User Reviews

I would firstly say that somehow I remember seeing this movie in my early childhood, I couldn't read the subtitles and I thought Sonny Chiba was Sean Connery. But I did really like the concept. If you are not able to at least partially suspend your adult scepticism and embrace your inner seven your old you may want to avoid this movie. That said, having just watched the restored 137 minute version on DVD I have to say I enjoyed it, though not as much as when I was seven ( I remembered the ending ).

There are aspects of the movie that are worthy of criticism , the first 15 minutes and final 15 minutes both have some really comic moments, my favourite being the contrast between scenes acted out in the final 10 minutes and the curious choice of backing music ( listen to the lyrics ).

For an action film there is a great deal of focus on the personal stories of certain soldiers and the social dynamics of the squad as the strain of their time travel takes its toll. By the ending of the movie I had decided that this was a good thing, when seven I though the 'relationship' guff was a bad thing.

For an action film there is also plenty of gratifying gory action, especially a couple of epic battle scenes between the platoon and hordes of Shogun era warriors. The makers of the movie have ensured that as many deaths as possible are bloody and, lets face it, humorous. I thought this was a splendid aspect of the movie when I was a kid, and I am not ashamed to say that I still do.

I also like the fact that the modern day soldiers in general don't spend the movie walking on egg shells trying to avoid altering the space time continuum, they've got heavy calibre machine guns, mortars, rocket launchers, a tank and a helicopter and they're hell bent on making feudal Japan theirs. Which is what I'd like to think any vigorous IMDb user would do in their boots.

In short the movies worth watching, it makes the viewer regret that there are not more movies made with a similar premise, and at the same time offers some hefty hints as to why a movie like G.I. Samurai is so unique.

What if a platoon of G.I.'s from the Japanese army were to be send back in time 400 years right in the middle of the feudal wars that led to the formation of the Tokugawa Shogunate? Great pitch right? The movie does exactly what it says on the tin.

Thankfully the writers didn't bother to explain the, usually ridiculous in sci-fi movies, scientific mumbo jumbo of time transport. No how's or why's. They just did. However the time transport sequence itself is trippy as hell and quite beautiful, if not a bit dated. Not as silly as one would imagine.

The rest of the movie follows the premise to a T. But while it loses a bit of steam with the various subplots that follow the G.I.s arrival to medieval Japan, it picks up with a devastating battle sequence. Undoubtedly it's the main order of the day. The whole concept and by extension the movie itself, was probably originated from this simple pitch: what if G.I.'s equipped with the latest in modern warfare were to fight samurais? And boy does it deliver.

The main battle sequence that spans more than half an hour is probably one of THE best of its kind in 70's action/war movies. Not only is it relentless and exhausting in pace and length, it's also a terrific mish-mash of styles and techniques that only unique premises like G.I. Samurai can deliver. I mean, where else would you get the chance to feature tanks, ninjas complete with shuriikens, a helicopter and samurais in the same shot? The G.I. platoon led by lieutenant Iba tears literally through hundreds of extras, gunning them down with machine guns, mortars, grenades and tanks.

This mish-mash of styles is with one foot firmly rooted in the sprawling jidai-geki epic of Kurosawa's Kagemusha or Hiroshi Inagaki's Samurai Banners, while the other is in western action and war movies. There are stylistic touches (like the wonderful slow-motion shots and bloody violence) that bring Sam Peckinpah or Enzo G. Castellari circa Keoma to mind. Japanese cinema has always been influenced by westerns and other Hollywood works and vice versa, and G.I. Samurai effortlessly turns this east-meets-west melting pot into an exciting film.

The film-makers thankfully take the whole thing seriously and the movie benefits immensely from it. Not that tongue-in-cheek mentality is completely absent, it's just that it doesn't try to pander to so-bad-it's-good audiences that enjoy laughing at their movies. The budget was probably hefty, as it is evident in the hundreds of extras, elaborate costumes (very decent for a production that is not a traditional jidai-geki) and special effects. The camera-work and editing are all top notch, almost better than a movie with no higher artistic ambitions deserves.

It's not withouts its flaws either of course. There are many "song" scenes, where all sorts of 70's Japanese rock, disco and country songs play over montages (there's a bonding scene, a love-interest scene, a "war is hell" scene etc). The songs themselves are pretty lame and corny and detract from the whole thing. Although it clocks at a whooping 140 minutes, it flies like a bullet for the most part. Still some scenes, flashbacks and subplots in the first half could have been clipped for a tighter effect.

The cast also deserves a mention, featuring such prominent names as Sonny Chiba, Isao Natsuyagi (Goyokin, Samurai Wolf), Tsunehiko Watase (The Yakuza Papers) and Hiroyuki Sanada, all of them hitting the right notes.

High concept movies don't get much higher in concept than G. I. Samurai, which is about a group of military personnel and their equipment getting transported back in time 100s of years, to samurai times. Once there, they get involved in a great many battles and ridiculous action ensues, especially for what feels like most of the second half.

At 140 minutes, I feel like it's way too long. There are also some uncomfortable/awkward moments here and there that soured things a little. But at the same time, I enjoyed quite a lot of it, and I liked how gonzo it was. It found a good deal of things to do with the wild premise at hand, and in that way, it definitely didn't feel like a waste or a missed opportunity.

Apart from controversial acting, directing, plot etc. there is one particular aspect of this movie thats is actually bad unconditionally.

If one would judge by "Sengoku Jieitai", one would conclude that JGSDF is the worst disciplined and trained army in the world, assembled by drafting idiots with criminal tendencies.

Samurai tactics against modern soldiers, shown in the movie, is remarkably decent to my surprise. It might even work IRL - well, if modern soldiers were indeed that stupid and untrained. Modern soldiers' tactics is just plain ridiculous - "WTF are they doing?!!" was all I could think about watching the otherwise spectacular final battle.

In my opinion, this movie creates a very bad image of JGSDF.

It also seems that there's not even single one positive character - anyone who's not an extra is either plain bad or just repulsive person. Even Lt. Iba (Sonny Chiba) - being badass - is also bad and an ass.

Well, at least we have two badass guys here.

I just finished watching the 139 min version (widescreen) with some friends and we were blown away. I won't bother repeating what others have said. What the filmmakers do with the concept is unexpected and fun. The huge battle is exhausting. Afterwards we were stunned to find there was still nearly 30 minutes left to go but that didn't keep us from being completely involved and entertained.

There is one thing that nearly ruined it and that was the horrific music/songs. Blues, Country/Folk and Rock Ballads do not belong here and every time they are used we all broke out in laughter. It's hideous. You have been warned but the story and storytelling keeps you grounded.

There are several outstanding moments that make you appreciate the talent behind the camera. There are many uses of silence as well as slow-motion photography that work beautifully. I really wish I could erase the music but alas.

Seek this out. It's fun, it's different and it takes you to places you wouldn't expect and that's very refreshing.

I'm sorry but this is just awful. I have told people about this film and some of the bad acting that is in it and they almost don't believe me. There is nothing wrong with the idea, modern day Japanese troops get pulled back in time to the days of Busido warriors and with their modern weapons are a match for almost everything. When the troops first realise something strange is happening does every single person in the back of the transport need to say "Hey my watch has stopped"? Imagine lines like that being repeated 15+ times before they say anything else and you have the movie's lack of greatness in a nutshell.

"GI Samurai" sees Sonny Chiba and some other guys get transported back to civil war stricken feudal Japan for no particular reason, and much carnage ensues. It's a rather over the top essay of sword vs. machine gun that ultimately yields some interesting results.

The plot essentially runs along the rails that you might expect from the title; initial fish-out-the-water antics ("what is this flying metal box?" etc etc), "aren't we better off here" discussions and ultimately a huge battle. The latter is proof that the film doesn't take itself seriously at all, the carnage taking up most of the second half as samurai army battles Chiba's platoon; a face off one would fully expect from the title but it still manages to overwhelm with its inventiveness and extravagance. It's certainly one of the most unique battle sequences of its time and doesn't drag despite its extended length.

Chiba gives a gruff performance as Iba, initially a good leader but someone who finally finds himself questioning his own morals as the situation slowly has an effect on him. This is certainly one of his better vehicles from his terrific CV. By the final act the two worlds have had such an effect on each other you have to wonder if it was a bit of nihilism on the part of the writers, as they seem to be asking "weren't we better off back then?'. But this is maybe reading a bit much into was can generally be described as a hugely entertaining two hours of (almost) non stop action.

GI Samurai was a great movie. Fans of Sonny Chiba should love this movie as did I. Basically, its about this platoon that is sent back in time to feudal Japan. Sonny Chiba plays the platoon's captain. The platoon is forced to fight the samurai clans, its cool to see the army weaponry going up against spears & catapults. Forget plot, this movie doesn't need it, its chock full of war carnage & some unbelievable special effects. The film ultimately turns anti-war with an unexpected ending that will stay with you for days.

"Who is Sonny Chiba? He is... he is bar none, the greatest actor working in martial arts movies today". So explains Clarence Worley in True Romance, a man who clearly knows his shizzle when it comes to Asian action stars. G.I. Samurai is the third flick I've seen from the dirt-cheap, 4-film Chiba box-set I bought from ebay, and it's the third winner in a row, a hugely entertaining sci-fi tinged action/adventure that ploughs through its 139 minutes like a 50-calibre machine gun through an army of warring-era Japanese soldiers.

Chiba plays Lt. Yoshiaki Iba, leader of a Japan Ground Self-Defense Force squadron that 'slips' through time, arriving in feudal Japan, where they join forces with a power hungry samurai planning to become the country's next ruler. The script doesn't concern itself with the whys and wherefores of the squadron's predicament, quickly glossing over the time travel nonsense in order to concentrate on the job at hand: pitting the modern-day soldiers, with their powerful weaponry, against hordes of warriors armed with swords, arrows, spears and throwing stars (oh yes, there will be ninjas!).

A couple of quieter moments do allow for that other all important staple of exploitative Japanese cinema—gratuitous female nudity—as several of Iba's men go AWOL for a rape and pillage spree, while a few others pay a visit to an obliging local widower; for the most part, however, it's loud, relentless, and bloody stuff, with Chiba proving Clarence to be right on the money with his assessment of the star: whether suspended from a helicopter firing a machine gun, riding a horse while firing a bow and arrow, or taking on a warlord with a broken sword, Sonny kicks serious ass.

My review was written in January 1981 after a screening at NY's Japan House.

"Time Slip" is an entertaining combo science fiction-samurai adventure film, with appeal for fans of both genres. The original Japanese version under review is overlong and diffuse, with tightening recommended for domestic use.

Far-fetched story has a squad of modern Japanese soldiers on maneuvers at a remote beach, where at dawn their watches stop and they are transported back to the 16th century. Okay composite shots and special visual effects are used for the transition.

A light tone is established by one of the soldiers' reaction to the appearance of massed samurai warriors in vintage gear: "Is it a festival?". However, the numerous battle scenes are enacted with extremely graphic bloodletting, contrasted with the comic strip nature of the script.

The squad's leader, Lieutenant Iba (Sonny Chiba) decides somewhat illogically that the only way to return to the modern age is to try to radically change history, thereby causing nature to send them back to their time in order to maintain the status quo. To this end, he teams up with a samurai rebel (Isao Natsuki) to try and defeat the establishment and take over the country.

An extraneous, time-killing subplot has Chiba killing off a group of his own men who have turned renegades and started raping and pillaging the locals on their own. Also pointless is some unresolved crosscutting of a modern girlfriend (Nana Okada) left waiting at a train station. A low comedy rape of a local "widow lady" could also be removed to the film's advantage.

The many beautifully staged battles (choreographed by Chiba) are highlighted by the contrast of the old and the new. One delightful swashbuckling scene has samurai Isao Natsuki escaping via rope ladder to a hovering helicopter outside the window after an authentic sword battle with his foes inside a castle. Ultimately, Chiba overcomes his men's desire to return to the initial beach and wait for a second time slip. He has become enamored of the freedom to do as one likes in the medieval period, and has decided to fight to the end in scenes reminiscent of Sam Peckinpah's "The Wild Bunch"; he and his men decimate hundreds of infantry men and samurai with their machine guns, hand grenades and tank. Finally, superior numbers prevail and all the modern soldiers are killed. This plot twist skillfully avoids the corny "second time slip" used in other films of this type, e.g., "The Final Countdown".

Chiba and his troupe of players are very effective and film's technical credits are top-notch. Worth jettisoning is an awful musical score which includes numerous rock ballads (sung-over mainly in English though dialog is spoken in Japanese) which clashes harmfully with the action.

Sonny Chiba delivers an excellent performance in this movie that pits modern weapons against the formidable swords and strategic brilliance of the war lords from ancient Japan. I saw this movie first as a teenager in Germany and it was shown under the title Time Slip. I searched for many years until I found it again as G.I. Samurai. I purchased the DVD which has the English dubbed version along with the original Japanese with English subtitles. The Japanese version has much more impact due to it's more authentic delivery of the dialogue. Some of the emotion and mannerism is lost in the dubbed version.

I have a pre-cert copy of this film, which is under the title 'time wars' and it runs at an even shorter time than the 110mins version mentioned here by other users. My copy barely hits 60 mins and the hacked editing shows in a very obvious way. There is little explanation of what is going on; the prostitute from the past seems to be still working at the brothel in the late 1970s; a Samurai appears riding a horse down the street in the 1970s for NO reason and while the ending is reminiscent of Macbeth there is a much a much stronger feeling of MacDuff to the whole finished product. I would like to see an unedited version of this in relation to what people are saying about it as my memory of it is as an instigator of Family arguments

BO!