Directed by
| Wes Craven | ... | (directed by) |
Writing Credits
| Wes Craven | ... | (written by) |
Cast (in credits order) verified as complete
| John Steadman | ... | Fred | |
| Janus Blythe | ... | Ruby | |
| Peter Locke | ... | Mercury (as Arthur King) | |
| Russ Grieve | ... | Big Bob Carter | |
| Virginia Vincent | ... | Ethel Carter | |
| Susan Lanier | ... | Brenda Carter | |
| Dee Wallace | ... | Lynne Wood | |
 |
Brenda Marinoff | ... | Katy |
| Robert Houston | ... | Bobby Carter | |
| Martin Speer | ... | Doug Wood | |
| James Whitworth | ... | Jupiter | |
| Michael Berryman | ... | Pluto | |
| Lance Gordon | ... | Mars | |
| Cordy Clark | ... | Mama | |
|
|
Flora | ... | Beauty |
|
|
Striker | ... | The Beast |
Produced by
| Peter Locke | ... | producer (produced by) |
Music by
| Don Peake | ... | (music by) |
Cinematography by
| Eric Saarinen | ... | director of photography |
Editing by
| Wes Craven | ||
Casting By
| Gus Schirmer | ... | (casting) |
Art Direction by
| Robert A. Burns | ... | (as Robert Burns) |
Costume Design by
| Joanne Jaffe | ... | (costume design) |
Makeup Department
| Dave Ayres | ... | special make-up |
| Karen Grant | ... | second unit make-up |
| Ken Horn | ... | special make-up |
| Donald Mulderick | ... | make-up |
| Susan A. Cabral | ... | assistant makeup artist (uncredited) |
| RaMona Fleetwood | ... | hair stylist (uncredited) |
Production Management
| Walter R. Cichy | ... | production manager (as Walter Cichy) |
Second Unit Director or Assistant Director
| Valley Hoffman | ... | assistant director |
Art Department
| Mary Church | ... | props |
Sound Department
| Jill Debin | ... | sound effects |
| David Lee Fein | ... | sound effects |
| Craig Felburg | ... | second unit sound mixer |
| D.G. Fisher | ... | assistant sound |
| Peter Hitchcock | ... | sound effects |
| David Marsh | ... | sound effects |
| Jan Schulte | ... | sound mixer |
| Hal Watkins | ... | re-recording engineer |
Special Effects by
| Greg Auer | ... | special effects |
| John Frazier | ... | special effects |
Stunts
| Alton James | ... | stunts |
| Ron Stein | ... | stunt coordinator/stunts |
Camera and Electrical Department
| Carolyn Ames | ... | second unit best person |
| Dennis Bishop | ... | gaffer |
| Larry Boyd | ... | grip |
| Robert Eber | ... | second unit assistant cameraman (as Bob Eber) |
| Ray Fischer | ... | still photographer |
| William Moore | ... | grip (as Bill Moore) |
| Leslie Otis | ... | assistant cameraman |
| Lynn Rogers | ... | key grip |
| Richard Scheid | ... | grip |
| Tim Wawrzeniak | ... | second unit assistant cameraman |
| Ken Wheeland | ... | best boy |
Costume and Wardrobe Department
| Paula Cain | ... | wardrobe supervisor |
Editorial Department
| Robert Alsheimer | ... | assistant editor |
| J. Larry Carroll | ... | set editor |
Location Management
| Tom Pickette | ... | location coordinator / location scouting |
Music Department
| Don Peake | ... | conductor |
Script and Continuity Department
| Joanie Blum | ... | script supervisor |
| Rick Braverman | ... | second unit script supervisor |
Additional Crew
| Florence M. Amico | ... | production assistant |
| Jim Dannaldson | ... | snakes |
| Moe Di Sesso | ... | dogs (as Moe DiSesso) |
| Jerry Eye | ... | Animal Wrangler |
| Rhonda Hopkins | ... | production assistant |
| Tom Morrocco | ... | dogs |
| Rose Marie Yurinko | ... | assistant to the producer |
