46
Metascore
10 reviews · Provided by Metacritic.com
- 75Chicago TribuneGene SiskelChicago TribuneGene SiskelThe movie does command our attention because Hines and Baryshnikov, through their dancing, manage to create very real and living and hurting characters. [22 Nov 1985]
- 70TimeRichard CorlissTimeRichard CorlissFor all its superpower simplifications, White Nights has discovered in Baryshnikov a keen and passionate movie hero. Giggle at the film's naiveté; then feast on Misha and dance down the steppes.
- 63Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertIt comes to life in the dance sequences, and then drifts away again.
- 63TV Guide MagazineTV Guide MagazineThe major problem with White Nights is that it tries to be so many things at once that it fails to be much of anything other than a vehicle to watch two of the best dancers around strut and tap their stuff.
- 40Chicago ReaderDave KehrChicago ReaderDave KehrDirector Taylor Hackford shapes some engaging performances (the surly, withdrawn Baryshnikov of the early scenes is an intriguing figure) but never extricates himself from the plot machinery; this 1985 feature takes off only in the brief but well-filmed dance sequences.
- 40The New York TimesVincent CanbyThe New York TimesVincent CanbyWhite Nights is only tolerable when Mr. Baryshnikov is on screen, especially when he is dancing alone or with Mr. Hines, with whom he does a couple of ballet-tap numbers that are of an order of excellence that has nothing to do with the rest of the movie.
- 40Los Angeles TimesSheila BensonLos Angeles TimesSheila BensonAt all times the wretched high-concept, low-intelligence story contrives to bring everything down to its sudsy level. [22 Nov 1985]
- 38Christian Science MonitorDavid SterrittChristian Science MonitorDavid SterrittThe director, Taylor Hackford, doesn't have the cinematic savvy to sustain so many tensions in a meaningful way; and the screenplay strays far over the line between incisive political comment and heavy-handed Red-baiting.
- 38The Globe and Mail (Toronto)Jay ScottThe Globe and Mail (Toronto)Jay ScottWhite Nights is too ponderous to have the pizzazz of trash and too dumb to have the insight of art - it's a lumbering behemoth of a film in which the extraordinary talent of its one authentic star, Mikhail Baryshnikov, is exploited in a Cold War cartoon that suggests a musical adaptation of Ayn Rand's anti- Soviet novel, We The Living. [22 Nov 1985]
- 20VarietyVarietyPic shies away from the world of classical dance, personified by leading man Mikhail Baryshnikov, in favor of Gregory Hines' 'improvography' and assorted modern stuff in blatant music video contexts.