User Reviews

Never turning up on television, long out of print on video, and never released to DVD, HOUSE OF THE LONG SHADOWS has fallen prey to neglect in recent times. To a degree, this is understandable; taken purely on its own, HOUSE at first seems to emerge a bit disappointing today. The oft-cited problem is that the four horror stars seem painfully marginalized in order to make way for Desi Arnaz Jr. But, when seen in a larger context, HOUSE rises far above its humble origins and becomes something much greater than the sum of its parts. Much like James Whale's THE OLD DARK HOUSE - a film that shares much in common with HOUSE - it is a film that requires multiple viewings to fully appreciate.

Just as Universal's Dracula of 1931 inspired and influenced a cycle of horror films that would grow, mature, mutate, and ultimately flounder in various forms till the late Forties, so too did another horror zeitgeist bloom during the late Fifties, Sixties and Seventies. The British studio that had produced 1957's groundbreaking THE CURSE OF FRANKENSTEIN, Hammer Films, found great success in the genre over the next twenty years, not infrequently making use of Christopher "Dracula" Lee and Peter "Frankenstein" Cushing. Meanwhile, in Hollywood, American International found their superstar in Vincent Price, whom they headlined in a series of literate, atmospheric Edgar Allan Poe adaptations, beginning with THE FALL OF THE HOUSE OF USHER in 1960. Eventually, this series too would cross the Atlantic. The popularity (and profitability) of these scare shows insured a legion of second-rate cheapness from various entities, many of which utilized Shakespearian actor and erstwhile Universal horror veteran John Carradine, who crept his arthritic way through such low-budgeters as GALLERY OF HORRORS and BLOOD OF DRACULA'S CASTLE.

But, by 1982, this cycle of traditional horrors had seemingly come to a dead end. Hammer and AIP were no longer producing feature films, and most of the great horror stars of the time were now electing to either shoot for mainstream success or a semi-retirement save for the occasional film and television cameo appearance. As the Eighties dawned too, the genre was foregoing Gothic horror in favor of the summer camp bloodbath, the holiday massacre, and the dream-slaying slasher. In the midst of these gruesome developments however, director Pete Walker, not unfamiliar with bloody subject matter himself, decided to provide the old-fashioned approach one last go-around, and gather the very icons of that style to do it.

The plot is old humbug, another revitalization of Earl Derr Bigger's old standard Seven Keys to Baldpate, which had been filmed a number of times before. Jaded novelist Arnaz accepts a bet from his impish publisher (Richard Todd), which involves him spending 24 hours in an old Welsh mansion and writing a Bronte-like Gothic story. As the stormy night progresses, various dodgy characters turn up who, as it emerges, are all members of the benighted Grisbane family, gathered on this night to release a horrible secret in the attic. Before long, various unwary visitors - as well as the Grisbanes themselves - begin to be murdered in grisly ways by a mysterious psychopath. Many twists and turns later, the narrative works its way toward a lighthearted conclusion.

There had long been plans to unite the four horror superstars in one film, but scheduling conflicts had made it impossible. Finally, the opportunity arrived with this project, and all are well served by their roles here. Each is allowed to indulge in his particular acting persona. Price is flamboyant and theatrical, Lee imperious and sinister, Cushing genteel and sympathetic, Carradine sonorous and stentorian. Price in particular excels here, and this was his last real opportunity to shine in a full-fledged horror film. Though he would return to the genre two more times before his death in 1993, neither his embarrassing appearance as an expletive-spewing sorcerer in BLOODBATH IN THE HOUSE OF DEATH or his cantankerous turn hosting THE OFFSPRING can compare to his grandly overstated Lionel Grisbane. In particular, Lionel's pitched introduction at the doorway is unforgettable, a true highlight of horror cinema.

If there is a major regret here, it's that Cannon opted to re-cut the film for some theatrical showings - and that's the version released to VHS years ago. This move appears to have been done in order to play up the horror content and mute the comedy. Though I've never seen the original cut, it almost unquestionably would have been preferable. Both Price and Cushing seemed to feel so, and lamented the fact that many of the comic build-ups were left in, only to have the punch lines cut. The real loss was the original end credits sequences, in which each member of the cast steps out of character to take a final bow.

But, in the end, the shortcomings matter little. HOUSE stands as truly the last of its kind, and more than that, can be seen as the point of embarkation for a new style. Just as Universal provided the iconographic monsters of the Thirties and Forties with a peculiarly reverential send-off in ABBOTT AND COSTELLO MEET FRANKENSTEN, so too does HOUSE OF THE LONG SHADOWS allow its four veteran bogeymen of the Sixties and Seventies to gracefully bow out, in character and with their dignity intact. It's sublimely appropriate that the film should meld Eighties slasher/body-count horror themes (gruesomely accented ax murders, stabbings, acid baths, etc.) with the traditional Gothic approach these men specialized in; by taking part in those very situations themselves, Price, Lee, Cushing, and Carradine thereby "pass the torch" to the knife-wielding maniacs that would come to rule the genre in their place. Seen in this light, the film's faults seem to considerably melt away, and one realizes what a true, unique gem we have here. That is, a lighthearted but affectionate good-bye to twenty-five years of classic horror films executed with great deft and style.

This proved to be the last film of British horror director Walker (in the accompanying DVD interview for his THE FLESH AND BLOOD SHOW [1972], which followed this in short order, he states that this was his only 'assignment' – all his other work he personally financed) as well as the final teaming of that prolific and (for fans, hugely rewarding) iconic duo of Peter Cushing (complete with endearing speech impediment) and Christopher Lee (a complex characterization, albeit characteristically boorish).

Having mentioned the two Hammer stars, some reviewers mistakenly believed the film intended to recapture that studio's Gothic tradition but it actually hearkens back to the comedy-thrillers of the Silent and early Talkie era. In fact, it was the sixth filmization – scripted by Michael Armstrong, whose own directorial career was curtailed following the notoriety of his MARK OF THE DEVIL (1970) – of "Seven Keys To Baldpate", a novel by Earl Derr Biggers (creator of Charlie Chan) that was adapted for the stage by George M. Cohan (yes, the songwriter played by James Cagney in YANKEE DOODLE DANDY [1942]!).

Besides, its plot about a dysfunctional Welsh family that includes a locked-up maniac and whose mansion is 'intruded' upon by innocent strangers is a virtual retread of James Whale's sublime THE OLD DARK HOUSE (1932; one of my absolute favorites) – though with little of that film's style or wit. Another direct link to it is the fact that there is a Roderick involved – and let's not forget that Vincent Price (who co-stars here) had played a character by that name in Roger Corman's seminal Poe adaptation HOUSE OF USHER (1960)! The final revelation (which wasn't at all surprising nor, come to think of it, was the identity of the mysterious killer), then, is straight out of SEVEN FOOTPRINTS TO Satan (1929)…

The cast also highlights two other lesser horror stars – John Carradine (who's supposed to be the patriarch of the family when the difference in age from, at least, Price and Cushing is minimal!) and Walker regular Sheila Keith (replacing the ailing Elsa Lanchester). The young cast isn't in any way comparable obviously – however, both Desi Arnaz Jr. (from childhood sci-fi TV show AUTOMAN [1983]!) and Julie Peasgood prove reasonably engaging nonetheless. By the way, Richard Todd appears as novelist Arnaz's genial publisher – who makes a bet with his client that he won't stay the full-length of 24 hours in an ostensibly haunted house (which is the exact same premise of the Abel Gance/Max Linder short AU SECOURS! [1924] I've just watched and, I see, Michael Elliott did too!).

At the end of the day, the film is clearly old fashioned (despite the occasional gore) but undeniably fun – which makes the Leonard Maltin guide's *1/2 rating a genuine head-scratcher!

Everyone probably figured that Vincent Price, Christopher Lee and Peter Cushing would have to all co-star in a movie, but who ever would have guessed that Desi Arnaz Jr would also co-star? Far removed from his parents' famous roles, Arnaz plays Kenneth Magee, an American author who goes to an old Welsh estate to write a novel. He is supposed to have no disturbances, but Vincent Price, Peter Cushing and John Carradine arrive to release their brother who has been locked in his room for forty years, and Christopher Lee arrives to claim ownership of the mansion. Naturally, things don't go as everyone expects.

"House of the Long Shadows" doesn't have anything that we wouldn't anticipate in a movie about a dark old mansion, but it's got more twists and turns than a roller coaster. So, I recommend it, and I hope that they don't try to remake it.

This is a horror film aficianado's dream - the only time that Peter Cushing, John Carradine, Christopher Lee and Vincent Price appeared in the same film and the same scenes together!

Forget about the ponderous build-up to the appearance of the stars and the lamentable arrogance of Desi Arnaz Jr. in a forgettable role (he can't hold a torch to the acting abilities of his famous co-stars!). The cliched surroundings of a dark, haunted house can also be criticised; but this is the ideal platform for the horror greats on show to perform in a typically professional fashion.

Peter Cushing's drunken characterization is very well done and Vincent Price's grand dialogue is reeled off in an extremely believable way. Christopher Lee's role is also enjoyably wooden and in the mould that we have come to expect over the years!

The film is guilty of faulty pacing - the start is slow but the execution of murders later in the film comes relentlessly and with little subtlety in thought or execution. However, the sole purpose of the film is to provide a horrific who-dunnit in an old-fashioned way with the top stars of the genre!

The ending also ensures that the viewer is never quite confident that the story's resolution has been provided.

Not a masterpiece by any means , but a fitting tribute to the stars in the horror field, who have entertained us so much in the past and will continue to do so in the future!

Pete Walker's "House Of The Long Shadows" of 1983 may be an extremely silly and partly even ridiculous movie, all right, but it is still an absolute must-see for any serious lover of horror, and even for any serious film fan, as it features FOUR of the greatest Horror icons in the history of motion pictures, Vincent Price, Peter Cushing, Christopher Lee and John Carradine in one movie. This unique cast alone makes this movie essential, regardless of the ridiculous storyline.

Young American author Kenneth Magee (Desi Arnaz Jr.) makes a ridiculous bet with his English publisher that he can write a novel as great as Emily Bronte's "Wuthering Heights" within 24 hours. His publisher therefore sends him to a Welsh manor, where Kenneth is supposed to have the necessary quietude to work effectively. Soon after his arrival, however, some strange guests show up, amongst them some of our favorite Horror icons...

Vincent Price, Peter Cushing, Christopher Lee AND John Carradine - A movie with this cast is, once again, absolutely essential for any fan of Horror. These four legendary actors clearly had a lot of fun shooting this over-all silly movie together, especially Price plays his role very humorously and seems to enjoy it a lot. Apart from the four Horror legends, the movie has little to offer. Desi Arnaz Jr. delivers a dreadful performance, and Julie Peasgood is not exactly a very good actress either. The story and its many twists are quite ridiculous. There were some points in the movie when I actually started to like the story, but these moments are quickly destroyed by silly twists again. If it wasn't for this movie's stars, the film would, if for anything, be remembered for its silly premise, but Price, Cushing, Lee and Carradine make this an absolute must-see!

An over-all silly film with a ridiculous storyline, "House Of The Long Shadows" is made a real joy by the four great Horror legends. A film that unites Price, Cushing, Lee and Carradine is a must-see for every Horror fan and serious lover of cinema!

Vincent Price, Peter Cushing, Christopher Lee and John Carradine in one movie is like a dream come true and a recipe for a truly great time. House of the Long Shadows is not a great movie, but it is an interesting one and better than I was led to believe. It does have flaws of course, the ending is unsatisfying and feels like more than one ending rolled into a single one, the middle drags and Desi Arnaz Jnr gives an awful lead performance, very wooden and overly-serious. However, the production values complete with a suitably Gothic mansion are in keeping with the spooky atmosphere and in the genre House of the Long Shadows is an example of. The music has a very haunting sound to it, I loved the tongue-in-cheek humour and thrills in the script(Vincent Price having the best lines and he really relishes them), and the story has some nice-if occasionally silly- twists and turns and is mostly swiftly paced. The opening sequence is great. The murder sequences are not exactly subtle, but are suspenseful and evoke some chills. The four stars Price, Cushing, Lee and Carradine- easily the highlights of the film- are brilliant, distinctive and commanding with a very one-of-a-kind chemistry. In conclusion, fun and interesting if far from perfect. 7/10 Bethany Cox

Well yeah, in all honesty, "House of the Long Shadows" is an extremely disappointing and weak film, but I'm convinced that there isn't a single (real) horror fan out there that can bring him/herself to spread an entirely destructive criticism about this unique feature. After all, it is the only movie that ever managed to assemble no less than four of the most legendary genre icons and even show them in the same scenes! Something that stars Vincent Price, Christopher Lee, Peter Cushing and John Carradine all at once is simply fundamental viewing for horror fans, whether or not the storyline is any good. The plot is a re-working of the famous 'Seven Keys to Baldpate'-novel and introduces Ken Magee as a rather cocky writer who bets his publisher 20.000 Dollars that he can complete a successful novel in the likes of Wuthering Heights in a short period of only 24 hours. To have the required isolation for writing, his publisher gives him the key to an old deserted mansion in Wales. Instead of finding peace and quiet there, the writer is subsequently interrupted by his publisher's attractive secretary and four uncanny members of the Grisbane family that reunite in the house to release their mad youngest brother after an imprisonment of forty years. Writing a novel is completely out of the question when it turns out Roderick Grisbane escaped from his room and started a new killing spree around the house. "House of the Long Shadows" is a heavily flawed and clichéd film that would have been long (and righteously) forgotten by now if it weren't for the top notch cast listing. First and foremost, the film got released at least a decade too late. The early 1980's were an era dominated by raw and blood-soaked slasher movies and an old-fashioned haunted-house chiller simply couldn't fascinate the audiences any longer. Then it also takes far too long before something interesting happens. The story is over halfway by the time all four horror legends are fully introduced and it takes another twenty minutes before anything even mildly horrific occurs. Then there suddenly are too many childish and overly implausible plot-twists going on in the last sequences, resulting in a totally unsatisfying climax. The tone and themes of the film, as well as the murder-scenes, are regretfully tame. It's actually hard to believe that Pete Walker directed this film! He was the British exploitation master during the 70's and made shocking movies about murderous priests ("House of Mortal Sin"), cannibalistic grannies ("Frightmare") and barbaric women prisons ("House of Whipcord"). "The House of Long Shadows" doesn't feature one single shock and hardly any suspense moments, apart from Christopher Lee's gruff facial expressions. It certainly isn't the masterwork I secretly hoped it to be, but if I could make one wish, it would be going back in time and pay a visit to the film set.

"House of the Long Shadows" is not a very well known film. In fact, most people I've talked to have never heard of it. It's one of those rare gems you come across every once in awhile.

If you are a fan of classic horror films, this will certainly be a treat! It has Vincent Price (my personal all-time favorite), Christopher Lee, John Carradine, and Peter Cushing. Plus there several twists and turns throughout the film that keep you guessing until the end.

The supporting cast does a decent job of completing the ensemble and the old mansion where the story takes place makes a delightful setting.

One small complaint is the acting ability of Desi Arnaz, Jr. It's hard to say if his acting was truly bad or if it just didn't measure up to the talents of Price, Lee, and Cushing. Either way, it didn't detract much from the overall enjoyment of the film.

If you want a good old-fashioned thriller with plot twists and a little bit of slasher thrown in, you won't be disappointed in "House of the Long Shadows".

Desi Arnaz Jr. plays Kenneth Magee, an American writer who makes a best with his publisher, Sam Allyson (Richard Todd). His ego is great enough that he thinks that he can write something on the level of "Wuthering Heights" (which he doesn't hold in high regard) in 24 hours. At stake is $20,000 of his money. So Sam procures for him a Welsh manor named Baldpate where Kenneth can supposedly write in seclusion. Of course, nothing goes as planned, and Kenneth is interrupted all night long by a family looking to exorcise their old demons and a man looking to purchase the manor.

This effort by the cult filmmaker Pete Walker ("Frightmare", "House of Whipcord") is notable mostly for uniting four legendary horror actors: John Carradine, Vincent Price, Peter Cushing, and Christopher Lee. "House of the Long Shadows" is a must see for their work, if nothing else. Walker and this fine cast does seem to have fun with the material, which was meant to be played with a sense of humour. Certainly some of the tropes of the genre are present and accounted for: the dark, stormy night, the locked room, the old family secret, etc. What this viewer appreciated most about the film was the old school atmosphere of a classic "Old Dark House" type of story, and for the fact that Walker and screenwriter Michael Armstrong so completely manipulate their audience.

While this viewer didn't dislike Arnaz Jr. as much as most people who've seen this, the less that is said about his performance is still probably better. But don't see it for him. See it for Price (who rattles off the exposition in style), Lee, Carradine, Cushing (whose comic performance is simply wonderful), and Walker regular Sheila Keith (who plays Carradines' daughter).

Good fun for fans of the genre.

Seven out of 10.

"House Of Long Shadows" is a fantastic film with a brilliant cast of horror legends and I just can't believe that this movie isn't more well known, I've personally never even heard of it until quite recently and given the fact that it's directed by the ever brilliant Pete Walker whose other works I've enjoyed (Frightmare, The Comeback, House Of Whipcord). He displays the same elegance and chills in this underrated masterpiece and sad to see that this would be his last horror movie, but well I must say that this was a well and truly fitting end and going out with a bang.

This does have that classic old school feel to it and given the fact that this came out in 1983, where horror had moved on to stalk and slash with the likes of Jason and Michael Myers. Well this may have seemed a bit old fashioned, but that doesn't take away the brilliance of this. The plot to this was very good and thought out with an American writer Kenneth Magee takes a bet with his publisher, that he can write a novel within 24 hours and arranges for him to go a secluded mansion called Baldplate Manor in the Welsh country side. But soon as he arrives he is greeted by two creepy caretakers and despite being told that the place is deserted, more and more people start to turn up, namely the previous owners The Grisbanes who hold a dark secret surrounding the place, and soon enough things start to take a strange turn with people ending up getting murdered.

Well for starters the mystery element to this is very effective, and the tension that surrounds the mansion is well handled along with perhaps every horror movie cliché known to man thrown in for extra delight and plus featuring the legendary cast of Vincent Price, Christopher Lee, Peter Cushing and Sheila Keith all in one movie, is a pure joy for any movie buff. Once all the guests arrive at the manor then the movie gets going at a very brisk and cracking pace, where event after event is thrown at the viewer, and the shocks and thrills never seem to stop and I loved the angle of which the story takes you, where we find out about the reason why the Grisbanes have returned to free their long lost son/brother from his prison of 40 years for committing a murder of a pregnant girl, then finding that he's escaped and is on a rampage of revenge, where the innocent bystanders get caught up in this terrifying web. The horror scenes are well delivered in this with some shocking twists and turns that keeps you guessing until the very end and with some brilliant and grisly deaths to enjoy along the way, and okay there are two random characters thrown in about halfway through for just pure fodder, but that only adds more fun to this movie.

The acting performances, well what can I say from such legends and even the other cast members are well performed. The main character played by Dezi Arnaz Jr really holds his own surrounded by the screen legends and gives a very decent performance as the cynical American writer. Vincent Price gives a wonderful performance as always and may be known for hamming it up at times, but who cares with his brilliant dialogue and scene stealing presence. Christopher Lee, gives a no nonsense presence and pulls it off greatly, with his sharp dialogue and forceful manner, and as the movie goes on, he's given more layers to his character which works superbly. Peter Cushing plays a different type of character than his usual domineering presence in the Hammer films, here he is wonderfully eccentric and lovable and is the perfect foiling against the other two. Sheila Keith whose another brilliant and genius addition to this cast, in full creepiness mode and always a joy to watch in this and (House Of Whipcord, Frightmare and The Comeback), despite not given enough screen time and bows out relatively early, she gives an astounding memorable performance. John Carradine is another pleasing surprise in this, and gives a strong performance. Then finally Julie Peasgood as the love interest Mary, who I found rather likable and despite not being as memorable as the others, she was still a nice addition to the cast.

All in all "House Of Long Shadows" is a wonderful throwback to the good old glory days of horror, that's highly entertaining and a hell of a lot of fun, the ending may be a slap in the face to some, but I found it rather fun, although does get rather confusing at the very end, but the other twists and turns that precede this, are brilliantly done and this stands as a brilliant must see for any horror fans.

Do yourselves a favour and, after you've watched the beginning, skip to the minute 34. That's when Peter Cushing is introduced, Vincent Price follows shortly after, then to 45 when Christopher Lee appears. Then it's not before 55 that ANYTHING happens. I mean this is insane! Dear old Vincent ( or Peter or Chris ) would have normally murdered half the cast by then- all in vivid colours and recited Shakespeare, Poe and Wilde while doing it. Here we just follow around a terribly irritating young American writer and a not so attractive blonde. Honestly, why???? The last 40 minutes are worth watching though. This could have been a very pleasant 50 minute little film, but they waste a whole hour of my patience... Upsetting. I only kept on watching for the glorious cast.

This is the only film I can think of that has all four horror greats in the same film at the same time and in the same scenes. Vincent Price, Peter Cushing, Christopher Lee, and John Carradine are the big four, and their presence alone makes seeing this film a must. I don't think any other film had three of these men in the same film, same time, and same scenes(Scream and Scream Again has Lee, Cushing, and Price, but Cushing does not share screen time with either Lee or Price). The men are all still great to see and brought a flood of nostalgia to me as they made their entrances into the film. The film, however, is weak, and there really is no denying that. I like the film because of the four boogeymen, but cannot say in good faith that it is a good film. It is not. The story concerns an author having a bet with his publisher to stay in a creepy place and produce a book in one evening for twenty thousand dollars. It is a very worn plot, and to make matters worse, the scriptwriter butchers his way through the script trying to squeeze out anything that might have been thoughtful and original. The male lead is none other that that master thespian Desi Arnaz Jr. I know hearing his name makes you tingle with anticipation, but this man has no clue how to perform. Plainly put, he is awful, and painful to watch as he delivers hackneyed dialogue with a smug manner. He certainly canot hold his own with the reverent cast or even female character actress Shelia Keith who really shines in her small role. Some of the dialogue is funny, some serious, but there are only four reasons to watch this film: Price, Cushing, Lee, and Carradine. They put in this film what little life this film has. Of the four, watch for Vincent Price playing ever the ham! He is superb.

It felt like I was watching the film for the first time again. I pretty much had forgotten how the plot played out. Even to a point, that the seasoned cast of genre actors actually had larger screen time, and scenes together then I remembered. And boy, don't they each make an entrance when they first appear. The wonderful ensemble of Vincent Price, Peter Cushing, Christopher Lee, David Carradine and (Walker regular) Sheila Keith really chew up the scenery by providing the lively theatrics to Pete Walker's trope infused, old dark house mystery-horror. Even during the constant back and forth dialogue exchanges, and there's a lot early on. It's the old heads who kept me entrenched with their ghoulish banter.

Murder and mayhem slowly develops, as director Walker pulls you along in many different directions. What it's building towards was fairly contrived and disappointing, but the shadowy atmosphere of a candle lit manor with a lingering thunderstorm outside gave it a cosy tranquility amongst the frantic shrills and macabre spills. I just wish it was more fun than it was, and it mainly fell on Walker, because the old boys kept the pulse beating.

An author named Kenneth McGee (Desi Arnaz, Jr.) whose career is on the decline wagers his publisher $20,000 that he can write a novel comparable to "Wuthering Heights" in 24 hours. To do so, he is holed up at a manor in Wales.

Can you beat this cast? Vincent Price as Lionel Grisbane, John Carradine as Lord Grisbane, Peter Cushing as Sebastian Rand and Christopher Lee as Corrigan. This is the final film in which both Christopher Lee and Peter Cushing appear.

The lead actor, Desi Arnaz, is pretty awful. He delivers lines that seem like they should be humorous with a straight face, which makes no sense -- is this humor delivered poorly, or serious lines botched before they even reach the man's tongue? I am not sure which, but he talks in such a tone and pace that I cannot believe any real person would talk in such a way.

The copy I watched was of a very poor quality, or at best of "modest" quality. It was full screen, seems to be a VHS transfer, and had Swedish subtitles ingrained into it. That is not how I prefer to enjoy a film.

The story is bizarre and sloppy, in some ways reminiscent of William Castle's "Old Dark House". Only not as entertaining. Mike Mayo says it is a variation of the Edgar Wallace story, the "tightest" of those he knows of. I find nothing tight about this film, and am unclear how much is Edgar Wallace and how much is writer Michael Armstrong. Armstrong freely admits to adapting the tale from the novel "Seven Keys to Baldpate" by Earl Derr Biggers and the dramatization by George M. Cohan.

This all comes from director Pete Walker, whomever that is. This was his final film. The gore only comes in during the final twenty minutes, and it is not much. Would I recommend this movie? Maybe if it was cleaned up, just to see the cast. The film itself is nothing special.

This film is what old horror buffs want to see. 4 Great horror legends together on the screen. Too bad Boris, Bella, Lon and Peter weren't around for it.

It is a dark and stormy night. Leading man goes to big haunted house. Pretty girl, strange relatives, family secrets and tons of atmosphere ensue. Interesting conclusion with a little wink-wink, nudge-nudge at the end.

Sadly, it isn't on DVD. Too bad.

We are now an age of blood, guts and gore that touts itself as the horror genre. Tall, beefy men wearing masks or pounds of prosthetics are the new horror actors....actors?? What acting? Running around with a chainsaw isn't acting. Ditto to our leading men and scantily clad ladies. Being dirty, wet, bloody and screaming isn't acting. Not your faults....blame the writers. It isn't about acting anymore. It's body count and gross out. It accuses the audience of being too vapid to understand the story from the dialog delivered by skilled artists and forces us to in-your-face nastiness..

This movie, as corn-pone and cheese-whiz as it is, is delightful. It's Cushing, Lee, Price and Carridine...representatives of what acting in this genre was really about. They're creepy, rookie, and weird. They make your skin crawl with each delivery. That, my friends, is what scary is about. They may appear benign on the outside, but you just don't know what they might do or are capable of.

I do wish it would go to DVD. It might ignite a new respect for the horror film...maybe change the way they are written.

I really liked this cozy little horror flick. Mix a nice atmosphere (a mansion), three old gentlemen (read "three horror icon actors"), some thunder, a piano apparently playing by itself, a madman/freak running the forests around the mansion ... even an old doll looking a bit scabby. All the traditional ingredients. But all in a nice, gentle kind of way. All topped with a teaspoon of humor and glint in the eye (I really liked the meeting between the two young tourists and the old gentlemen). All mixed together with a plot filled with secrets and old dark family affairs. Some nice and even a couple of unexpected twists and turns.

Don't expect the best darned horror movie you've ever seen, nor the scariest. Just a good play with old clichés. That's what it was to me. Definitely nothing we've never seen before, but nor the worse in that genre. A pretty good cozy thriller, that's it.

If this film was as good as its credit sequence, it would have been great. The film begins by introducing the three greatest horror icons of all time - namely, Vincent Price, Peter Cushing and Christopher Lee. This is then followed by the names 'John Carradine' and 'Sheila Keith', and just when you think things can't possibly be any more promising, Pete Walker's name turns up and you've got to start thinking you're in for a masterpiece. However, you'd be wrong to do so; as while the film does have some positives, it's mostly very sluggish and doesn't do justice to its awesome array of talent. The plot is fairly routine and follows an American writer who travels to a manor house in Wales in order to write a novel. He has a bet of £20,000 that he can write a novel that is better than Wuthering Heights in just 24 hours. However, he thought that the house he was planning to write at would be empty, but upon arrival he happens across a caretaker and his daughter, and pretty soon a whole host of weird and wonderful characters invade his tranquillity...

When I think of Pete Walker, it is dark and foreboding films that spring to mind. Films like House of Whipcord are what sum him up; but this film is nothing like Walker's earlier efforts, and is actually more of a comedy than a real horror film. The action is mainly focused inside the central manor house, and this actually does provide a decent place for the film to take place as Walker provides House of Long Shadows with a classic styled horror atmosphere. The three big name stars are the support cast really, but they do get more screen time than I thought they would; which is one of the film's few positives. None of them particularly stand out for delivering great performances, but merely seeing them is good enough for me on the acting front. Most of the movie just sort of drones on, and there isn't much at all added to the plot until the end. The ending is, quite frankly, about as bad as it gets. The film itself isn't that exciting anyway, and then Walker makes a mockery out of his audience with a stupid, clichéd finale. Overall, this film is worth tracking down for fans of classic as aside from the REALLY bad 'Scream and Scream Again', this is the only film to feature all three horror heavyweights; but unfortunately, it's not all that good.

I found this movie to be very entertaining.

There is enough foreshadowing to actually figure out what is going on if you pay attention to it.

This was a good classics style "whodunnit" (who done it). If you like murder mysteries in the pen written classic style, here is a good 80's version to the genre.

I'm looking forward to seeing a DVD release of this one. Reminded me of A. Christie's books.

Enjoy.

Great flick. :)