Directed by
Phillip Noyce |
Writing Credits
Marc Rosenberg | ... | (screenplay) & |
Phillip Noyce | ... | (screenplay) |
Mark Stiles | ... | (based on an original screenplay by) & |
Tim Gooding | ... | (based on an original screenplay by) |
Cast (in credits order) complete, awaiting verification
Produced by
Jean Campbell-Bevins | ... | assistant producer |
Hilary Linstead | ... | producer |
Ross Matthews | ... | co-producer |
Music by
Cameron Allan |
Cinematography by
Vincent Monton |
Editing by
John Scott |
Production Design by
Ross Major |
Art Direction by
Dean Taucher |
Costume Design by
Terry Ryan |
Makeup Department
Edwine Archer | ... | makeup assistant (as Edwina Archer) |
Sally Gordon | ... | makeup department head |
Melissa Jaffer | ... | hair stylist |
Judy Lovell | ... | special makeup effects artist |
Bob McCarron | ... | special makeup effects artist |
Phillippa Noyce | ... | special makeup effects artist |
Robern Pickering | ... | makeup assistant |
Caralyn Taylor | ... | hairdresser: Anna Jemison |
Production Management
Lynn Gailey | ... | production manager |
Second Unit Director or Assistant Director
Steve E. Andrews | ... | first assistant director (as Steve Andrews) |
Phillip Hurst | ... | third assistant director (as Philip Hurst) |
Chris Maudson | ... | second assistant director |
Art Department
Sally Campbell | ... | props buyer / set dresser |
Lissa Coote | ... | props buyer / set dresser |
Danie Daems | ... | construction manager |
John Daniell | ... | stand-by props |
Robert Flaherty | ... | props buyer / set dresser |
Peter Hart | ... | assistant set dresser |
Bruce Hillhouse | ... | carpenter |
Paul Pholeros | ... | designer: 'Eden Design' |
David Searl | ... | art department manager |
Sound Department
Greg Bell | ... | sound editor |
Helen Brown | ... | sound editor |
Lloyd Carrick | ... | sound recordist |
Gethin Creagh | ... | sound mixer |
Peter Fenton | ... | sound mixer |
Chris Goldsmith | ... | boom operator |
Phil Heywood | ... | re-recording mixer (as Phillip Heywood) |
Gerry Nixon | ... | sound recordist |
Stella Savvas | ... | sound editor |
Special Effects by
Ellis D. Fogg | ... | special effects lighting |
Roger Foley | ... | special effects lighting |
Alan Maxwell | ... | special effects |
Reece Robinson | ... | special effects |
Visual Effects by
Roger Cowland | ... | opticals |
Stunts
Frank Arrowsmith | ... | stunt double |
Dale Aspin | ... | stunt double |
Max Aspin | ... | stunt coordinator |
Stephen Sherwood | ... | stunt double |
Camera and Electrical Department
Brian Bansgrove | ... | gaffer |
Sam Bienstock | ... | electrician |
David Brostoff | ... | focus puller |
Ray Brown | ... | key grip |
Colin Chase | ... | generator operator/electrician |
Colin Deane | ... | additional photographer |
Steve Dobson | ... | additional photographer (as Stephen Dobson) |
Paul Gantner | ... | best boy |
Reg Garside | ... | electrician |
Stuart Green | ... | second grip |
Frank Hammond | ... | camera operator: second unit |
Louis Irving | ... | camera operator |
Robert McFarlane | ... | still photographer |
Andrew McLean | ... | clapper loader |
Richard Michalak | ... | camera operator: second unit |
David Parker | ... | still photographer |
Casting Department
Jenny Goddard | ... | extras casting coordinator |
Costume and Wardrobe Department
Jan Hurley | ... | stand-by wardrobe |
Anthony Jones | ... | wardrobe supervisor |
Jillian Mahony | ... | wardrobe assistant |
Editorial Department
Arthur Cambridge | ... | color grader |
Margaret Cardin | ... | negative cutter |
Bill Gooley | ... | laboratory liaison |
Al Hansen | ... | digital colorist: restoration |
Sue Scott | ... | assistant film editor |
Frans Vandenburg | ... | assembly editor |
Location Management
Peta Lawson | ... | location manager |
Mark Thomas | ... | assistant location manager |
Music Department
Graham Bidstrup | ... | assistant to composer |
Ashley Irwin | ... | music arranger |
Margaret Roberts | ... | secretary to composer |
Andrew Thomas Wilson | ... | music equipment |
Script and Continuity Department
Therese O'Leary | ... | continuity |
Additional Crew
Fiona Gosse | ... | production secretary |
Keith Heygate | ... | caterer |
Bob Hicks | ... | safety coordinator |
Christine Koltas | ... | choreographer |
Steve Lesiuk | ... | architectural consultant |
Alan Marco | ... | production accountant |
George Ogilvie | ... | voice consultant |
Paul Pholeros | ... | architectural consultant |
Ken Taylor | ... | catering assistant |
Richard Ussher | ... | unit runner |
Teresa Wilkinson | ... | stand-in: Judy Davis |
Jan Sharp | ... | consultant to director (uncredited) |
Thanks
Mark Arbuz | ... | special thanks |
Pip Archdale | ... | special thanks |
Ken Cameron | ... | special thanks |
José De la Vega | ... | special thanks |
Ken Done | ... | special thanks |
Max Dupain | ... | special thanks |
Tony Edwards | ... | special thanks |
Hilary Furlong | ... | special thanks |
Robyn Gordon | ... | special thanks |
Paul Halstead | ... | special thanks |
Vicci Harper | ... | special thanks |
Ted Hetherington | ... | special thanks |
Richard Le Plastrier | ... | special thanks |
Geoff Malone | ... | special thanks |
Ian McKay | ... | special thanks |
David Moore | ... | special thanks |
Rod Phillips | ... | special thanks |
Phil Quirk | ... | special thanks (as Phillip Quirk) |
John Firth Smith | ... | special thanks |
Duncan Stemler | ... | special thanks |
Jill White | ... | special thanks |
Willi Young | ... | special thanks |