Mort un dimanche de pluie (1986) Poster

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7/10
The glass house.
dbdumonteil30 November 2004
Joel Santoni has made a handful of movies theatrically released."Mort un dimanche de pluie" was his last work before he went to make TV movies.It's also his best and one of the rare French thrillers of the eighties which seems to go somewhere.Like in the (much inferior) American "the glass house " (2001/I),an architect (Bacri) and his wife (Garcia) live in a luxury transparent house with their daughter.Enter a strange couple ,they have a daughter too:he is an one-armed man the father hires as a gardener(!);his spouse will be the daughter's nanny (who predates Rebecca DeMornay's famous part by half a decade );and the sinister couple's offspring is an absolute half-wit whose only pastime is to play a child's music box:these notes become infuriating after a while.It seems that the man lost his arm when he was working on a building site and that the architect has something to do with it.

Then it becomes a bloody violent story involving child molestation,blackmail,murders and madness.The first hour is sometimes remarkable,building a tension,a rising anxiety in the isolated mansion where the rain never stops falling.Only the scenes in the studio where Garcia works get in the way,displaying a black singer who epitomizes the worst of the eighties music ,and breaking the malefic spell. The last third is less satisfying ,verging on horror flicks such as "Friday the 13th" or even "the shining" .But there are strokes of inspiration:Nicole Garcia,running in the night in a red dress , the shrew climbing in a water tower with the two girls,or the poor idiot shedding a tear. "Mort un dimanche de pluie' has fallen into oblivion:it's all the more unfair as its ending is not what we generally expect when a whole "nice" family is involved.
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7/10
Schizophrenic second half sabotages a potential French classic
fertilecelluloid11 January 2009
Warning: Spoilers
This reasonably obscure French thriller, made in '86, is an enormous missed opportunity. Its first half is pregnant with suspense and dread. Its second half falls apart completely and is virtually a different movie. The tone changes. The plot becomes implausible. The characters behave as if prodded off-screen by the writers. Was director/writer Joel Santoni forced to rewrite his movie during production? It looks like it. An architect (Jean Pierre Bacri), his wife (Nicole Garcia) and their daughter (Cerise Leclerc) live in a strange glass house in the countryside. Into their home and lives come an armless man with a hook (Jean Pierre Bisson), his wife (Dominique Levant) and their seemingly mute daughter. Bisson lost his arm on a construction site and feels that Bacri owes him some kind of compensation for the accident. So, as a form of amends to Bisson, the couple are employed by Bacri to maintain the grounds of the house and babysit LeClerc, their very pretty daughter. It becomes apparent to us (the viewers) very early on that Mr. Armless and his Mrs. are a pair of psycho nutjobs, but it's not so obvious to Bacri and Garcia. The woman physically and verbally abuses Leclerc, while appearing to treat her own traumatized daughter with self-conscious kindness. Bacri goes off the deep end on several occasions when he assaults some visitors to the house and breaks down in Levant's arms, whimpering like the whack job he is. Director Santoni employs a subtle style to convey the increasing tension and jeopardy that has come to this once peaceful house in the country. Then he ruins everything. After Bacri arrives home to find his pre-teen daughter roped naked to a toilet downstairs, Levant lounging around in his wife's lingerie, and evidence that Levant was drugging his daughter, he appears upset, but not too upset. When his wife returns home and he informs her of the day's atrocities, she seems upset, too, but not upset enough to not head upstairs with her husband and casually make love. Before too long, the crazy couple return and begin killing. The film turns into a bad slasher movie with everybody behaving irrationally. When Garcia is confronted by Mr. Armless and grabs a meat cleaver to protect herself, she hits him with it and runs, throwing the cleaver (her only weapon) away. She also slips into a red dress before she gets chased through the woods after the scriptwriters come up with a lame reason why she should wear it. Obviously, the dress looks good on Garcia as she runs through the rain, but what happened to the realism established in the film's first half? Vladimir Cosma, who scored the memorable "La Gloire de mon père", provides a moody score for the film's first half, but resorts to obvious slasher stings when the murders begin. Interestingly, some of this film's more creepy, abstract cues ended up in "La Gloire de mon père", a far more consistent movie (though not a thriller). A special mention must go to Cerise Leclerc who is superb as the target of Levant's psychosis. We feel for her terrible ordeal and are grateful that her fate is not as tragic as others close to her. For those who are keeping stats -- the film features brief frontal nudity when the girl is found roped to a toilet and Garcia's breasts are seen briefly in a disrobing scene. Certainly a film worth a viewing, but one that could have been a classic along the lines of "Wait Until Dark" if it had been true to the tone it established early on.
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7/10
Conservative revenge: a sadistic class struggle in the French cult thriller Mort un Dimanche de pluie (Death on a rainy Sunday)
dxgmde10 May 2011
David Briant (Jean-Pierre Bacri) lives with his wife Elaine (Nicole Garcia) and his daughter in a fancy glass house he built in the countryside. David is a very successful architect, while his wife is a music producer. One day driving out from his mansion, David is stopped by a man who hits his car with a trailer. The guy looks familiar, and suddenly David realizes the man to be Bronsky, an employee he had at a construction site in which he worked and where a terrible accident happened. Bronsky lost his arm during the occurrence, and there's nothing he can do anymore due to its disability. David feels guilty because of it, since it was probably his fault and the whole thing has been covered up to save his career. David is under pressure and decides to hire Bronsky as a gardener and his wife as a baby sitter for his daughter, not to spread around rumours about the misfortunate event, that could affect his achievements in life. The duo have a daughter as well, almost same age of David's, and they could spend some time together playing. Elaine can go back to work without worries, and David has his conscience cleaner, even if he's convinced that it wasn't really his fault. But things are not what they seem to be, Bronsky and his wife don't want only to be helped, they want revenge, and once insinuated in David's existence, they start to work toward their only goal: to tear the man's life apart. Shot in 1986 by Joel Santoni, one of the few movies for the big screen he directed and probably his best, the film is an excellent exercise in suspense and it's a precursor of such later US hits like The glass house and The hand who rocks the cradle. Bacri and Garcia are very good in their roles while Dominique Levanant and Jean Pierre Bisson shine in the parts of the creepy deranged couple, with a twisted mind.
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7/10
Tense Thriller
claudio_carvalho2 March 2023
Elaine Briand (Nicole Garcia) and her husband, the architect David Briand (Jean-Pierre Bacri), live with their six-year-old daughter Cric Briand (Cerise Leclerc) in a huge house he designed in the countryside. Elaine and Cric miss their life in Paris since they have no friends, and David is broken since he is waiting a few days to sign with his partner Alain Milles (Jean-Pierre Malo) an important contract of a project designed by him. When David is leaving his real estate to work, he meets a lame man without a hand, Cappy Bronsky (Jean-Pierre Bisson) driving a car pulling a trailer with his wife Hazel Bronsky (Dominique Lavanant) and their daughter Betty (Céline Vauge) on the exit of his gate. Cappy tells David that he lost his arm an damaged his leg when a building where he was a worker collapsed on him and other workers due to the low quality of the materials. Then he asks for a job as gardener to David and he hires him. Later he meets Elaine's former employer and friend, Christian (Etienne Chicot), who owns a studio, and invites him to visit them. Christian asks Elaine to work with him again, but now she has Cric; however, she asks Hazel if she can take care of her daughter during the day, and she accepts. Soon Cric changes her behavior with her mother that believes she is not adapted to Hazel. Later, when David reads the news on Alain's newspaper, he tells his partner why he hired Cappy and drives home, where secrets are disclosed with tragic conclusion.

"Mort un dimanche de pluie" is a French thriller with a tense story. It is impressive how the plot has not aged after almost forty years and keeps the viewer distressed with the cruelties of the psychopath Hazel Bronsky. David Briand is too naive, hiring a sinister disabled man for pity due to his feeling of guilty and not suspecting that he might have a revenge scheme. The final scene is kind of corny. My vote is seven.

Title (Brazil): "Morte num Domingo de Chuva" ("Death in a Rainy Sunday")
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