Christian Petzold's The State I Am In (2000) and Christoph Hochhäusler's The City Below (2010) will be showing in September and October, 2017 on Mubi in most countries around the world.Christian Petzold (left) and Christoph Hochhäusler (right) on the set of Dreileben. Photo by Felix von Böhm.We meet in Christian Petzold’s office in Berlin-Kreuzberg. A giant wall of whispering books, almost like a Borgesian brain of fiction, encircles the table at which Christoph Hochhäusler, myself and the owner take place to discuss their films. The idea of the interview was to get Petzold’s take on Hochhäusler’s The City Below (2010) and Hochhäusler’s take on Petzold’s The State I Am In (2000). In the end, both filmmakers ended up talking about a lot more, as cinema for them has always been something that shines most brightly when remembering it, discussing it and loving it. The fictions proposed...
- 9/20/2017
- MUBI
Long Love Death screens Friday, Nov. 11 at 9:00pm at The Hi-Pointe Backlot as part of this year’s St. Louis International Film Festival. Ticket information can be found Here
In “Long Live Death,” a serial killer sedates his female victims and makes their murders look like suicides. When the body of another woman is found, Lt. Murot finally catches the culprit, appearing to end the deadly spree. But even after his arrest, the killer still exerts terrifying control over the situation, and Murot seems to play an unwitting part in his master plan. As detective and criminal play a cat-and-mouse game with the highest of stakes — a person’s life — Murot is forced to confront his own past and inner demons. A tense thriller, “Long Live Death” is a quasi-sequel to the same director’s “At the End of the Street” (2015 Sliff), with both films inspired by the long-running...
In “Long Live Death,” a serial killer sedates his female victims and makes their murders look like suicides. When the body of another woman is found, Lt. Murot finally catches the culprit, appearing to end the deadly spree. But even after his arrest, the killer still exerts terrifying control over the situation, and Murot seems to play an unwitting part in his master plan. As detective and criminal play a cat-and-mouse game with the highest of stakes — a person’s life — Murot is forced to confront his own past and inner demons. A tense thriller, “Long Live Death” is a quasi-sequel to the same director’s “At the End of the Street” (2015 Sliff), with both films inspired by the long-running...
- 11/11/2016
- by Movie Geeks
- WeAreMovieGeeks.com
Above: Juan Gatti’s original Spanish poster for Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain).
After covering the posters for the very first and the current New York Film Festivals, I thought it might be fitting, in this last year of Richard Peña’s tenure as Program Director and Selection Committee Chairman of the festival, to gather all the posters from Peña’s very first Nyff, 24 years ago.
In the current edition of Film Comment—an essential souvenir of the history of the festival to date, complete with a list of every feature film to have played the festival in its 50 years—Gavin Smith writes that “The 25-film lineup of the 1988 Nyff was partly a reflection of the decade’s drift and uncertainty—two came from Nyff veterans (Sergei Paradjanov, Marcel Ophuls), two were post-Glasnost rediscoveries (Andrei Konchalovsky, Larissa Shepitko), and nine were bets that didn...
After covering the posters for the very first and the current New York Film Festivals, I thought it might be fitting, in this last year of Richard Peña’s tenure as Program Director and Selection Committee Chairman of the festival, to gather all the posters from Peña’s very first Nyff, 24 years ago.
In the current edition of Film Comment—an essential souvenir of the history of the festival to date, complete with a list of every feature film to have played the festival in its 50 years—Gavin Smith writes that “The 25-film lineup of the 1988 Nyff was partly a reflection of the decade’s drift and uncertainty—two came from Nyff veterans (Sergei Paradjanov, Marcel Ophuls), two were post-Glasnost rediscoveries (Andrei Konchalovsky, Larissa Shepitko), and nine were bets that didn...
- 10/6/2012
- by Adrian Curry
- MUBI
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