User Reviews

As far as i can tell, the only two options for watching this movie is to either find a 30+ year old VHS copy, or watch the low quality VHS rip on YouTube. It feels like I have looked everywhere, but unfortunately thats the only two options i found. I even tried a long shot and messaged John Binder himself to hear if there really is no better way to watch this, but I guess he thought my message was spam (never heard from him).

So how is the movie? Better than expected, but definitely unusual and with plenty of cult potential. Its better than a B-movie and quite stylistic, but it is very sort of low key. The characters are original and well acted, and the country music sound track is something for itself. The comedy is quite subtle, and not of the ba-dum-tss kind of jokes where you know when and what the funny part is. It was sometimes hard to hear the dialog and see what was going on, and sometimes it did not feel like the progression in the story was very well explained, but that "old VHS tape uploaded to YouTube" thing did absolutely nothing good for the quality which most likely explains that. I dont think UFOria would ever have become a blockbuster, even if it had seen a better release, but it certainly deserves better than the dust bin. Should be a no-brainer to pull it out and release it on the numerous streaming services available now.

I would love to rewatch it if i ever come across it in DVD quality or better.

The title is no less silly than anything else in this disarming, oddball comedy, which sat on a shelf for half a decade because (most likely) its low budget charm is so at odds with Hollywood's megabuck mentality. No one will ever mistake it for a great film, but it's hard to resist a movie drawn around such eccentric characters, including charlatan preacher Harry Dean Stanton, lovable con artist and Waylon Jennings wannabe Fred Ward, and naïve supermarket cashier Cindy Williams, who only wants to warn people about the imminent return of Noah's extraterrestrial ark. Add the usual quota of Western small town dreamers and drifters and you have, literally in a nutshell, a modest and enjoyable diversion that (thankfully) doesn't take itself too seriously.

Sheldon Bart (Fred Ward) is a con-man drifter. Cashier Arlene Stewart (Cindy Williams) looks the other way when he shoplifts grocery. He reconnects with his traveling preacher friend Bud Sanders (Harry Dean Stanton) and performs in a fake healing. The homeless Sheldon starts sleeping and living with Arlene. He dismisses her obsession with UFOs as craziness at first. She dreams of a spaceship landing and gains a following with fellow UFO enthusiasts. Sheldon and Bud use their preaching skills for their own gains.

This is built like an indie with a bunch of quirky characters. It's an odd little movie with some usual characters played by veteran actors. Cindy Williams never got to be a big movie star. She does these weird little comedies. This low budget story does meander a little. This has an unique appeal from filmmaker John Binder although his humor doesn't always hit its mark.

It took the producers of "Uforia" five years before they could find a distributor willing to release it. My guess is that distributors couldn't think of an easy way to market a movie that is very unconventional and doesn't follow an easy-to-report formula. This is a character-based movie, not really one with a substantial plot, but don't let that discourage you from giving the movie a try. The characters are not only all likable, they all have various quirks that make them interesting to watch talking and interacting with each other. As a bonus, the movie has a great country and western soundtrack (and I normally dislike that music genre!) The only real flaw the movie has is the very ending, which seems out of place for a movie that otherwise focuses on characters. But despite that ending, this movie is a gem well worth your time.

Supermarket cashier in a tiny town outside of Las Vegas believes a U.F.O. is coming soon to take on passengers, and that her role is to spread the word about an intergalactic Noah's Ark. Writer-director John Binder has a very nice feel for desert border towns littered with gas stations and fast food stops but, by taking on so much responsibility behind the camera, his movie comes up short (he obviously could've used some help). Playing this breathless, starry-eyed working gal, Cindy Williams is very appealing; despite some artificial affectations (probably picked up from television), Williams knows how to play for laughs yet also seem sincere about it. She also has a beautiful moment while riding in the car with drifter/boyfriend Fred Ward, excellent as usual. The last reel is squashed and incoherent, but until then this is a pleasantly eccentric outing with no mean agenda other than to provide some quirky fun. **1/2 from ****

This amiable piece of Americana was unfortunately not given a decent release, and it took until 1986 for this film to get released in repertory cinemas and find its audience.

Cindy Williams (Arlene) is charming as ever as a born-again Christian grocery store clerk who believes salvation will be coming to earth in a flying saucer. Fred Ward is a drifter who takes up with her and while using her for his benefit, falls for her as well. Harry Dean Stanton as Brother Bud teams up with Ward to exploit the space theory and start tent revivals on the predicted landing sight, charging admission and gathering more donations. Now Brother Bud seems to have a side job that involves hauling hot cars, so that brings in the interest of the law as well. Poor Arlene, it seems everyone has taken this thing way out of proportion and fears they'll lose their true faith and mission. And how will it be resolved? Well, you know something special has to appear and save the day!

This is an amiable film, with plenty of likeable characters whether they are good and sweet or downright cons. Cindy Williams steals the show with her naive Arlene always reading the tabloids and committed to spreading the good news of Jesus' return from space. Sure, you learn a few things about the nature of man, right and wrong, and sticking to what you believe, but golly, it just leaves you so darn happy and smiling after it's all over. It will make you feel good about yourself too.

Uforia is still available on VHS and is a nifty title to have in a collection--it's a film you can show to friends and they will definitely be surprised and thank you for it. That's the experience I've had, and after all these years the film's story and cleverness holds up well.

I have two sets of standards for big-budget vs. low-budget films. Big-budget films have to be epic and sprawling. They have awesome special effects and sets that have to be seen on the big screen.

By contrast, small films have to have interesting characters and witty writing. "UFOria" fits this category snugly.

Sheldon (Fred Ward), who fancies himself to be another Waylon Jennings, rides into town where he meets grocery cashier Arlene (Cindy Williams). In spite of each other, they fall in love. Even when Arlene proclaims herself a prophet to an alien landing. I loved watching them relate to each other and the quirky characters that inhabit the film. The desert setting seems conducive to their sort. Harry Dean Stanton is great again as the preacher more interested in profiting than prophecy.

I recommend this simple gem. Eight stars.

Cindy Williams gives a superb, luminous, heart-warming performance as daffy, but endearing small mid-western town grocery check-out girl Arlene, whose constant, deep-seated belief that she'll soon be visited by alien beings from another planet brings together a motley collection of New Age religious kooks, shiftless no-hoper losers, snoopy media newshounds, and other such colorful societal oddballs which include longtime Western movie bit player Hank Worden as a senile World War II vet and fellow ubiquitous Western character thesp Harry Carey Jr. in one of his standard affable good ol' boy roles. Arlene's nutty notions also attract the attention of aimless grifter drifter Sheldon (a grungily engaging Fred Ward, who's rarely been better) and amoral, cynical, opportunistic phony roadside preacher Brother Bud (the inestimable Harry Dean Stanton doing a splendidly sour reprise of his avaricious fake blind priest part from "Wise Blood").

Capably directed and smartly written by John Binder (who co-wrote the equally off-beat "Endangered Species"), with smooth, sparkling cinematography by David Myers, a lovely, lulling honkytonk score by Richard Baskin, and a top-rate country and western soundtrack (several choice Waylon Jennings and John Prine tunes are prominently featured herein, while the always great Roger Miller exuberantly belts out the wonderfully wacky theme song), this beautifully quirky and amiable sleeper offers a delightful, astute, pleasingly eccentric seriocomic look at how one person can indeed have a substantial positive impact on other people, the profound need to live a happy life, and how the ability to believe in something -- hell, man, just anything -- gives life purpose and meaning, thus making it easier for one to persevere and prevail through that dull, unceasing, sometimes disheartening daily grind we all must contend with. Intelligent, affectionate, often funny, and ultimately quite moving, this simply lovely favorite rates a sunny, uplifting, totally terrific little beaut.

This is one of my favourite films. Unfortunately it didn't get a mainstream release here in Sydney. Instead it got released through an art-house theatre (The Valhalla). It could be classified as a country and western comedy with a dash of sci-fi I guess.

The opening scenes establish that the central character, Sheldon, (played by Fred Ward) is a man, who, for all his external bravado is in fact an unhappy, lonely, drifter who badly needs an escape to a better life. He meets his perfect match, Arlene, played appealingly by Cindy Williams. She sees through Sheldon's facade immediately. She catches him shoplifting in the Supermarket she works in and sees through him in an instant (Waylon Jennings wouldn't go in for shoplifting). Not that Arlene isn't lonely herself. Sheldon manages to seduce Arlene, intending to leave her afterwards. Despite his misgivings about her belief in flying saucers, he finds himself unable to move on.

As the other reviewers have said, the supporting cast is great as well. Harry Dean Stanton is great as the phony "Brother Bud", the hippy grocery packer, the "Colonel", etc etc.

An absolute gem.

I watched this on youtube (illegally, but where else can you see it). I heard of it years ago. If better known, it would be considered a minor classic. It's similar to Melvin & Howard or other early Jonathan Demme movies. It's funny, always interesting, got a great soundtrack, good performances all around, a thoughtful quote worthy script, and unlike a lot of similar "indie" quirky movies that came later, it never puts it's small town characters down for their goofy beliefs or marginal lifestyles. Check out UFOria and tell your friends. It's amazing that a major studio made it. The director sadly never made another feature as a writer director. He's got a good light touch, and Cindy Williams holds her own as a movie star.

I haven't seen this gem in years, which is my loss. I came to IMDB hoping to see that it was out on DVD. Alas, no. The characters are funny and quirky (not Hollywood phony-quirky) and the story unfolds organically. Having grown up in the 1960s, there were moments that made me laugh out loud in recognition.

Two in particular: Toby (Darrell Larson) a wide-eyed hippie-innocent and his wife are cuddling their newborn son. Toby asks her "Do you think JesusKrishnaBuddha is too heavy a name for him?" Later, when supermarket checker Cindy Williams asks him if he believes in flying saucers. He replies, with a beatific smile, "I believe in everything." It's a great companion line to the hippie in Louis Malle's "Atlantic City," who is cautioned to buckle her seatbelt on the airplane and replies sincerely, "Oh, I don't believe in gravity."

Wonderful character actors at their best. Live Harry Dean Stanton and Fred Ward. Cindy Williams is fresh and funny. Filmed in 1980 but it took years to find a distributor.

Great performances, great social comment, funny and great music. Saw it over twenty years ago at a film festival in country Australia. Everybody I spoke with really enjoyed it. I would love to see it again. It would be very interesting to see how the social comment in the movie stands up today I also consider it to be a minor classic.

Oh my, I love this movie.

Wish a quality version was available, but the heart shines through the poor sound and video of the youtube version, maybe even makes it better.

Everyone in the cast is great, even the small roles. It stands up very well after all these years as so few 1985 films do. It uses its low budget as a feature.

Near perfect. You should watch it immediately.