Mi querido Tom Mix (1992)
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- 1h 30min
- Action, Adventure
- 25 Dec 1992 (Mexico)
- Movie
Joaquina (Murguia) is aging in a small Mexican village in the 1920s. Her life is boring and she spends her days dreaming of her hero, cowboy Tom Mix. Everything Joaquina wants is to meet him. Her life changes when a bunch of bandits...
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Director:
Writer:
Awards:
- 3 wins & 4 nominations.
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Photos and Videos
Complete, Cast awaiting verification
| Rest of cast listed alphabetically: | |||
| Carmen Beato | ... |
Socorro
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Lourdes Carrillo | ... |
Mother of the bride
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Eduardo Casals | ... |
Pancho 'El Largo'
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Luis Castro | ... |
Groom
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Carlos Chávez | ... |
Jesus
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Gonzalo Curiel | ... |
Announcer
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Patricia Dellano | ... |
Delegate
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Rufino Echegoyen | ... |
Trinidad
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Jorge Fegán | ... |
Mayor
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| Damián García Vázquez | ... |
Felipe
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Jesús Letecheia | ... |
Judge
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| Federico Luppi | ... |
Domingo
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Ana Ofelia Murguía | ... |
Joaquina
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Esther Navarro Díaz | ... |
Maribel
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| Manuel Ojeda | ... |
Evaristo
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Mercedes Olea | ... |
Antonia
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Eduardo Palomo | ... |
Tom Mix
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Anilú Pardo | ... |
Lila
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| Angelina Peláez | ... |
Clara
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Rene Pereyra | ... |
Don Marcial
(as René Pereyra)
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Víctor Hugo Ramírez | ... |
Father of the bride
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Alejandro Reyes | ... |
Granada
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Chen Ro In | ... |
Chino's brother
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Alberto Rodríguez | ... |
Quintero
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Román Valenzuela | ... |
Melquiades
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Miguel Vázquez | ... |
Don Jacinto
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Javier Zaragoza | ... |
Alonso
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Zan Zhi Guo | ... |
El Chino
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Directed by
| Carlos García Agraz | ||
Written by
| Consuelo Garrido | ... | () |
Produced by
| Laura Imperiale | ... | executive producer |
| Francisco Murguía | ... | associate producer |
| Miguel Necoechea | ... | associate producer |
| Jorge Sánchez | ... | producer |
Music by
| Alberto Núñez Palacios | ||
Cinematography by
| Rodrigo García | ||
Editing by
| Tlacateotl Mata | ||
Editorial Department
| Arthur Gerson | ... | post-production: USA |
| Jaime Jaimes | ... | negative cutter |
| Chuck Winston | ... | color corrector |
Production Design by
| María Teresa Pecanins | ... | (as Tere Pecanins) |
Costume Design by
| Marta Duhne | ||
Makeup Department
| Angelina Chagoyán | ... | makeup artist |
| Guillermo del Toro | ... | special makeup effects artist |
| Lilia Diosdado | ... | hair stylist (as Lidia Diosardo) |
Production Management
| Tlacateotl Mata | ... | production manager |
Second Unit Director or Assistant Director
| Salvador Aguirre | ... | first assistant director |
| Rafael Cuervo | ... | second assistant director |
Art Department
| José Luis Jiménez | ... | prop man |
| Bernardino Morales | ... | set construction chief |
| Janni Pecanins | ... | graphic artist |
| Manuel Peña Vilchis | ... | set construction assistant |
| Gabriel Santos | ... | set construction assistant |
| Enrique Vargas Torres | ... | assistant art director (as Enrique Vargas) |
Sound Department
| Nerio Barberis | ... | sound mixer / sound recordist |
| Samuel Larson | ... | sound mixer |
| Noé Rincón | ... | boom operator (as Noé Rincón Venegas) |
Special Effects by
| José Luis Capilla | ... | special effects assistant |
| Alejandro Vazquez | ... | special effects (as Alejandro Vázquez) |
Stunts
| Noé A. Hernández | ... | stunts |
| Alfredo Ramírez | ... | stunt coordinator |
| Roberto Ramírez | ... | stunts |
| Matías Salgado | ... | stunts |
| Ana Margot Shaw | ... | stunts |
Camera and Electrical Department
| Leonel Durán López | ... | clapper loader |
| Constantino Jiménez | ... | first assistant camera |
| Raymundo Lara | ... | assistant electrician |
| Bruno Madariaga | ... | video assist operator |
| Gerardo Manjarrez | ... | second assistant camera |
| Juan José Martínez | ... | electrician chief |
| Jorge Medina | ... | third assistant camera |
| Teul Moiron | ... | still photographer |
| Antonio Muñoz Ravelo | ... | camera operator: titles (as Antonio Muñoz) |
| Raúl Palacios | ... | assistant electrician |
| Jorge Suárez | ... | camera operator |
Costume and Wardrobe Department
| Víctor Balderas | ... | wardrober |
| Pedro Raúl Flores | ... | tailor (as Pedro Flores) |
Location Management
| Víctor Becerra | ... | location manager |
| Félix Fragoso | ... | location manager |
Music Department
| Ricardo Martín | ... | music score programmer |
Transportation Department
| Miguel Ángel Artemio | ... | driver |
| Carlos Becerra | ... | driver |
| Mario Carrillo | ... | driver |
| Javier Castro Rivera | ... | driver |
| Enrique Gamero | ... | action vehicles |
| Guillermo Martínez | ... | driver |
| Juan Ruiz | ... | driver |
| Marcos Tapia Cruz | ... | driver |
| Nicolás Tapia Cruz | ... | driver |
| Fernando Vázquez | ... | driver |
| Miguel Zamora | ... | action vehicles |
Additional Crew
| Alberto Acosta | ... | production assistant |
| Rodrigo Aguirre | ... | production assistant |
| Alejandro Arroyo | ... | art direction second assistant |
| Francisco Bibriesca | ... | wildtracks |
| Margarita Díaz | ... | translator |
| El Equilibrista | ... | title designer |
| Virginia Fragoso | ... | assistant manager |
| Francisco Franco | ... | scout |
| César H. Galicia | ... | accountant |
| Daniel Gruener | ... | making-of |
| Ignacio Guzmán | ... | production assistant |
| Alejandro Lara | ... | arms trainer |
| Irma Mendoza | ... | caterer |
| José Luis Morán | ... | staff chief |
| Rebeca Nájera | ... | secretary |
| Rocío Ortega | ... | horses trainer |
| María del Carmen Romero | ... | secretary |
| Elva Patricia Rubalcava | ... | production assistant |
| Gracia Vázquez Gil | ... | medic |
| Julián Álvarez López | ... | gardener |
Production Companies
- Fondo de Fomento a la Calidad Cinematográfica
- Gobierno del Estado de Zacatecas
- Instituto Mexicano de Cinematografía (IMCINE)
- Producciones Amaranta
Distributors
Special Effects
Other Companies
- LCI Seguros (insurance)
Storyline
| Plot Summary |
Joaquina (Murguia) is aging in a small Mexican village in the 1920s. Her life is boring and she spends her days dreaming of her hero, cowboy Tom Mix. Everything Joaquina wants is to meet him. Her life changes when a bunch of bandits appears nearby. It's time for Tom Mix to stop the thieves and fulfill Joaquina's dreams of adventure.
Written by Maximiliano Maza |
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