Kehraus (1983) Poster

(1983)

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6/10
Polt succeeds in his own niche
Horst_In_Translation25 August 2016
Warning: Spoilers
This is "Kehraus", a West German 90-minute movie from 1938, so it is already easily over 30 years old. And in terms of its success with the German Film Awards and other awards bodies, it is probably the most known work by writer and director Hanns Christian Müller and writer and lead actor Gerhard Polt, who also worked together on some more occasions. The biggest strength of the movie is probably the satire aspect. It is about a man who ends up signing up to several insurances that he actually does not need at all. When he realizes this and wants to end the contract right away, the insurer makes it virtually impossible for him to talk to the people in charge that could accept his request. I must say the more I see from Polt, the more likable I find him. I think he has even better range than he shows us here (and in some of his other films) because he always appears in films that rely so heavily on writing and story-telling and not really on acting.

The female lead is Gisela Schneeberger, who also worked with Polt on several occasions. The reason her performances received strong praise too probably has to do with the fact that her character has the biggest transformation in the film from being an irrelevant part of the whole machinery into a real and authentic character who helps our hero in his difficult endeavor. She did a good job and I like her as an actress, in here and in other projects. She is on par with Polt. I think the acting in here was generally pretty good and cast members like Hildebrandt and Busse are still very known today to German audiences. Everybody contributes his share, in front of and behind the camera and I even ended up liking a Höhner song here (closing credits), which is a huge achievement. One of Germany's better films from the 1980s. Go check it out.
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10/10
Brilliant satire or humoristic anthropological study? You decide.
t_atzmueller14 December 2011
Gerhard Polt plays Ferdinand 'Ferdl' Weitel, an archetypical, working-class proletarian who falls for the lure of insurance salesman Herr Von Mehling. Von Mehling cons Weitel into signing up for eight insurances but Weitel realizes too late that the costs would not only eat up his monthly budget but that most insurances don't even apply to him. Having only a few days to cancel the contracts and this being the chaotic time of "Kehraus" (the Bavarian version of carnival), Weitel must now go on an odyssey into the heart of the Insurance business. There he meets characters that can only be found in real life: the petty, disgruntled office workers; lazy, scheming and jealous to the last man (and woman) and the aristocratic, champagne and caviar slurping yet no less petty managers that inhabit the top floors. And there are many the "seemingly" bitter people who inhabit the city of Munich. Von Mehling is able to elude Weitel during office hours, leaving Weitel with the only choice that he'll have to find the insurance salesman in the annual "Kehraus"-party. This party will be for Weitel what the odyssey was to Ulysses: either perish in the straits of Scylla and Kharybdis or win his Penelope (and have those pestering insurances cancelled).

"Fast wie im richtigem Leben" was the name of the much awarded Satire with which Polt started his career – "Almost like in real Life". The word "Almost" was a euphemism. The characters that Polt shows come straight out of life; over-played reflections of characters that will surround you if you happen to live in Munich. "Bürgertum" is the German word for both citizens and blue collar workers; most "Bürger" are proud of being "Bürger" – but it can also be used as an insulting term.

Polt, in corporation with long-term partner, the director Hanns Christian Müller, has assembled a cast that consists of the finest (South)-German humorists, character-actors and comedians: Bruno Jonas, Dieter Hildebrandt, Karl Obermayr, Gisela Schneeberger, Jochen Busse. Hans-Günter Martens, to mention only a few – all cream of the crop.

People not familiar with the "Monaco of the South" might have a difficult time understanding what the joke is all about. As almost all things Polt, this is an insider joke. If you're from the area and have an interest in intellectual satire, chance is that you're a Polt fan already. However, if you plan to visit Munich, you might well view this as a humoristic anthropological study about people who can laugh at themselves, despite of themselves. Hey, there is an Oktoberfest every year and the Hofbräuhaus is open every day; go for the pork knuckles and the white sausages; however, if you're a carnival fan – go to Cologne or Rio de Janeiro instead.

Pure brilliance and one of the finest satires ever produced in Germany – just don't call it Germany when in Bavaria – we are the "Freistaat Bayern"! God bless his royal highness, King Ludwig II from Bavaria! 10 from 10.
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