|
| Julie Adrianson-Neary | .... | digital effects artist: ILM (1997 special edition) (als Julie Neary) |
| Peter Amundson | .... | optical line-up: miniature and optical effects unit |
| Chris Anderson | .... | assistant cameraman: miniature and optical effects unit |
| Okan Ataman | .... | digital effects technical assistant: ILM (1997 special edition) |
| Charles Bailey | .... | model maker: miniature and optical effects unit |
| Craig Barron | .... | matte photography assistant: miniature and optical effects unit |
| John Bartle | .... | assistant visual effects editor: ILM (1997 special edition) |
| Carol Bauman | .... | model and creature maker: ILM (1997 special edition) |
| Randall K. Bean | .... | digital scanning operator: ILM (1997 special edition) (als Randall Bean) |
| Greg Beaumonte | .... | machinist: miniature and optical effects unit |
| James Beaumonte | .... | camera and movement design: miniature and optical effects unit (als Jim Beaumonte) |
| William Beck | .... | stage technician: miniature and optical effects unit |
| Wendy Bell | .... | video assistant: ILM (1997 special edition) |
| David Benson | .... | sofware research and development: ILM (1997 special edition) |
| Jon Berg | .... | stop motion animation: miniature and optical effects unit |
| David Berry | .... | optical printer operator: miniature and optical effects unit |
| Doug Beswick | .... | stop motion technician: miniature and optical effects unit |
| Earl Beyer | .... | digital scanning operator: ILM (1997 special edition) |
| Ken Beyer | .... | production engineering: ILM (1997 special edition) |
| Don Bies | .... | model and creature maker: ILM (1997 special edition) |
| Andrea Biklian | .... | negative line-up: ILM (1997 special edition) |
| Patricia Blau | .... | production secretary: miniature and optical effects unit |
| Mike Bolles | .... | design engineer: miniature and optical effects unit |
| Ed Breed | .... | stage technician: miniature and optical effects unit |
| Daniel Brimer | .... | digital effects resource assistant: ILM (1997 special edition) |
| Kris Brown | .... | systems programming: miniature and optical effects unit |
| Ronn Brown | .... | digital matte artist: ILM (1997 special edition) |
| Thomas Brown | .... | production associate: miniature and optical effects unit |
| Conrad Buff IV | .... | visual effects editorial supervisor: miniature and optical effects unit (als Conrad Buff) |
| Chris Bushman | .... | optical supervisor (1997 special edition) |
| Donald S. Butler | .... | digital effects artist: ILM (1997 special edition) (als Don Butler) |
| Dave Carson | .... | model maker: miniature and optical effects unit |
| Chris Casady | .... | Animation: miniature and optical effects unit |
| Eric Chauvin | .... | digital matte artist: ILM (1997 special edition) |
| Peter Chesloff | .... | digital effects technical assistant: ILM (1997 special edition) |
| Terry Chostner | .... | still photographer: miniature and optical effects unit |
| Donald Clark | .... | optical printer operator: miniature and optical effects unit |
| Sam Comstock | .... | Animation: miniature and optical effects unit (als Samuel Comstock) |
| Michael Conte | .... | digital effects artist: ILM (1997 special edition) |
| Caitlin Content | .... | Sabre artist: ILM (1997 special edition) |
| Ken Corvino | .... | production engineering: ILM (1997 special edition) |
| Julie Creighton | .... | visual effects production staff: ILM (1997 special edition) |
| Laura Crockett | .... | assistant accountant: miniature and optical effects unit |
| Giovanni Donovan | .... | model and creature maker: ILM (1997 special edition) |
| Dick Dova | .... | stage technician: miniature and optical effects unit |
| Don Dow | .... | camera operator: miniature and optical effects unit |
| Loring Doyle | .... | optical line-up: miniature and optical effects unit |
| Lisa Drostova | .... | digital paint & roto artist: ILM (1997 special edition) |
| Selwyn Eddy | .... | assistant cameraman: miniature and optical effects unit |
| Richard Edlund | .... | optische Spezialeffekte |
| Harrison Ellenshaw | .... | matte painting supervisor: miniature and optical effects unit |
| Mike Ellis | .... | digital scanning operator: ILM (1997 special edition) (als Michael Ellis) |
| Robert Elswit | .... | matte photography assistant: miniature and optical effects unit |
| Phillip Feiner | .... | optical supervisor (1997 special edition) |
| Rick Fichter | .... | assistant cameraman: miniature and optical effects unit |
| Robert Finley Jr. | .... | stage technician: miniature and optical effects unit (als Bobby Finley) |
| Richard Fish | .... | assistant cameraman: miniature and optical effects unit |
| Brian Flora | .... | digital matte artist: ILM (1997 special edition) |
| Warren Franklin | .... | optical line-up: miniature and optical effects unit |
| Roberta Friedman | .... | optical coordinator |
| Michael Fulmer | .... | model maker: miniature and optical effects unit |
| Dick Gallegly | .... | production administrator: miniature and optical effects unit |
| Steve Gawley | .... | modelshop foreman: miniature and optical effects unit |
| Tim Geideman | .... | laboratory technician: miniature and optical effects unit |
| Tim Geideman | .... | negative line-up: ILM (1997 special edition) |
| Rob Gemmel | .... | model maker: miniature and optical effects unit |
| Howard Gersh | .... | digital effects artist: ILM (1997 special edition) |
| David Grafton | .... | special optics designer: miniature and optical effects unit |
| Timothy Greenwood | .... | Vorführer: ILM (1997 special edition) (als Tim Greenwood) |
| Grant Guenin | .... | Sabre artist: ILM (1997 special edition) |
| James Hagedorn | .... | 3D matchmove artist: ILM (1997 special edition) |
| Wendy Hendrickson | .... | digital plate restoration: ILM (1997 special edition) |
| Edward Hirsh | .... | stage technician: miniature and optical effects unit |
| Jim Hourihan | .... | software research and development: ILM (1997 special edition) |
| George Hull | .... | visual effects art director: ILM (1997 special edition) |
| Paul Huston | .... | assistant cameraman: miniature and optical effects unit |
| Paul Huston | .... | model maker: miniature and optical effects unit |
| Tom L. Hutchinson | .... | computer graphics supervisor: ILM (1997 special edition) (als Tom Hutchinson) |
| Jerry Jeffress | .... | electronic systems designer: miniature and optical effects unit |
| Brian Johnson | .... | optische Spezialeffekte |
| Joe Johnston | .... | art director visual effects: miniature and optical effects unit |
| Doug Jones | .... | negative supervisor: ILM (1997 special edition) |
| Ed Jones | .... | laboratory technician: miniature and optical effects unit |
| Zoran Kacic-Alesic | .... | software research and development: ILM (1997 special edition) |
| Florian Kainz | .... | software research and development: ILM (1997 special edition) |
| Michael Kelly | .... | effects editor: miniature and optical effects unit |
| Tom Kennedy | .... | visual effects producer: ILM (1997 special edition) |
| Kim Knowlton | .... | Animation: miniature and optical effects unit |
| Marshall Richard Krasser | .... | digital effects artist: ILM (1997 special edition) (als Marshall Krasser) |
| Neil Krepela | .... | matte photography: miniature and optical effects unit |
| Peter Kuran | .... | animation and rotoscope supervisor: miniature and optical effects unit |
| Alexander Laurant | .... | assistant visual effects art director: ILM (1997 special edition) (als Alex Laurant) |
| Michael Lawler | .... | additional matte photography: miniature and optical effects unit |
| Angela Leaper | .... | video editor: ILM (1997 special edition) |
| Gary Leo | .... | electronic engineer: miniature and optical effects unit |
| Joshua Levine | .... | digital effects technical assistant: ILM (1997 special edition) |
| James Lim | .... | optical line-up: miniature and optical effects unit |
| Leo Loverro | .... | stage technician: miniature and optical effects unit |
| Mike MacKenzie | .... | electronic engineer: miniature and optical effects unit |
| Joshua Marks | .... | visual effects production staff: ILM (1997 special edition) |
| Scott Marshall | .... | model maker: miniature and optical effects unit |
| Tia L. Marshall | .... | digital effects artist: ILM (1997 special edition) (als Tia Marshall) |
| Dawn Martin | .... | video assistant: ILM (1997 special edition) |
| Stuart T. Maschwitz | .... | digital effects artist: ILM (1997 special edition) |
| Terrence Masson | .... | digital effects artist: ILM (1997 special edition) |
| Bill Mather | .... | digital matte artist: ILM (1997 special edition) (als William Mather) |
| Dawn Matheson | .... | digital effects technical assistant: ILM (1997 special edition) |
| Michael J. McAlister | .... | assistant cameraman: miniature and optical effects unit (als Michael McAlister) |
| Pat McClung | .... | model maker: miniature and optical effects unit |
| Mary McCulloch | .... | Sabre artist: ILM (1997 special edition) |
| Mickey McGovern | .... | visual effects editor: ILM (1997 special edition) (als Michael McGovern) |
| Roberto McGrath | .... | lab assistant: miniature and optical effects unit |
| Dan McNamara | .... | Sabre group supervisor: ILM (1997 special edition) (als Daniel McNamara) |
| Ralph McQuarrie | .... | matte artist: miniature and optical effects unit |
| Gary Meyer | .... | production engineering: ILM (1997 special edition) |
| Lhary Meyer | .... | electronic engineer: miniature and optical effects unit |
| Ted Moehnke | .... | supervising stage technician: miniature and optical effects unit (als T.E. Moehnke) |
| Melissa Monterrosa | .... | digital plate restoration: ILM (1997 special edition) |
| Thaine Morris | .... | miniature pyrotechnics: miniature and optical effects unit |
| Wendy Morton | .... | model and creature maker: ILM (1997 special edition) |
| Dennis Muren | .... | effects director of photography: miniature and optical effects unit |
| Duncan Myers | .... | laboratory technician: miniature and optical effects unit |
| Bill Neil | .... | camera operator: miniature and optical effects unit |
| Bruce Nicholson | .... | optical photography supervisor: miniature and optical effects unit |
| Ken Nielsen | .... | digital effects artist: ILM (1997 special edition) |
| Ease Owyeung | .... | model maker: miniature and optical effects unit |
| Jenny Oznowicz | .... | production assistant: miniature and optical effects unit |
| Clint Palmer | .... | assistant camera: miniature and optical effects unit |
| Udo Pampel | .... | machinist: miniature and optical effects unit |
| Michael Pangrazio | .... | matte artist: miniature and optical effects unit |
| Eddie Pasquarello | .... | digital effects artist: ILM (1997 special edition) |
| Lorne Peterson | .... | chief model maker: miniature and optical effects unit |
| Glenn Phillips | .... | assistant accountant: miniature and optical effects unit |
| David Pier | .... | miniature pyrotechnics: miniature and optical effects unit (als Dave Pier) |
| Tam Pillsbury | .... | optical line-up: miniature and optical effects unit |
| Joshua Pines | .... | digital scanning supervisor: ILM (1997 special edition) |
| Gary Platek | .... | special projects: miniature and optical effects unit |
| Anne Polland | .... | model and creature maker: ILM (1997 special edition) |
| Ken Ralston | .... | effects cameraman: miniature and optical effects unit |
| Ricardo Ramos | .... | digital effects artist: ILM (1997 special edition) |
| Arthur F. Repola | .... | assistant effects editor: miniature and optical effects unit (als Arthur Repola) |
| Nilo Rodis-Jamero | .... | assistant art director: miniature and optical effects unit |
| Thomas Rosseter | .... | digital effects artist: ILM (1997 special edition) (als Tom Rosseter) |
| Thomas Rosseter | .... | optical line-up: miniature and optical effects unit |
| Jonathan Rothbart | .... | animatic artist: ILM (1997 special edition) |
| Tom Rudduck | .... | model maker: miniature and optical effects unit |
| Nina Saxon | .... | Animation: miniature and optical effects unit |
| Stanley W. Sayer | .... | matte photography consultant (als Stanley Sayer) |
| Ray Scalice | .... | production accountant: miniature and optical effects unit |
| Wesley Seeds | .... | model maker: miniature and optical effects unit |
| Dan Shumaker | .... | digital effects technical assistant: ILM (1997 special edition) (als Daniel Shumaker) |
| Mark Siegel | .... | model and creature maker: ILM (1997 special edition) |
| Kenneth Smith | .... | optical printer operator: miniature and optical effects unit |
| Tom St. Amand | .... | stop motion technician: miniature and optical effects unit |
| Howard Stein | .... | assistant effects editor: miniature and optical effects unit |
| Lawrence Tan | .... | digital effects artist: ILM (1997 special edition) |
| Chad Taylor | .... | Sabre artist: ILM (1997 special edition) |
| Rick Taylor | .... | Animation: miniature and optical effects unit |
| Ed Tennler | .... | draftsman: miniature and optical effects unit |
| Jonas Thaler | .... | apprentice editor: miniature and optical effects unit (als Jon Thaler) |
| Paul Theren | .... | digital effects artist: ILM (1997 special edition) |
| Marc Thorpe | .... | model maker: miniature and optical effects unit |
| Phil Tippett | .... | stop motion animation: miniature and optical effects unit |
| Lisa Todd | .... | visual effects coordinator: ILM (1997 special edition) |
| Pam Traas | .... | assistant accountant: miniature and optical effects unit |
| Hans Uhlig | .... | digital effects artist: ILM (1997 special edition) |
| Michael Van Eps | .... | digital plate restoration: ILM (1997 special edition) (als Mike Van Eps) |
| John T. Van Vliet | .... | Animation: miniature and optical effects unit (als John Van Vliet) |
| Mark Vargo | .... | optical line-up: miniature and optical effects unit |
| Bruce Vecchitto | .... | color timing supervisor: ILM (1997 special edition) |
| Jim Veilleux | .... | effects cameraman: miniature and optical effects unit |
| Laurie Vermont | .... | optical coordinator: miniature and optical effects unit |
| Joe Viskocil | .... | miniature pyrotechnics: miniature and optical effects unit (als Joseph Viskocil) |
| Garry Waller | .... | Animation: miniature and optical effects unit |
| Steve Walton | .... | model and creature maker: ILM (1997 special edition) (als Steven Walton) |
| Harold Weed | .... | chief creature maker: ILM (1997 special edition) (als Howie Weed) |
| Li-Hsien Wei | .... | digital effects artist: ILM (1997 special edition) |
| Ken Wesley | .... | digital effects artist: ILM (1997 special edition) |
| Jody Westheimer | .... | assistant cameraman: miniature and optical effects unit |
| Gene Whiteman | .... | equipment engineering supervisor: miniature and optical effects unit |
| Diana Wilson | .... | Animation: miniature and optical effects unit |
| Ron Woodall | .... | digital effects artist: ILM (1997 special edition) |
| Jeffery Yost | .... | software research and development: ILM (1997 special edition) (als Jeff Yost) |
| Heidi Zabit | .... | digital paint & roto artist: ILM (1997 special edition) |
| Stuart Ziff | .... | special project coordinator: miniature and optical effects unit |
| Rita E. Zimmerman | .... | Sabre artist: ILM (1997 special edition) (als Rita Zimmerman) |
| Samuel Zolltheis | .... | model maker: miniature and optical effects unit |
| Fon Davis | .... | model maker: ILM (1997 special edition) (nicht im Abspann) |
| Giovanni Donovan | .... | Wampa lair construction (1997 special edition) (nicht im Abspann) |
| Aaron Haye | .... | model maker: ILM (1997 special edition) (nicht im Abspann) |
| Pete Kleinow | .... | Stop Motion Zeichner (nicht im Abspann) |
| Todd Mitchell | .... | scanning operator: ILM (1997 special edition) (nicht im Abspann) |
| Ben O'Brien | .... | Sabre artist: ILM (1997 special edition) (nicht im Abspann) |
| Matt Wallin | .... | digital artist: ILM (1997 special edition) (nicht im Abspann) |
| |
*** Dieser Kommentar kann Spielverderber enthalten ***
Dieser Film ist die Fortsetzung eines Klassikers. Und dies ist wahrscheinlich der erste Film der seinen Vorgänger fast übertroffen hat. Auf der Videokasette von damals wurde natürlich mit "erfolgreich" und "vielen Effekten" geworben. Ich finde allerdings dass dieser Film viel mehr bietet. Dieser Film ist kein "nochmal das gleiche nur mit mehr drin" wie z.Bsp.: Kevin allein in New York.
Die Star Wars Saga hat den Vorteil als ganze Geschichte zu entstehen. Gut 1-3 sind sehr Effektlastig und schlecht geschauspielert. Aber dieser Film ist gelungen. Am Ende hat man zwar ein komisches Gefühl nach mehr aber der Film HAT gute Schauspieler. Der Film hat eine wunderbare Musik. Der Film hat eine überraschend gute Story. Wer glaubt dieser Film sei noch so ein "naiv-heroischer Actionhaufen" hat sich geirrt. Der Film ist zwar immer noch Star Wars, aber dieser Film wird mit einer Niederlage für das Böse eröffnet. Dieser Film wird von einer nachdenklichen Intelligenz namens Yoda bereichert. Der Böse ist der Vater des guten. Dieser Film ist eine Überraschung und vieles an ihm ist wirklich gut geworden - nur nicht, das Gefühl am Ende. Vielleicht ist es ja Absicht.
Ich finde es Schade das jeder Mensch schon weiß das Darth Vader der Vater ist und dass viele heute alte Filme nicht ausstehen können. Dieser Film ist unheimlich gut - nicht ganz so gut wie der Film davor - aber gut. Und er wird auf jeden Fall eine überraschung, egal ob positiv oder negativ. Kleine Notiz: bei Kindern eher negativ...