enough reason to watch a movie.

A fantastically erotic and slow moving hard r-rated drama about the greek shipping magnate onassis, and his love affair with jackie kennedy after john was murdered. J lee thompson shows this with the same frankness and darkness from his other war movies and thrillers, but i think that's what forms it into something utterly beautiful, with great use of landscapes and the greek landscapes. Anthony quinn is great in the lead, sleazy but you find such a great sympathy to his character, just a man hustling and bustling his way through life, through the brutality and the endless decadence that comes with his money, his son dies and he has to face the consequences, and he feels utter heartbreak but longing for a more simple life. Jacqueline bisset is fantastic as jackie kennedy, ironically having the exact same formal name as her, i do find it funny that jackie kennedy is always portrayed from beautiful actresses, when she wasn't exactly the most beautiful woman in the world, talk about flattery. Bisset finds that fantastic mix between anger and eroticism, she comes under the grasp and trance of this man and his charm with his rugged handsomeness. A movie made for adults, the eroticism, the beauty in the simple nature to life, the horrifying prospect of death on the horizon. The story was written by one of my favorite filmmakers nico mastorakis, and this is exactly what i love about his introspective, erotic eye, great eye for these type of simple stories about adults making love, breaking up, and doing it all over again. Very slow but absolutely moving, and his final dance is incredibly similar to the final dance from another round, a final acceptance of the life he has lived and the life he will live in the future.