A Better Tomorrow II (1987)
Ying hung boon sik II (original title)Reference View | Change View
- Not Rated
- 1h 45min
- Action, Crime
- 17 Dec 1987 (Hong Kong)
- Movie
- 2 nominations.
- See more »
Photos and Videos
Cast
Lung Ti | ... |
Sung Tse-Ho
(as Ti Lung)
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Chow Yun-Fat | ... |
Ken / Mark Lee / Mark 'Gor'
(as Chow Yun Fat)
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Leslie Cheung | ... |
Sung Tse-Kit
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Dean Shek | ... |
Lung Si
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Shan Kwan | ... |
Ko Ying Pui
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Emily Chu | ... |
Jackie Sung
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Kenneth Tsang | ... |
Uncle Ken
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Man-Tat Ng | ... |
Boss Wong
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Ming Yan Lung | ... |
Chong
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Peter Wang | ... |
Father Sam
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Fui-On Shing | ... |
Pui's Right-Hand Man
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Regina Kent | ... |
Peggy Lung
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Siu-Ming Lau | ... |
Inspector Wu
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Ken Boyle | ... |
Bearded Crime Boss
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Louis Roth | ... |
Protection Money Collector
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Ming Leung | ... |
Uncle Chan
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Mike Abbott | ... |
Assassin
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Chindy Lau | ... |
Ken's Restaurant Worker
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Mark King | ... |
Shotgun Pete
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Shung-Fung Lau | ... |
Pui's Thug
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Steve Mak | ... |
Pui's Thug
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Foo-Wai Lam | ... |
Pui's Thug
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Wei-Ho Tu | ... |
Pui's Thug
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Sing-Kwong Tsang | ... |
Pui's Thug
(as Seng-Kwong Chang)
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Shu-Kei Law | ... |
Ballroom Guest
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K.K. Wong | ... |
Ballroom Guest
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Dean Harrington | ... |
Hitman in the Hallway
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Wayne Archer | ... |
Assassin
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Waise Lee | ... |
Shing (archiveFootage)
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Charles Dumas | ... |
New York Cop
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Paul Francis |
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Sammy Lee |
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Marco Wo |
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Sing Chau Wai |
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Chung Lam | ... |
Pui's Partner
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Stanley Tong | ... |
Young Policeman
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Directed by
John Woo |
Written by
Hing-Ka Chan | ... | (co-writer) |
Suk-Wah Leung | ... | (co-writer) |
Hark Tsui | ... | (story) |
John Woo | ... | () |
Produced by
Paul J.Q. Lee | ... | associate producer |
Hark Tsui | ... | producer |
Music by
Joseph Koo | ||
Lowell Lo |
Cinematography by
Wing-Hang Wong |
Editing by
David Wu |
Editorial Department
Simon Broderick | ... | colorist |
Production Design by
Andy Lee | ||
Tze-Fung Luk | ... | (as Chi Fung Lok) |
Costume Design by
Bo-Lam Lau | ||
Pauline Lau | ||
Nancy Tong |
Makeup Department
Bones Chan | ... | makeup artist |
Chi-Yeung Chan | ... | makeup artist (as Billy Chan) |
Nancy Tong | ... | hair stylist |
Production Management
Kuo-Chung Chou | ... | post-production manager (as Tony Chow) |
Fung-jun Fung | ... | assistant production manager |
Kin-cheong Jue | ... | assistant production manager |
Wai-Lun Lam | ... | assistant production manager |
Ting-Kit Lo | ... | assistant production manager |
Kar-Man Won | ... | production manager |
Ting-Wan Wong | ... | assistant production manager |
Second Unit Director or Assistant Director
Chi-Ming Leung | ... | assistant director (as William Leung) |
Patrick Leung | ... | assistant director |
Randy Ostrow | ... | assistant director: New York |
Tai-Yung Wu | ... | assistant director (as Donald Wu) |
Art Department
Bing-Kwan Leung | ... | assistant art director |
Jon Rudo | ... | assistant art director |
Fui-On Shing | ... | props |
Special Effects by
Matt Vogel | ... | pyrotechnician |
Stunts
Siu-Tung Ching | ... | stunt coordinator |
Phil Neilson | ... | stunt performer |
Mick O'Rourke | ... | stunts |
Peter Rocca | ... | stunts |
Stanley Tong | ... | stunt performer |
Chi-Lung Wu | ... | assistant stunt coordinator |
Tak Yuen | ... | assistant stunt coordinator |
Camera and Electrical Department
Jonathan Burkhart | ... | assistant camera |
Kim-Kit Chik | ... | lighting technician |
Jules Labarthe | ... | director of photography: second unit |
Ho-Wing Lee | ... | assistant camera |
Clay Liversidge | ... | gaffer: New York |
Luen-Fai Ng | ... | still photographer |
Frank Prinzi | ... | cinematographer: New York |
Location Management
George Camarda | ... | location manager |
Music Department
Leslie Cheung | ... | playback singer |
Joseph Koo | ... | composer: theme music |
James Wong | ... | lyricist |
David Wu | ... | music editor |
Script and Continuity Department
Fung-Yee So | ... | script supervisor |
Hai-Shou Wang | ... | continuity (as Hoi-Sau Wong) |
Sukie Yip | ... | continuity |
Additional Crew
Kam-Pui Cheung | ... | story editor |
Wai Jeng | ... | dance choreographer |
Kwong-Hing Ngan | ... | production assistant |
Siu-Mei Tam | ... | tea lady |
Hark Tsui | ... | presenter |
Production Companies
Distributors
- Golden Princess Film Production Limited (1987) (Hong Kong) (theatrical)
- STAR TV Filmed Entertainment (1993) (World-wide)
- Intercontinental Video (2004) (Hong Kong) (DVD)
- Gaga Communications (1989) (Japan) (theatrical)
- Metropolitan Filmexport (1993) (France) (theatrical)
- Bandai Visual Company (1998) (Japan) (VHS) (Re-issue)
- Cannon/VMP (West Germany) (VHS) (unknown)
- Cargo Records (2022) (Germany) (Blu-ray) (uncut)
- Dutch FilmWorks (DFW) (2002) (Netherlands) (DVD) (VHS) (retail)
- Fox Crime (2007) (Japan) (tv)
- Gordon's Films (United States)
- Hellas Cosmos Video (1990) (Greece) (VHS)
- Hong Kong Legends (2006) (United Kingdom) (DVD)
- Laser Paradise (2000) (Germany) (DVD)
- Reserva Especial (Brazil) (VHS)
- Tokuma Communications Company (TCC) (1990) (Japan) (VHS)
- Vértice 360 (Spain)
- World Wide Cinema (2002) (Netherlands) (DVD) (VHS) (rental)
Special Effects
Other Companies
- Associated Engineers (thanks)
- B. G. Lighting (thanks)
- Beijing Hair Culture (thanks)
- British Forces in Hong Kong (thanks)
- Camel Filter (thanks)
- Chung Wah Shipbuilding & Engineering (thanks)
- Cinema City (Film Production) Co. Ltd. Editing Unit (editing)
- Cinema City Film Productions (equipment provided by)
- Cinema City Recording Studio (sound re-recording)
- Clearwater Bay Golf & Country Club (thanks)
- Daihatsu Motor (thanks)
- David Chan Company (thanks)
- Design 2000 (thanks)
- Euroasia Dockyard Enterprise and Development (thanks)
- Furniture Boutique (thanks)
- Healy Furniture (thanks)
- Holiday Inn Golden Mile (thanks)
- Hollywood Film Service Co. (thanks)
- Honeymoon Bridal Salon (thanks)
- Hong Kong Catholic Social Communications Office (thanks)
- Hong Nin Security (thanks)
- Hopewell Holdings (thanks)
- Hopewell Services and Agency (thanks)
- Hutchison Telephone (thanks)
- International Subtitle Co. (subtitles)
- Jones Lang Wootton (thanks)
- Kowloon Development (thanks)
- Kwun Kee Tailor Shop (thanks)
- North Sea Fishing Village Company (thanks)
- Police Public Relations Branch (thanks)
- Regal Riverside Hotel (thanks)
- Salon Films (equipment provided by)
- San Shui Restaurant (thanks)
- Sea-Land Orient (thanks)
- Tatt Sing Sanyo Electric (thanks)
- Universal Laboratory (film processing)
- Vianini Lavori (thanks)
- Ying Tat Printing (thanks)
Storyline
Plot Summary |
In this sequel, Ho initially refuses to go undercover to bust the gang he used to work for in exchange for his release from prison. He only accepts after his little brother, the policeman Kit accepts the assignment. Meanwhile in New York Ken Gor, the twin brother of Mark Gor from the 1st movie, shelters the boss of the gang, who has had to flee after it is taken over by a more aggressive leadership.
Written by Brian Rawnsley |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | John Woo's first cut was about 160 minutes long. He and producer Hark Tsui had disagreements over the focus of the film. Tsui felt that it should focus more on the Lung, while Woo's original version focused more on characters Ken and Kit. Hark also insisted that the film should be shortened to a commercially viable length, which in Hong Kong is considered under 120 minutes, so theatre owners could show the film at least eight times a day. Woo refused to cut it down and when he and Hark couldn't agree about the focus of the film and how it should be re-edited, Hark went and started secretly re-editing it himself, since he had equal control with the editing along with three other editors (Woo being the fifth). At the same time when Hark would cut some parts out, Woo would secretly put the missing parts back in. With only a week remaining before the film was to be released in theaters, and with pressure from the studio and distributors to trim the film down, Woo and Hark agreed to send the movie to "Cinema City Editing Unit", which meant that they sent each reel of the film to one of Cinema City's editors, who would then go to work on his particular reel. There was no overall supervision whatsoever by either Woo or Hark. Each of these editors just cut things out as they saw fit, then returned the reels. What they came up with is now the official released version of the film. When Woo saw this final version, which was 105 minutes long, in the theater for the first time he was so shocked to see how badly it was re-edited that he disowned the film; to this day the only part he said he considers to be his work is the final shootout sequence. Woo's director's cut was only shown once to film executives in Hong Kong, before all the re-editing problems began. The Hong Kong trailer--5-1/2 minutes long--is the only source to get glimpses of some deleted scenes; blood-covered Kit being brutally beaten up, Kit seeing his wife while still having injuries from the beating on his face, Ken and Lung playing with the bird. See more » |
Goofs | Nobody ever told Lung that his daughter is dead. Yet even Ken acts like it's a given without being told by anybody from Hong Kong. See more » |
Movie Connections | Edited into A Moment in Time (2010). See more » |
Soundtracks | The Abduction See more » |
Quotes |
Ken:
Eat the fucking rice! See more » |