Spider's Web (1989) Poster

(1989)

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6/10
LONG, BADLY PACED AND BORING
J. Steed18 October 1999
If it is only for subject a film by Bernhard Wicki is always interesting viewing, but it also takes a lot of perseverance. This very long (would it ever end?), badly paced and boring film is no exception. Maybe the long production period (almost three years) took its toll, the film is very unsatisfactory with a couple of good scenes but on the whole it is a muddled up endeavour that sometimes simply rambles on from the one scene to the next without any overall power and structure. I could not care a bit about any of the characters.

Wicki is not shy of using some strong graphic imagery to really make his point only to achieve complete distance: ah yes another ripped off head. Furthermore he seems to have been afraid not to get the atmosphere of the period across and endlessly we have to watch how good he was trying to achieve this by maybe a 1000 props we all have to see and a rather folklore interpretation of the Jewish Berlin neighbourhood: Wicki should have concentrated on good story telling in stead. The film is not helped much by poor acting.
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10/10
A perfect reflection of the late Twenties in Germany
wolfgang-e-ott28 October 2009
This film is based on a novel of the famous writer Joseph Roth. Director Bernhard Wicki, born in 1919, had a pretty good idea about the German society in the late Twenties. Personally he had to suffer under the NAZI regime and had to spend some years in a concentration camp, just for making a remark about Göring's wife ("Die Hohe Frau ist eine fette Sau"(The Lady is a fat pig)).

The political background of the story was certainly the frustration of many Germans about the Versailles Treaty which lead to an exaggerated nationalistic feeling, especially among the aristocrats and wealthy land owners. Wicki describes this general development based on single fates and analyzes therewith the unhealthy situation in Germany which ended in the takeover of the political and individual life by the Nazis.

The cast is first class: Ulrich Mühe (who won the "Oscar" award for his role in the movie "Das Leben der Anderen"), Armin Müller-Stahl and not to forget Klaus Maria Brandauer.

The main figure - Theodor Lohse(Mühe) - is a typical example for a young man who simply tries to meliorate his personal situation and just wants to live a better life. His only chance is to unconditionally surrender to the influential and wealthy class which dictates the political and daily life in Germany.

Wicki shows analytically the suspension which leads Lohse more and more in a criminal life where there is no escape. This 3 hour movie is full of historical details which give an excellent picture of the mood and situation in these days. For a non German this story might be rather complicated and hard to follow if he is not familiar with the newer German history of the late Twenties and early Thirties of the past century.

I can only recommend this film which is full of suspense, to everybody who is interested in the history of our country.
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4/10
Not entirely bad, but way too long for its own good
Horst_In_Translation24 July 2016
Warning: Spoilers
"Das Spinnennetz" or "Spider's Web" is a West German German-language film from September 1989, so this one came out shortly before the Fall of the Berlin Wall. However, it deals with a completely different era in German history, namely the roughly years between World War I and World War II. The director and also one of the writers who adapted Joseph Roth's novel is Bernhard Wicki. The other writer is Wolfgang Kirchner. Wicki lived more than 10 years afterward still and acted in some minor productions, but this one here was his very last effort behind the camera. It featured some of the finest acting talent German film had to offer during that time. People like Armin Mueller-Stahl and Klaus Maria Brandauer were among the biggest stars from Europe that were also fairly successful in Hollywood. Ulrich Mühe, however, was in his mid-30s at that point and entirely unknown outside Germany, probably also inside Germany as he appeared mostly in television productions since then. But this film was certainly one of his breakthrough movies before his career culminated in "Das Leben der Anderen" much later. But back to this one here. Mühe received a German Film Award nomination and won a Bavarian Film Award, while the movie itself also received several honors. It's pretty bizarre how Mühe, considered a huge talent at that point, died way before his two much older co-stars here, the ones I mentioned earlier.

Sadly, I cannot really share the praise. I thought the acting was definitely the film's biggest strength and Mühe and Brandauer elevate the material considerably. But at easily over three hours, the script and plot had way too many lengths in my opinion that left me hoping on several occasions for the film to be over quickly. Yes there are some good moments in here and the way the characters were written and how they transformed throughout the film offered some positive achievements, but even this was mostly thanks to the actors and only partially thanks to the script. But even the best actors, to me, could not make up for the many very forgettable scenes in here. This film may have been a success at two hours runtime. Then again, I am probably a bit biased as this time in German history has never really interested me that much. But nonetheless, you can also see it from a different perspective and say that Wicki did not succeed in sparkling my interest in an important chapter in German history. I believe this was definitely a missed opportunity, because looking at the actors he had here, this could have turned out a really great film. I am not sure if Wicki (or Kirchner) is to blame here or if it is Roth's fault as the base material just isn't interesting enough. I have never seen his novel. But I also have no interest in it after watching this film. There is really nothing memorable in here except a handful moments of very convincing acting from the cast. I do not recommend the watch. thumbs down.
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