It can finally be told. In one of the most open secrets in the world of showbiz and glamour, it was always on the cards that Geeta Basra and Harbhajan Singh would be a couple soon. Going steady for around half a decade, it was always a given that the two would be eventually tying the knot. Now this is happening indeed. Come October 29, and the duo would be a married couple. "Yes, they have finally decided to take the plunge," confirms a common friend, "It was always just a matter of time. They were always together and fortunately, once they were committed to each other, never once was there any doubt about them looking elsewhere. In fact when a stray article or two came occasionally about a split between them, both Geeta and Harbhajan used to have a hearty laugh around that." Well, both of them would continue to...
- 8/24/2015
- by Joginder Tuteja
- BollywoodHungama
Last season on “The Mindy Project” we got to see Mindy (Mindy Kaling) and Danny (Chris Messina) finally realize in the most fitting rom-com way that they want more than friendship. The season 3 premiere is exploring uncharted territory as they test the waters of their new romantic relationship. It begins with both of them describing their current situation and how they’re adjusting. At the office, Peter (Adam Pally) goes to see Danny and mentions that Mindy seems to have shared some of Danny’s more special skills with the rest of their coworkers. When the couple goes to talk in [...]
The post TV Recap: Going Steady With ‘The Mindy Project’ appeared first on Up and Comers.
The post TV Recap: Going Steady With ‘The Mindy Project’ appeared first on Up and Comers.
- 9/17/2014
- by Layla Hedges
- UpandComers
One of my most diversified year-end lists yet -- rock, electronica, jamband, prog, pop, R&B. I didn't really think I'd even find 10 albums that could hold my attention start to finish, and believe me, I tried to listen to most of my fellow critics' top ten titles and could barely get through most of their selections top to bottom. Okay, so there may have been some overlapping, but very little. Here are my top tens of favorite CDs and singles in some kind of non-numerical order. (Well, actually, the number of plays on my iTunes player.)
1. Laura Mvula: Sing to the Moon (Columbia)
A Mercury Prize music nominee in the U.K. and rightfully so. Slightly left of center, but accessible in a sweeping film noir soundtrack meets Nina Simone kind of way. Joyous tone poems with gorgeous vocals (and ethereal background vocals) and Gil Evans-inspired orchestral arrangements that leave you breathless.
1. Laura Mvula: Sing to the Moon (Columbia)
A Mercury Prize music nominee in the U.K. and rightfully so. Slightly left of center, but accessible in a sweeping film noir soundtrack meets Nina Simone kind of way. Joyous tone poems with gorgeous vocals (and ethereal background vocals) and Gil Evans-inspired orchestral arrangements that leave you breathless.
- 12/24/2013
- by Dusty Wright
- www.culturecatch.com
One of my most diversified year-end lists yet -- rock, electronica, jamband, prog, pop, R&B. I didn't really think I'd even find 10 albums that could hold my attention start to finish, and believe me, I tried to listen to most of my fellow critics' top ten titles and could barely get through most of their selections top to bottom. Okay, so there may have been some overlapping, but very little. Here are my top tens of favorite CDs and singles in some kind of non-numerical order. (Well, actually, the number of plays on my iTunes player.)
1. Laura Mvula: Sing to the Moon (Columbia)
A Mercury Prize music nominee in the U.K. and rightfully so. Slightly left of center, but accessible in a sweeping film noir soundtrack meets Nina Simone kind of way. Joyous tone poems with gorgeous vocals (and ethereal background vocals) and Gil Evans-inspired orchestral arrangements that leave you breathless.
1. Laura Mvula: Sing to the Moon (Columbia)
A Mercury Prize music nominee in the U.K. and rightfully so. Slightly left of center, but accessible in a sweeping film noir soundtrack meets Nina Simone kind of way. Joyous tone poems with gorgeous vocals (and ethereal background vocals) and Gil Evans-inspired orchestral arrangements that leave you breathless.
- 12/24/2013
- by Dusty Wright
- www.culturecatch.com
Kate Nash has spoken out about the impact of punk and the Sex Pistols on modern culture and feminism. The singer-songwriter featured on a panel headed by Pat Gilbert at London's 100 Club last night (September 18) to launch the 35th anniversary box-set edition of the Pistols' debut Never Mind The b******* . She was joined by poet John Cooper Clarke, writers Zoe Howe and Fred Vermorel, ex-manager of The Clash Bernard Rhodes and filmmaker Julien Temple. Here's what she had to say. "I was working at River Island and I was a very frustrated teenager searching for a sense of identity, just like most teenagers are. And I came across the first two punk records I ever bought, which was Buzzcocks' Singles Going Steady and Never Mind The b******* by the Sex Pistols. "I was really attracted to the (more)...
- 9/19/2012
- by By Mayer Nissim
- Digital Spy
Hello, readers of The Film Experience – Matt Zurcher, here. Aside from joining in on a few recent editions of Hit Me With Your Best Shot, it’s my first time writing at The Film Experience. I want to publicly thank Nathaniel for inviting me to cover for him today. In order to introduce myself, I wanted to make a little list focused on a trademark of this site – the adoration of actresses.
Is it possible to fall in love at the movies? I’m not talking about the fleeting arousal that Hollywood manufactures so well – I’m talking about that strange, lingering fantasy. Pauline Kael’s book titles – “I Lost It at the Movies,” “Going Steady,” “Reeling,” “When the Lights Go Down,” and “Movie Love” – all render moviegoing as a sexual experience. I can’t disagree with Pauline. There is something deeply intimate going on between the viewer and the screen.
Is it possible to fall in love at the movies? I’m not talking about the fleeting arousal that Hollywood manufactures so well – I’m talking about that strange, lingering fantasy. Pauline Kael’s book titles – “I Lost It at the Movies,” “Going Steady,” “Reeling,” “When the Lights Go Down,” and “Movie Love” – all render moviegoing as a sexual experience. I can’t disagree with Pauline. There is something deeply intimate going on between the viewer and the screen.
- 8/24/2012
- by Matt Zurcher
- FilmExperience
Above all it was her personality. Pauline Kael had an overwhelming presence in a conversation. There will no doubt be many discussions of Kael's work and influence and with the publication of Brian Kellow's new biography Pauline Kael: A Life in the Dark, and the Library of America's forthcoming collection of her work.
She was the most powerful, loved and hated film critic of her time, but her work cannot be discussed objectively by simply reading it. She challenges you on every page, she's always in your face, and she functioned as the arbiter of any social group she joined. She was quite a dame.
She might have liked that "quite a dame." She wrote with slangy, jazzy prose, always pepped up, spinning on the edge of a whirlpool. She never saw a movie twice, and wrote her reviews first-draft, in longhand on yellow legal pads. In her years at the New Yorker,...
She was the most powerful, loved and hated film critic of her time, but her work cannot be discussed objectively by simply reading it. She challenges you on every page, she's always in your face, and she functioned as the arbiter of any social group she joined. She was quite a dame.
She might have liked that "quite a dame." She wrote with slangy, jazzy prose, always pepped up, spinning on the edge of a whirlpool. She never saw a movie twice, and wrote her reviews first-draft, in longhand on yellow legal pads. In her years at the New Yorker,...
- 10/23/2011
- by Roger Ebert
- blogs.suntimes.com/ebert
But not before loads of massive robot attacks. And at 150 minutes long, that's an awful lot of metal bashing. So, as the film hits the DVD shelves, save your eardrums and try our condensed screenplay instead
Transformers: Revenge of the FallenBy Paul MacInnes, with apologies to Ehren Kruger, Roberto Orci and Alex Kurtzman
Scene 1
Ext: The great Pyramid. Cradle of civilisation. Symbol of humanity's grandest ambitions. A Wonder of the world. At least, it was until a CGI Robot modelled on a particularly ugly Langoustine started smashing it up, the better to reveal the Massive Gun he stashed there millennia ago in the hope of sucking all the energy from the Sun. This robot, for reasons too complicated and tenuous to explain, is called The Fallen.
The Fallen
Raaararrararararararrrr!
Beneath the Pyramid stand Shia Labeouf and Megan Fox. Shia Labeouf is dressed like a lawyer on a night out.
Transformers: Revenge of the FallenBy Paul MacInnes, with apologies to Ehren Kruger, Roberto Orci and Alex Kurtzman
Scene 1
Ext: The great Pyramid. Cradle of civilisation. Symbol of humanity's grandest ambitions. A Wonder of the world. At least, it was until a CGI Robot modelled on a particularly ugly Langoustine started smashing it up, the better to reveal the Massive Gun he stashed there millennia ago in the hope of sucking all the energy from the Sun. This robot, for reasons too complicated and tenuous to explain, is called The Fallen.
The Fallen
Raaararrararararararrrr!
Beneath the Pyramid stand Shia Labeouf and Megan Fox. Shia Labeouf is dressed like a lawyer on a night out.
- 12/2/2009
- by Paul MacInnes
- The Guardian - Film News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.