Directed by
| Bob Claver | ||
Writing Credits
| James Callaway | ... | (story) |
| Gerry Holland | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
| Joel Douglas | ... | associate producer |
| Peter W. Rea | ... | producer: second unit |
| Bill Wilson | ... | producer |
Music by
| Roger Kellaway | ||
Cinematography by
| Dean Cundey | ... | director of photography |
Editing by
| Len Miller | ||
Casting By
| Mary Gaffney | ||
Art Direction by
| Robert Topol | ||
Set Decoration by
| Bill Webb | ... | (as William Webb) |
Makeup Department
| Michele Payne | ... | hair stylist |
| Ron Wild | ... | makeup artist (as Ron Figuly) |
Production Management
| Joel Douglas | ... | production manager |
| Peter W. Rea | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Dan Allingham | ... | first assistant director / second unit director |
| Randy Carter | ... | second assistant director |
Art Department
| Michael C. Claypool | ... | property assistant (as Michael Claypool) |
| Bill Webb | ... | property master (as William Webb) |
Sound Department
| Roberta Doheny | ... | sound effects |
| Kimberly Harris | ... | sound effects |
| Carey Lindley | ... | sound mixer |
| Lars Nelson | ... | sound effects |
| Michael Reilly | ... | boom operator (as Mike Reilly) |
Special Effects by
| Eoin Sprott | ... | special mechanical snake effects |
Stunts
| Joe Kurtzo | ... | stunts |
Camera and Electrical Department
| David Bodin | ... | best boy grip / key grip: second unit |
| Clyde E. Bryan | ... | first assistant camera (as Clyde Bryan) |
| Scott Buttfield | ... | electrician / gaffer: second unit |
| Stephen Crawford | ... | electrician (as Steve Crawford) |
| Mark Shane Davis | ... | gaffer (as Mark Davis) |
| Steve Mathis | ... | best boy electric |
| David Michels | ... | dolly grip |
| Mike Moad | ... | grip (as Michael Moad) |
| Susan Oristaglio | ... | still photographer |
| Krishna Rao | ... | first assistant camera: second unit (as Kris Rao) / second assistant camera (as Kris Rao) |
| David Riley | ... | assistant camera |
| Dylan Shephard | ... | key grip |
| Raymond Stella | ... | camera operator / director of photography: second unit |
| Grace Warnecke | ... | still photographer |
Casting Department
| Beth Anthony | ... | assistant casting director |
Costume and Wardrobe Department
| Nancy G. Fox | ... | wardrobe (as Nancy Fox) |
| Jan Masterman | ... | wardrobe assistant |
Editorial Department
| Hal Harrison | ... | assistant editor |
| Brian Smedley-Aston | ... | editorial consultant |
Location Management
| Mort Jordan Jr. | ... | location manager |
Music Department
| John Caper Jr. | ... | music supervisor |
| Malcolm McNab | ... | musician: trumpet (uncredited) |
Script and Continuity Department
| Coby Turner | ... | script supervisor |
Transportation Department
| Duke Cosgrove | ... | transportation coordinator |
Additional Crew
| John Connor | ... | production assistant |
| Deborah Frelich | ... | production office assistant |
| Naia Hannah Haast | ... | production assistant (as Naia Haast) |
| Nancy Harrell | ... | assistant: Mr. Haast |
| Joseph G. McInerney | ... | financial consultant |
| Melissa Rhys Moore | ... | production coordinator |
| John Read | ... | production assistant |
| Alexander Weill | ... | production accountant (as Alexander L. Weill) |
| James E. Witte | ... | production executive |
Thanks
| Bill Haast | ... | special acknowledgment: The Miami Serpentarium Labs |
