Directed by
Bob Claver |
Writing Credits
James Callaway | ... | (story) |
Gerry Holland | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
Joel Douglas | ... | associate producer |
Peter W. Rea | ... | producer: second unit |
Bill Wilson | ... | producer |
Music by
Roger Kellaway |
Cinematography by
Dean Cundey | ... | director of photography |
Editing by
Len Miller |
Casting By
Mary Gaffney |
Art Direction by
Robert Topol |
Set Decoration by
Bill Webb | ... | (as William Webb) |
Makeup Department
Michele Payne | ... | hair stylist |
Ron Wild | ... | makeup artist (as Ron Figuly) |
Production Management
Joel Douglas | ... | production manager |
Peter W. Rea | ... | post-production supervisor |
Second Unit Director or Assistant Director
Dan Allingham | ... | first assistant director / second unit director |
Randy Carter | ... | second assistant director |
Art Department
Michael C. Claypool | ... | property assistant (as Michael Claypool) |
Bill Webb | ... | property master (as William Webb) |
Sound Department
Roberta Doheny | ... | sound effects |
Kimberly Harris | ... | sound effects |
Carey Lindley | ... | sound mixer |
Lars Nelson | ... | sound effects |
Michael Reilly | ... | boom operator (as Mike Reilly) |
Special Effects by
Eoin Sprott | ... | special mechanical snake effects |
Stunts
Joe Kurtzo | ... | stunts |
Camera and Electrical Department
David Bodin | ... | best boy grip / key grip: second unit |
Clyde E. Bryan | ... | first assistant camera (as Clyde Bryan) |
Scott Buttfield | ... | electrician / gaffer: second unit |
Stephen Crawford | ... | electrician (as Steve Crawford) |
Mark Shane Davis | ... | gaffer (as Mark Davis) |
Steve Mathis | ... | best boy electric |
David Michels | ... | dolly grip |
Mike Moad | ... | grip (as Michael Moad) |
Susan Oristaglio | ... | still photographer |
Krishna Rao | ... | first assistant camera: second unit (as Kris Rao) / second assistant camera (as Kris Rao) |
David Riley | ... | assistant camera |
Dylan Shephard | ... | key grip |
Raymond Stella | ... | camera operator / director of photography: second unit |
Grace Warnecke | ... | still photographer |
Casting Department
Beth Anthony | ... | assistant casting director |
Costume and Wardrobe Department
Nancy G. Fox | ... | wardrobe (as Nancy Fox) |
Jan Masterman | ... | wardrobe assistant |
Editorial Department
Hal Harrison | ... | assistant editor |
Brian Smedley-Aston | ... | editorial consultant |
Location Management
Mort Jordan Jr. | ... | location manager |
Music Department
John Caper Jr. | ... | music supervisor |
Malcolm McNab | ... | musician: trumpet (uncredited) |
Script and Continuity Department
Coby Turner | ... | script supervisor |
Transportation Department
Duke Cosgrove | ... | transportation coordinator |
Additional Crew
John Connor | ... | production assistant |
Deborah Frelich | ... | production office assistant |
Naia Hannah Haast | ... | production assistant (as Naia Haast) |
Nancy Harrell | ... | assistant: Mr. Haast |
Joseph G. McInerney | ... | financial consultant |
Melissa Rhys Moore | ... | production coordinator |
John Read | ... | production assistant |
Alexander Weill | ... | production accountant (as Alexander L. Weill) |
James E. Witte | ... | production executive |
Thanks
Bill Haast | ... | special acknowledgment: The Miami Serpentarium Labs |