Directed by
David Worth |
Writing Credits
Eduard Sarlui | ... | (story) |
Lee Stull | ... | (screenplay) and |
David Worth | ... | (screenplay) |
Cast (in credits order)
Produced by
Anthony Brand | ... | associate producer (as Tony Brandt) |
Juan Carlos Crespo | ... | producer (as J.C. Crespo) |
Eduard Sarlui | ... | executive producer |
Helen Szabo | ... | executive producer (as Helen Sarlui) |
Music by
Don Great | ||
Gary Rist |
Cinematography by
Leonardo Rodríguez Solís | ... | (as Leonard Solis) |
Editing by
Raja Gosnell |
Production Design by
Jorge Marchegiani | ... | (as George March) |
Art Direction by
Robert Summer |
Costume Design by
Gloria Van Hartenstein | ... | (as Gloria von Hartenstein) |
Makeup Department
Linda Avery | ... | hairdresser |
Olga Brown | ... | makeup artist |
Production Management
Warren Lewis | ... | production manager: Los Angeles |
Carlos Olveira | ... | unit manager (as Charles Wolf) |
Ricardo Vacas | ... | production supervisor (as Richard Vacas) |
Second Unit Director or Assistant Director
Raja Gosnell | ... | second unit director |
Jorge Gundín | ... | first assistant director (as George Gundin) |
Stephen Halbert | ... | second unit director |
Nico Sarudiansky | ... | second assistant director (as Nick Sardi) |
Art Department
Alan Bald | ... | set dresser |
Horace Belame | ... | assistant art director |
Ed Berry | ... | set dresser |
Jorge de la Reta | ... | props (as George Delarre) |
Charles Stone | ... | set dresser |
Zoe Wells | ... | set designer: Los Angeles |
Sound Department
G.W. Brown | ... | dialogue editor (as Greg Brown) |
Kimberley Knight | ... | assistant sound editor (as Kimberly Knight) |
John Kwiatkowski | ... | sound effects editor |
Jorge Longo | ... | boom operator (as George Long) |
Thomas Meshelski | ... | assistant sound editor |
Ernesto Sansalvador | ... | production sound mixer (as Sal Uale) |
Special Effects by
Tom Cundom | ... | special effects (as Tom Hundom) |
Stunts
John O'Conner White | ... | stunt coordinator (as John White) |
Camera and Electrical Department
Patric J. Abaravich | ... | gaffer: Los Angeles (as Patric 'Sparky' Abaravich) |
Gus Allen | ... | electrician |
Nelson Angiorama | ... | electrician (as Nelson Angram) |
Vince Bass | ... | electrician |
Shelley Bates | ... | assistant camera: Los Angeles (as Shelly Bates) |
Luis Castelletti | ... | assistant camera (as Louis Castle) |
Mark Combs | ... | key grip: Los Angeles |
Toni Demitri | ... | gaffer |
Juan José Fabio | ... | assistant camera (as Joseph Fabio) |
Enrique Filipelli | ... | assistant camera (as Henry Phillips) |
Ever Latour | ... | camera operator (as Evert Latour) |
Rodolfo Navarro | ... | key grip (as Rudolph Navarro) |
Rick Perez | ... | best boy: Los Angeles (as Richard Perez) |
Charles Rye | ... | best boy |
Steef Sealy | ... | director of photography: Los Angeles (as Stephen Sealy) |
Alfredo Suárez | ... | still photographer |
Costume and Wardrobe Department
María Molina | ... | wardrobe (as Marx Molin) |
Marisa Urruti | ... | wardrobe (as Marsha Rudy) |
Editorial Department
Vivian Carley | ... | assistant editor (as Viviane Manoelle Carley) |
Cesare D'Amico | ... | additional editing |
Zoe Wells | ... | assistant editor |
Music Department
Paul B. Clay | ... | music editor (as Paul Clay) |
Script and Continuity Department
Paul Christian | ... | continuity |
Additional Crew
Sylvia Colmen | ... | production assistant |
Claudia Cook | ... | production secretary (as Claudio Cook) |
Amelia Díaz | ... | production accountant (as Amelia Day) |
Victoria Pearman | ... | production executive |
Charles Renn | ... | production assistant |
Luis A. Sartor | ... | assistant to producer (as Louis Sartor) |
David Tedes | ... | production assistant |