User Reviews

Peter Ustinov recreates the role of Poirot, following the wonderful Death On The Nile. This is not the story as Agatha Christie wrote it, but here we have a rare example of the movie being better than the book. In fact it would be more accurate to say that here we have a murder mystery based on an idea by Miss Christie. We are presented with is a cast of characters, a murder victim, and just about everyone has a motive. Poirot of course, deduces who did it. The sun in question, under which this evil takes place, shines down on a privately owned island in the Mediterranean, giving us a warm and exotic location.

There isn't one bad performance among the cast, several of whom have appeared before in at least one other Poirot story. Maggie Smith and Jane Birkin in Evil Under The Sun; Dennis Quilley and Colin Blakely in Murder On The Orient Express. Diana Rigg and Maggie Smith almost steal the show as two women who smile sweetly at each other as they spit venom! But every bit as good are Blakely, Quilley, Mason, McDowall and the rest. And while all this is going on, the soundtrack is solid gold Cole Porter, which has been orchestrated perfectly to fit the story.

This movie is pure fun. Make yourself comfortable, suspend disbelief and allow yourself to be transported to another era and location for a couple of hours of enjoyment.

I have watched another two notoriously famous works of Agatha Christie, MURDER ON THE ORIENT EXPRESS (1974) and DEATH ON THE NILE (1978), despite of three in a row, I could still enjoy this one to a great extent.

The distinction of a star-studded cast and an isolated milieu is too overt to be surprising, luckily enough the island itself compensates a mind-distracting delightfulness. Also it has been the third time around, so as that I am lucidly familiar with its plot design-pattern, the obvious target is farcically recognizable and the murderer is not so perplexing to guess, in addition that all the cartoonish characters attenuate the tone of the headlining murder, which I will recommend to those who usually are shunned by the murder/crime genre.

Speaking of its cast, I adore Maggie Smth, I am thoroughly enjoy her a touch over-the-top performance here, also Jane Birkin is magnificently multi-faceted (I couldn't recall her roll in MURDER ON THE ORIENT EXPRESS though). Diana Rigg and Sylvia Miles are perfectly for their roles as bitchy, bitter, vanity bourgeois women. By comparison the equivalent supporting male cast is being eclipsed wholesale, of which even a renowned James Mason cannot avoid.

Peter Ustinov's Pourot is cannily uncompromising with a sharp wit under the contrast of his chubby appearance (although my favorite is Albert Finney in MOTOE). I'm curious now Sherlock Holmes franchise has been resuscitated into somewhat bromance-cum-action flick, maybe it's the right time for Monseiur Pourot to reestablish his name as a genuine detective mind versus a lumbering body, let wisdom rules again!

The best still remains "Death On The Nile". I feel that the "first act" of "Evil Under The Sun" is ever-so-slightly too long. And the very final moments of the film, after the revelation of the killer(s) and AFTER the classic "Jane Birkin walking down the staircase" scene, could have been better executed. Other than that, this is a highly enjoyable film that can be watched multiple times. The first time, you'll like it more for the cleverly conceived mystery, which I would actually classify as one of Agatha Christie's best; it seems almost unsolvable, yet it's so simple when it's all explained. In the following viewings, you'll appreciate more the magnificent locations (I'm still planning to visit "Daphne's place" someday - I'd love to see how and if it has changed over the years), the quotable dialogue, the delightful performances from the entire cast (starting of course with Sir Peter Ustinov, so funny when he's reveling in his own brilliance), the grandiose score. The generally excellent David Suchet "Poirot" series also adapted this story, in 2002, but that version can't hold a candle to this one in my opinion. (***)

Mostly for Poirot completest and admirers of then-trendy, all-star ensemble casts from the 1970s and early '80s, Evil Under the Sun finds Peter Ustinov in his second outing as Agatha Christie's famous Belgian detective (three years after 1978's Death on the Nile). As the title promises, the action this time takes place on an Adriatic island (though Christie fans will surely balk at the switch from the novel's setting on the English coast), where a famous stage star (Diana Rigg) is murdered, and the list of likely suspects is unusually high. The parade of legendary performers--Roddy McDowall, James Mason, Sylvia Miles, Maggie Smith, Jane Birkin--plus Ustinov's energetic performance keep things hopping. But Anthony Shaffer's lazy screenplay and director Guy Hamilton's superficial approach nudge everything (action, characters, tone) toward campy, near-parody, with bitchy sniping, tacky costumes, and an obligatory soundtrack of Cole Porter tunes. It's only in the last lap that the film transcends such obviousness and finds its way back to the glories of detective fiction.

With its humor, great scenery, stylized period clothes, wonderful music, complex whodunit puzzle, and deliciously hammy acting from Peter Ustinov, James Mason, Sylvia Miles, Diana Rigg, and Maggie Smith, "Evil Under The Sun" is an absolute delight.

There are a couple of different ways to watch this film. You can focus on the murder mystery story. It's not one of Agatha Christie's best, but it's good enough to invest a couple of hours to try and solve. As with other whodunits, the plot here is wildly improbable, with some rather unlikely coincidences in timing.

Alternately, you can focus on the cinematic goodies that make this film such a pleasant diversion. The Mediterranean scenery is gorgeous, with towering cliffs that rise from a sparkling blue sea. The 1930's clothes and production design are opulent and lavish. Men's formal attire, women's colorful dresses and flamboyant hats, and the showy jewelry that only the idle rich could afford, are all quaint by today's fashion standards. The island resort is cozy and expensive looking, with elegant furniture, and balconies and windows that overlook the sea. Throw in lots of 1930's music by Cole Porter, especially "You're The Top", and you've got a relaxing, enjoyable cinematic experience that's pleasing both to the eyes and the ears.

Arguably, the best elements of this film are the acting and the amusingly flowery dialogue. All the actors ham it up, in grand camp style. Performances may not be realistic. But they sure are lots of fun. I liked Ustinov's word pronunciations: "You remember 'zee' false diamond ... on 'zee' beach"; "Incidentally, I accept your 'hallie-by'"; "If you would care to confide in me, I should be most 'honn-erd'".

The bitching between vain Arlena Marshall (Diana Rigg), a prima donna actress, and the resort's hostess, Daphne Castle (Maggie Smith) is also amusing and fun. At an opulent cocktail party, guests mingle. Then, in dramatic style, Arlena, elegantly dressed, makes a glamorously staged entrance, and vainly confesses: "Oh my, I'm the 'laust' to arrive". To which hostess Daphne, with hors d'oeuvre tray in hand, walks over and greets Arlena with a sly smile: "Have a sausage, dear."

"Evil Under The Sun" is pure diversionary entertainment. There's no profound message. Nor are there any deep, subtle themes on the human condition that viewers can later ponder. The film is shallow, effervescent, animated ... fluff. But it is very high quality fluff.

Evil Under The Sun sounds so ominous, like a older horror film but in fact it's a sunny, bright, sparkling film with an international cast.

If you've seen Death on Nile and liked it then this would be enjoyable. Certainly much more entertaining than Murder on the Orient Express. The characters here are much more entertaining, especially Dianna Rigg, who plays the glamorous, snooty bitch.

It is engaging after everyone is settled on the island and it did hold my attention. I would say that the most unappealing component of the film is the soundtrack which is distracting in several scenes. Almost big band-like music in scenes where someone is walking! I almost got the feeling the music was celebrating a loud outfit worn by Maggie Smith. Clothing is a big deal in this film. The costumes are as entertaining as some of the characters. Even Roddy McDowell is attired in colorful outfits here.

All in all, not bad. I think most people will enjoy it.

It's one of those films I'd almost forgotten about after David Suchet's outing, but Ustinov's has a huge charm which can be overlooked no further.

The plot for some part is a little far fetched, but such is the quality of the writing and the mystery itself it doesn't matter in the slightest, for it to have worked the timings would have had to have been literally to the minute.

The characterisations are the strong point of the film. Ustinov made a brilliant debut in Death on the Nile, and he shows once again just how good he was in the role. Diana Rigg and Maggie Smith are wonderful in their respective roles in particular, both actually make their characters more interesting then they appear in the book, the interplay between the two is wonderful, so much fun. Nicholas Clay and Jane Birkin are fantastic also, her transformation is sensational, what a beauty!

It is a lavish looking film, the locations are sensational, and the costumes are superb, they really add a glamorous note to it, Rigg looks sensational in many scenes.

Overall 9/10. It's a great story, it's brilliantly acted, and the characters are just magical, it's hugely entertaining!

The only thing I gotta complain here, sadly, there are not enough Agathe Christie adaptions made with the great Peter Ustinov - he is for me the one and true Hercule Poirot (of course, Albert Finney is a good one too). Evil Under the Sun is not as good as Death on the Nile, but still a strong one: great cast, great setting and a great story. Who-Dunnit like it should be: sadly, there is still no procedure to erase my memory system (the movie industry should put some decent money here to find some cure!) so I could have the pleasure of watching this kind of movies every time new again and again and again.

'Evil Under The Sun (1982)' is a bit 'made-for-TV', slightly too basic in its play-like presentation and also presents pretty much each movement of its plot as a series of explanations by the portly protagonist, and yet it has a certain charm to it, a sense that the source story, however streamlined and changed it is here, is supposed to be told in a way similar to this, as opposed to the recent forced 'filmic' adaptation that was much more 'Sherlock Holmes' than 'Poirot'. Ustinov is good as the beguiling Belgian, though his somewhat dodgy accent takes a little getting used to, and the kind of stuck-up, no-good-in-a-fight feel he has is perfect for this quick-talking character, as is the rest of the eclectic cast who turn in grandiose and stage-suited performances of the innuendo-laden adaptation of Agatha Christie's source novel. It's entertaining after its slow start, even being fairly enjoyable during most of the equally slow build-up to the inevitable murder, and is at its best when the audience is trying to figure out exactly who is going to bite the dust and how they're going to do it. 6/10

Depicting the inner-inner circle of Hollywood and their sycophants, this installment of Agatha Christie's film adaptations finds our favorite Poirot afoot a posh island resort run by the inimitable Maggie Smith, but as usual instead of determining who dunnit, it's more a matter of who didn't.

Filmed in Majorca, Spain, directed by Guy Hamilton (Goldfinger and Christie's The Mirror Crack'd) and replete with Cole Porter songs, you can't fail with this all star cast and Peter Ustinov.

All in all? This whole line is suitable for any/all ages, although it sports a PG rating. That rating (I'm quite sure) was given at a much more innocent time. I love it, and find it quite interesting. This belongs in any Ustinov/Christie collection, and is present in mine.

It rates a 6.8/10 from...

the Fiend :.

I absolutely worship Agatha Christie and am addicted to reading, watching and listening to everything she ever did. This year alone, I think I read at least twelve of her novels and (re-)watched a handful of movies that are based on her legendary writings. This woman truly was a genius and there are few creative minds that I respect and admire more! It's only been a few months since I watch "Death on the Nile" for the fourth time, but for some inexplicable reason this was just the first time that I laid my hands on "Evil under the Sun". From many viewpoints, this film is extremely similar to the aforementioned "Death on the Nile" (1978) and, to a lesser extent, "Murder on the Orient Express" (1974). All films feature a sizeable cast of characters, of which each and every single one is eccentric and on the verge of loathsome, and - in good old Agatha Christie tradition - they also all have the profile as well as the motives to be a potential and secretive murderer. All three films also take place in a confined and inescapable location (a train, a cruise ship or in this case a remote tropical island) and it takes a relatively long time before the pivot murder is being committed, allowing more than enough time to elaborate on all the suspects' motives and their feelings of hatred towards the murder victim. In this tale, which was moved from the English coast towards a high- society island resort in the Adriatic Sea, the brilliant detective Hercule Poirot investigates the whereabouts of a valuable diamond. The beautiful and famous actress Arlena Marshall is also on the island to spend her honeymoon with her new but much older new husband Kenneth and step-daughter Linda. Poirot quickly notices that literally everyone on the island bears a deep grudge against Arlena, whether it's because of historical feuds, her adulterous nature or her stubborn business decisions. When Arlena's body is eventually found, strangled on the beach, all suspects quickly provide Poirot with waterproof alibis. I'm not entirely sure if Mrs. Christie would have appreciated the fact that her story was transferred to a more tropical location, since she was so typically British with regards to her locations and character drawings, but at least director Guy Hamilton splendidly makes use of the holiday resort setting and masterfully directs the extended A-listed cast. Peter Ustinov literally merges with his Poirot character and many of the great names in the supportive cast clearly had an excellent time appearing in this grotesque whodunit. The 1945 film "And Then There Were None" inarguably remains the greatest Agatha Christie adaptation, and personally I was more blown away by "Murder on the Orient Express" as well, but "Evil under the Sun" nevertheless comes highly recommended in case you're looking for something to watch on a lazy, rainy Sunday afternoon.

This is one of the better film versions of an Agatha Christie novel. Diana Rigg left behind her Emma Peel character in this performance and showed some depth. Lots of plot twists and turns and beautiful scenery.

Even if you're not a Christie fan, rent it anyway!

Peter Ustinov as Hercule Poirot is at his best in this movie that is worth the time for the soundtrack of Cole Porter classics or the magnificent cinematography alone. But the performances by Maggie Smith, Roddy McDowall, James Mason and others shouldn't be overlooked either. This is not what you'd call a classic film by any stretch of the imagination, but if you love a feast for the eyes and ears and enjoy quirky characters and Agatha Christie plots don't miss this one. If you've seen it before, see it again!!

Big-name cast as suspects of a murder committed in a luxurious touristic place and Ustinov trying to unravel the killer . Suspense and intrigue with Poirot on holidays in Albania . This whodunit deals with Hercule Poirot (Peter Ustinov) as the Belgian sleuth man in he case of killing a rich , unpopular actress in an island during a luxury vacations . It is set in the kingdom of Tyrania , but it is a fictional land which was based on the country of Albania , the isle setting of Daphne's Island was also fictional . As trying to find how a millionaire (Colin Blakely) wound up with a phony diamond brings Hercule Poirot to an exclusive island resort frequented by the rich and famous . When a murder is committed, everyone has an alibi . He investigates the tourists and numerous suspects , all support cast (Jane Birkin , Nicholas Clay , Maggie Smith , Roddy McDowall , Sylvia Miles , James Mason , Denis Quilley , Diana Rigg) . Who is the killer? , can he find the guilty ? . After the clues have been shown we will get a chance to give the answer with Poirot finding out about the culprit at a twisted finale with outstanding surprises but are taken the murders from different viewpoints of everyone which it makes a little bit boring, pedestrian , endless and overlong.

The film is a detective story in which you are the detective . In the picture there is mystery , emotion , suspense , actors's interpretation are first-rate and wonderful outdoors from Majorca , Spain and the rout on the cruise ship . Interesting plot by screenwriter Anthony Shaffer , he once said of this : "The location is important , the island should be a star , just as the Nile steamer Death on the Nile (1978) and the Orient Express in the Murder on the Orient Express (1974) were stars" . Being second of three produced screenplays from novels by Agatha Christie written by Anthony Shaffer , the others were Death on the Nile (1978) and Appointment with death (1988) . At one point this movie was mooted as being the follow-up Agatha Christie film to Murder on Orient Express but the picture eventually arrived fourth in the Brabourne-Goodwin series after Death on the Nile (1978) and The crack mirror (1980) . The film relocates the provincial North Devon, England setting on Smuggler's Island off the Devonshire Coast from the Agatha Christie source 'Evil Under the Sun' novel to an island in the Adriatic Sea "somewhere west of Suez", a setting played by the exotic Spanish island location of Majorca . This location also was at the time the home of the film's director Guy Hamilton . The movie gets a lush costume design by Anthony Powell and adequate production design by Elliot Scott . Colorful and sunny cinematography by excellent cameraman Christopher Challis . Sensitive and atmospheric musical score by the classical Cole Porter . Magnificent performances from all-star-cast , a number of the cast had appeared in the earlier'producers Brabourne-Goodwin Agatha Christie movies . And Peter Ustinov acting is similar to Albert Finney (Murder on the Orient Express) . Ustinov starred various Hercule Poirot films such as : ¨Death on the Nile¨(John Guillermin) , this ¨Evil under the sun¨ (Guy Hamilton), ¨Appointment with death¨ (Michael Winner) and for TV in low budget as : ¨Murder in three acts¨,¨Dead man's folly¨ and ¨Thirteen at dinner ¨; but the best considered is Death on the Nile . ¨Evil under the sun¨ was made and released about forty-one years after Agatha Christie's source novel of the same name was first published in 1941 , being selected to be the 1982 Royal Film Performance ; this movie was the first ever filmed version of this story, it being remade with Poirot: Evil Under the Sun (2001) with David Suchet .

This film was professionally directed by Guy Hamilton though contains some flaws , poor edition and sometimes results to be slow moving. Being second and final Agatha Christie adaptation directed by Guy Hamilton , his first was The crack mirror (1980) . Rating : passable and acceptable , well worth watching . The flick will appeal to suspense lovers and Agatha Christie-Poirot novels buffs .

Many people blame Ustinov for not being authentic enough to the Agatha Christi novel but I think that the artistic licence worked well with him. Out of all 6 Ustinov=Poirot films this is the one I like most. One of the reasons is that it is shot at location on the beautiful Mallorca island of Spain and not in L.A.(as 3 of the others). The overall cast is also the best of the series. In the dubbed German version Peter Ustinov dubbed himself which gives his character the foreign touch of Mr. Poirot. One of the best and the prettiest whodunit I have seen so far. If you think that a mysterious plot can develop only in fog and rain then this one isn't the right one for you. The Evil is here under the sun.

9 / 10.

Despite the luminaries taking part this is a rather poor adaptation of Agatha Christie's story. It starts off very slowly and then gets boring!

The director thought it would be a good idea to let the actors loose to camp it up and turn in cartoon-like performances, which makes this difficult to watch, unless you're an actor who likes watching actor's make fools of themselves.

The attempts at humour misfire and the only redeeming feature of this silliness is the scenery.

It could easily be mistaken for an episode of Colombo.