A man who can enter and manipulate people's dreams is recruited by a government agency to help cure the President of the United States of his nightmares about nuclear war but stumbles upon a... Read allA man who can enter and manipulate people's dreams is recruited by a government agency to help cure the President of the United States of his nightmares about nuclear war but stumbles upon an assassination plot.A man who can enter and manipulate people's dreams is recruited by a government agency to help cure the President of the United States of his nightmares about nuclear war but stumbles upon an assassination plot.
- Awards
- 1 win & 2 nominations
Storyline
Did you know
- TriviaWas the second film to be Rated PG-13 under then new MPAA ratings guidelines following Red Dawn (1984), which had come out weeks prior to this film's release.
- GoofsBlair may be the head of the CIA but he is not in charge of security for the President. That falls solely on the Secret Service for which Blair and Novotny , would have no say in the matter of where the President would be staying.
- Quotes
Alex Gardner: [14:53] Nice place you got here. Who's your decorator? Darth Vader?
- Alternate versionsWhen reclassified by the BBFC in 2000 the nunchaku weapon was no longer deemed a problem to pass on film following a weapons rethink in 1999. The BBFC waived the 28 seconds of cuts made to previous versions. Dreamscape was cut for the UK cinema upon original release in 1984 and video issues also suffered the same edits. The scene on the train where Alex meets Tommy is shorter as it features the infamous nunchaku, which rarely made it onto the British Screen at this time, and shots of a man's severed heart were also removed by the UK censor. This scene can be seen in the TV version which was shown on BBC1 albeit minus a few "strong" words. When the BBFC reclassified the film in 2000 under newer guidelines the nunchaku was no longer a problem and they waived the aforementioned cuts.
- SoundtracksBaby, Can't We Take It Home
Composed and Produced by Craig Huxley (as Craig Hundley)
Featured review
A great low-budget genre-melder
Years after studying Alex Gardner (Dennis Quaid) for his psychic abilities, Dr. Paul Novotny (Max von Sydow) tracks him down to talk him into experimenting with psychic dream research. However, higher ups in the dream research program may have ulterior, nefarious motives.
Dreamscape may be a good candidate for "most misleading poster art". The theatrical poster, which is also the DVD cover, suggests a kid-oriented, slightly hokey adventure film--perhaps a combination of Indiana Jones and the Temple of Doom (1984), The Neverending Story (1984) and "The Hardy Boys Mysteries" (1977). Not that the combination sounds like a bad idea to me, but this film is much more adult, much more sci-fi, and more of a thriller. It's not really an adventure, although some of the dream material could be seen that way. The tone, if not content, is closer to something like Coma (1978), and later films like Flatliners (1990) and The Cell (2000), the latter being obviously influenced by Dreamscape. It also has a bit of the bizarre surrealist tone of late-1970s fare such as Phantasm (1979) (and this aspect also influenced films like The Cell).
Part of the reason the films works as well as it does is the cast. Dennis Quaid carries the film, frequently injecting enjoyable comic relief. Max von Sydow is always excellent. Kate Capshaw, as Jane DeVries, is also good as the research assistant and Alex' love interest. Although they're underused, Christopher Plummer, Eddie Albert, George Wendt and David Patrick Kelly all turn in superb performances as well.
Director Joseph Ruben frequently treats us to great dream sequences, with often-subtle touches. Note, for example, the different colors upon entering different persons' dreams. For the relatively benign construction worker, the entry is blue. For the child troubled with nightmares, there is a complex of colors. For Jane, who is giving Alex the cold shoulder, the color is an icy silver-white. Although the film was relatively low budget, and effects relatively primitive at the time, I thought all of the effects worked well. I even loved the part stop-motion, part guy-in-a-costume snake-man. At times the stop motion work briefly resembled Harryhausen. I especially loved the more surreal and more horrific aspects of the dreamworlds, such as we see from Eddie Albert's character, the expressionistic sets for the child's dream, the zombies, and so on.
Surprisingly, perhaps, Dreamscape is also much more effective on the suspense/thriller end than I expected it to be. There are a few great chase scenes, and one brutal (though not graphic) murder on-screen, one off-screen. It was also steamier than I expected in one section.
Dreamscape may be a good candidate for "most misleading poster art". The theatrical poster, which is also the DVD cover, suggests a kid-oriented, slightly hokey adventure film--perhaps a combination of Indiana Jones and the Temple of Doom (1984), The Neverending Story (1984) and "The Hardy Boys Mysteries" (1977). Not that the combination sounds like a bad idea to me, but this film is much more adult, much more sci-fi, and more of a thriller. It's not really an adventure, although some of the dream material could be seen that way. The tone, if not content, is closer to something like Coma (1978), and later films like Flatliners (1990) and The Cell (2000), the latter being obviously influenced by Dreamscape. It also has a bit of the bizarre surrealist tone of late-1970s fare such as Phantasm (1979) (and this aspect also influenced films like The Cell).
Part of the reason the films works as well as it does is the cast. Dennis Quaid carries the film, frequently injecting enjoyable comic relief. Max von Sydow is always excellent. Kate Capshaw, as Jane DeVries, is also good as the research assistant and Alex' love interest. Although they're underused, Christopher Plummer, Eddie Albert, George Wendt and David Patrick Kelly all turn in superb performances as well.
Director Joseph Ruben frequently treats us to great dream sequences, with often-subtle touches. Note, for example, the different colors upon entering different persons' dreams. For the relatively benign construction worker, the entry is blue. For the child troubled with nightmares, there is a complex of colors. For Jane, who is giving Alex the cold shoulder, the color is an icy silver-white. Although the film was relatively low budget, and effects relatively primitive at the time, I thought all of the effects worked well. I even loved the part stop-motion, part guy-in-a-costume snake-man. At times the stop motion work briefly resembled Harryhausen. I especially loved the more surreal and more horrific aspects of the dreamworlds, such as we see from Eddie Albert's character, the expressionistic sets for the child's dream, the zombies, and so on.
Surprisingly, perhaps, Dreamscape is also much more effective on the suspense/thriller end than I expected it to be. There are a few great chase scenes, and one brutal (though not graphic) murder on-screen, one off-screen. It was also steamier than I expected in one section.
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- BrandtSponseller
- Feb 10, 2005
- How long is Dreamscape?Powered by Alexa
Details
Box office
- Gross US & Canada
- $12,145,169
- Opening weekend US & Canada
- $2,257,627
- Aug 19, 1984
- Gross worldwide
- $12,145,169
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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