Just Ask for Diamond (1988) Poster

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7/10
Hilarious, Brilliant, British Kids Movie Private-Eye Parody
ShootingShark16 April 2006
Warning: Spoilers
Thirteen-year-old Nick and his slightly dense older brother Herbert run the Diamond Private Detective Agency above Camden Town Tube Station in north-central London. When a master criminal called The Falcon dies, they come into possession of his box of chocolate Maltesers, which contains the secret key to a fabulous cache of diamonds. Can they unravel the mystery and avoid the clutches of seedy lowlifes Brenda Von Falkenberg, Gott and Himmell, The Fat Man and the dogmatic Chief Inspector Snape, all of whom want to find the swag first.

Funded by the UK Children's Film & Television Foundation, this is a fabulous, hilarious private-eye yarn in the style of the classic forties film-noirs, the only difference being that the gumshoe is a pre-pubescent kid with spiky hair. It scores on every level; as a straight-arrow mystery story involving a barcode that opens a hidden panel in a tombstone, as a stylish genre flick full of femme-fatales, a crocodile in a swimming pool, hired muscle and silhouette camera-work, as an action piece with several murders and chases (including a great rampaging run through the toy department at Selfridges department store), and as a side-splitting spoof of genre conventions with oodles of funny dialogue - when pubic-schoolboy bungling assassins Gott and Himmell are tying up our hero, he quips, "If this is what they taught you at Eton, I'm glad I went to a comprehensive school.". The cast have a ball with their off-the-wall characters, particularly Hodge in a dual role as charlady and villainess, York (who sings as well) as a nightclub sweetie called Lauren Bacardi, and the incomparable Paterson as Inspector Snape, who delivers what might well be my favourite disgruntled copper line of all time; when Herbert passes out at the scene of a murder, Snape retorts, "Make him a nice strong cup of tea, and then nick 'im !". This is a clever, well-made, funny, exciting piece of pulp-fiction, beautifully shot, cut and scored and with some great animation and songs, which also happens to be a kid's movie. Brilliantly scripted by Anthony Horowitz, from his fabulously-titled book The Falcon's Malteser. This is the movie Messrs Chandler, Hammett and Cain would have wanted their kids to see - don't miss it.
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7/10
Defenitely one to watch, but only if you read the book first..
SuperPoekie26 February 2003
I read the book, and was also quite curious about the film. Nick is indeed quite miscast, as is Boyle, but the rest of the cast is quite good.

I think the trouble with the film is that they hadn't enough money to do the really cool scene in which the hotel gets blown up, and more things are missing..

But an A+ for the effort, it's really cool if you read the book.
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5/10
Nostalgic bliss
P_cartero@hotmail.com16 February 2004
I remember seeing this film when i was off sick from school and couldn't believe how much I enjoyed it!

It was a classic example of British comedy for family entertainment, with a good story and strong acting. I'm scared that if I watched it again, I wouldn't like it, so I'll leave the fond memories in the past.
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what a fantastic film
ellie-hodge317 July 2002
This film is fantastic Colin Dale is excellent as the brains of the Tim Diamond detective agency and noone could better Patricia Hodge's performance as the common charlady turned sleekly seductive Brenda Von Falkenberg.
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6/10
Everyone was miscast!
Evi1 November 1998
After having read the great book by Anthony Horowitz, I was rather curious to see the film. Too bad it wasn't what I expected it to be. A lot of characters were miscast, and I just couldn't be thrilled by the story anymore, because the film was very dull. Many of the jokes in the book don't come out in the film, and the main character was VERY irritating, he was too young and too clever. Don't be bothered to see the movie, it's not worth your time!
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5/10
Doesn't quite come off
pawebster23 April 2007
It's a shame. The film sticks quite closely to the book, but is not as good. It starts with a horribly lame opening song. The two detectives are not that great. Tim is meant to be stupid, but here he seems rather like a robot saying lines. Nick is too child-actorish, and just does not seem natural enough.

However, I suspect the director is most at fault. The whole thing lacks pace and tension. One example: the scene with the piano -- which should be a high spot -- is thrown away in a few seconds.

The book depends a lot on verbal humour, a lot of it in the narration. This is mostly lost here.

It's not all bad, but it could have been much, much better.
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9/10
A rare gem
stashyjon27 May 2006
Take a wise cracking thirteen year old kid whose elder brother is an inept gumshoe, a host of classic British Actors (Jimmy Nail, Susannah York, Saeed Jaffrey, Roy Kinnear) amongst others, an intelligent plot and witty script from the pen of Anthony Horowitz (based on his own novel 'The Falcons Malteser'), a cult - and rather obscure - Brit heavy rock band (Mammoth) to play a gang of heavies; film it around North London in a classic film noir style and sprinkle with a cartload of tongue in cheek references to some of the greatest noir thrillers of all time and you have cooked up a rather tasty family friendly film that is a real joy to watch.

This film works on so many levels, it's well paced with so great moments of slap stick (such as the dropping of a grand piano onto a van full of bad guys) and full of crooks cartoony enough to entertain the kiddies, yet at the same time if full of enough references and in jokes to movies such as Kiss Me Deadly, Cassablanca and (of course) The Maltese Falcon to keep the hardened film buff entertained for hours.

This is the kind of left field quirky comedy that the British do best and is well worth 94 minutes of anybodies day to watch.
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5/10
Not bad, but not brilliant
rainbowclimbinghigh8 September 2015
The basic plot of this movie is two brothers (the world's worst private detective and his wisecracking younger brother) are given a package to look after, but just about every major criminal in London is also after it.

This film is really a mixed bag. The story (based on The Falcon's Malteser, which is essentially a send-up of classic movies such as Casablanca and, of course, The Maltese Falcon) is great as it sticks pretty close to the book, unsurprisingly as the script was written by Anthony Horowitz, the author of the The Falcon's Malteser. Most of the actors/actresses are good especially the late Dursley McLinden, who plays Tim Diamond (real name Herbert Timothy Simple), Patricia Hodge (who plays Brenda von Falkenberg), Peter Eyre and Nickolas Grace (who play Gott and Himmel respectively), but unfortunately Colin Dale, who plays Nick Diamond (real name Nick Simple), and who is the main character, is hopelessly miscast.

Also, I'm not sure that Anthony Horowitz is that good at writing a script for a full length feature film (he has proved he is more than capable of scripting an episode of a TV show, as he has written for, amongst others, Midsomer Murders, Foyle's War and Agatha Christie's Poirot), but it may just be that The Diamond Brothers books (The Falcon's Malteser, Public Enemy Number Two, South by South East, The French Confection, The Blurred Man, I know what you did last Wednesday and The Greek who stole Christmas) just don't make for good adaptations, as a lot of the humour in the books is text based (one example from SbSE: "I can't say I'm a big fan of fun fairs. I can't afford the fares so I never have any fun").

I would recommend this movie, however, even to people who have never read the book, as it does not rely upon people having read the book to be able to understand it. It is entertaining, just don't expect it to be brilliant.
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10/10
Most Excellent
cazyrose29 July 2006
I have been a great fan of all Anthony Horowitz books and the Falcon Malteaser was the very first one i read. The afternoon after seeing 'Stormbreaker' i was in the supermarket and found this film on sale for 99p.

I brought it home fully prepared to be disappointed but instead found it to be thoroughly entertaining. Nick is absolutely adorable and streetwise. Tim is dopey without being too over the top (which would have been very easy to do).

Often with book-films the screenwriter gets bogged down with what he is 'supposed' to put in and you often feel the story is thin and stretched, more like an assembly of memorable moments - racing to get through the story. The best thing about Horowitz (and you can see this in stormbreaker too) is that he writes a film that can completely stand alone and doesn't need the novelty of having a book behind it. (something that really comes across in the Harry Potter films) He knows the book and the characters inside out and isn't afraid to break from it a little. (not too much, just at those moments that seem to jar when a writer has stayed 'too true') Anyway. The film is based around two brothers, Herbert and Nick. Their parents have moved away and Herbert is looking after his 13 year old brother alone. Herbert has renamed himself 'Tim Diamond' and is working as a private detective. I don't want to give the story away - but it is engaging and satisfyingly intricate with plenty of enjoyable characters and plot twists.

Definitely worth an hour and a half of your time - silly theme tune and all!
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10/10
Fond memories
EddieMink3 September 2002
Saw this when I was but a wee nipper - and I remember loving it dearly. It never insulted my intelligence, and the plot has momentum.

Would love to see it again now, were it not impossible to find!
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10/10
Hello Mr Nipples
rodneylawton12 March 2006
Warning: Spoilers
I bought this film last week from Tesco's for 97p. What a bargain. I had read The Falcon's Malteser at school and thought it was an excellent read.

The film of course is a little dated but that doesn't stop it being a super film.

The film is narrated by Nick Diamond, the younger brother of the world's worst private eye.

The story begins with vertically-challenged Johnny Naples coming to Tim Diamond inc with an unusual package. He pays them £100 ( a lot of money in those days) to look after it.

They spend some of the money on a cleaner, and later that day interesting looking Betty Charlady turns up at the door.

Later that day, Tim's office is ransacked and he receives a call from Britain most notorious criminal; The Fat Man.

He wants the package and will do anything to get it.

Tim and Nick open the package and in it is a normal box of Maltesers.

They go after the Dwarf and find him shot dead. Dopey Tim picks up the gun just as the police arrive. He is sent to jail and it is left to Nick to pick up the pieces.

He goes on a whirlwind tour of south London working out the clues to eventually find Henry von Falkenberg's fortune.

Along the way he must escape skinny murderers, camp henchmen, and wealthy widows.

The finale is one of the best scenes in film history. I won't spoil it because I think I've told enough.

All in all a super British film.
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Worth my time.
Patrick Culkin8 August 2000
Of course the film Just Ask For Diamond, directed by Stephen Bayly, is different from the novel by Anthony Horowitz. Time (and budget too) demands the story is edited so as to fit over 200 pages of text into 90 minutes of film. Indeed, the result is that a lot of interesting events are cut from the plot as well as many of the novel's original and charming characteristics. Dialogues are shortened, the narrator is more or less removed, violence is toned down. Where the novel has a tough and very cynical 13-year-old who has not got a good word for anyone or anything he has to deal with -the city of London, for instance, is presented as if it were the capital of Hell, the film presents us with sweet and adorable-looking Colin Dale who seems concerned more with maintaining a Received Pronunciation accent than playing a poor kid on the brink of the precipice. And London has come to look about as menacing as the green pastures where the TeleTubbies live. Still, the man responsible for the screenplay is the same as the one who wrote the book and he leaves us with enough to enjoy Just Ask For Diamond (a.k.a. Diamond's Edge). Dursley McLinden is the perfect cast for clumsy Tim, Susannah York makes a wonderful numbed-by-grief Lauren Bacardi, Patricia Hodge is a hit in two widely differing roles, Jimmy Nail looks exactly like what we have in mind when we think of a fascist London cop, there's a half a dozen of talented actors playing the crooks, and even Colin Dale, despite the posh accent, makes a nice lead and makes you wish you could stay a little boy for all your life. A lot of the humour is still there, but since it's mostly on a verbal level one should not rely on subtitles.
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