Give it up for Juan Piquer Simon. Not only did the Spanish director bestow upon the horror world one of the craziest and memorable slashers of all time, Pieces (1983), he also found it within himself to give us Slugs (1988). Not quite as crazy as Pieces (but almost as good), Slugs trades heavily in the J.P. Simon business: a whole lot of weird, a nuclear ton of energy, and gore galore. If you only see one badly dubbed mollusk monster movie, filled with heavy pettin’ and (literally) explosive action, you would be wise to choose Slugs.
Released Stateside by New World Pictures (post Roger Corman years) in February, this Spanish/American coproduction has never been as beloved as J.P.’s killer-on-campus opus, but that’s only because it seems to play out in a more straightforward manner. Trust me; this film brings all the B level goods, with no expiration date in sight.
Released Stateside by New World Pictures (post Roger Corman years) in February, this Spanish/American coproduction has never been as beloved as J.P.’s killer-on-campus opus, but that’s only because it seems to play out in a more straightforward manner. Trust me; this film brings all the B level goods, with no expiration date in sight.
- 2/25/2017
- by Scott Drebit
- DailyDead
“It’s exactly what you think it is!”
“You don’t have to go to Texas for a Chainsaw Massacre!”
Indeed. It’s not often that a film will tell you exactly their intention, their mission statement, right up front. With a film like Pieces (1982), it’s a badge of honor, worn proudly, a tattered and bloodied flag waving proudly from its mast on the seas of horror. Not only is Pieces exactly what we think it is, it’s so much more – one of the most cheerfully odd, sleazy slashers to come out of the VHS era. Pull out your slickers folks, things are about to get messy.
Filmed in Spain (subbing for Boston, Mass.), Pieces was released there in August of ’82, with a North American run distributed by Film Ventures International in September of ’83. Surprisingly, it did quite well, bringing in over 2 million Us after playing only 104 theatres.
“You don’t have to go to Texas for a Chainsaw Massacre!”
Indeed. It’s not often that a film will tell you exactly their intention, their mission statement, right up front. With a film like Pieces (1982), it’s a badge of honor, worn proudly, a tattered and bloodied flag waving proudly from its mast on the seas of horror. Not only is Pieces exactly what we think it is, it’s so much more – one of the most cheerfully odd, sleazy slashers to come out of the VHS era. Pull out your slickers folks, things are about to get messy.
Filmed in Spain (subbing for Boston, Mass.), Pieces was released there in August of ’82, with a North American run distributed by Film Ventures International in September of ’83. Surprisingly, it did quite well, bringing in over 2 million Us after playing only 104 theatres.
- 8/1/2015
- by Scott Drebit
- DailyDead
During the 70's, 80's, and 90's, independent Spanish exploitation filmmaker Juan Piquer Simon quietly and lovingly cooked up an ambitious and outrageous collection of goofy and gonzo genre cinema curiosities, full of cracked charm and fantastical old-school practical effects (rubber-suit monsters, matte paintings, opticals, etc.). Ever since I converged on Simon's wild filmography for the first time, by unintentionally discovering separate films independently of each other and then tying them all back to the same man, I have always been impressed and intrigued by his eclectic string of independently made oddball fantasy cinema delights, like; Where Time Began (aka Fabulous Journey To The Center Of The Earth) (1976), the MST3K made-famous The Pod People (1983), Supersonic Man (1979), Slugs: The Movie (1988) (served up on Jfd Ep#8), Mystery On Monster Island (1981), The Rift (aka Endless Descent) (1990), Sea Devils (1982), Pieces (1982), Cthulhu Mansion (1990) and Manoa, the City of Gold (1999), among others.
According to IMDb; "Simon...
According to IMDb; "Simon...
- 1/15/2011
- by noreply@blogger.com (Kevin, Mark & Parker)
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