Open Season (1995) Poster

(1995)

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5/10
Wildly mediocre satire
rdoyle2926 August 2017
Robert Wuhl writes, directs and stars in this limp satire of the television industry. Wuhl works for the major television ratings company, but when he is denied a promotion, he jumps ship to work for Helen Shaver, the manager of a public television network. Wuhl is not particularly good at his job, but a malfunction in the ratings boxes makes it look like he is when public television seems to be coming up as the top rated network. This causes chaos at the former number one network, a sleazy, pandering operation programmed by Rod Taylor. All of the targets for satire here are super obvious, and none of it transcends the most superficial level. The owner of a network thinks winning makes his dick bigger. Ha ha ha ... hilarious. This is an okay waste of an hour and a half, but it's never really better than mildly amusing.
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7/10
Unsubtle comedy proves to be very entertaining.
rsoonsa30 April 2002
Robert Wuhl stars in this pungent comedy which is also scripted and directed by him, and few sacred cows of any shapes or sizes remain safe as he casts himself as Stuart Sain, a somewhat naive tour guide for the Fielding Ratings Service, which tracks the television viewing habits of specially chosen American population segments and where a computer malfunction has caused a cellar-dwelling public broadcasting station to fallaciously leapfrog to the top of the rankings. Wuhl serves up an effective pastiche, rather than satire, of the television industry and its program selection process, as well as of a large grouping of liberal archetypes, including the vocation of drug rehabilitation, pertinent as Stuart's wife Cary, played nicely by Maggie Han, is a rehab counselor, while also relentlessly taking aim at organized religion. Although a fair amount of the humour is rather tasteless, and repeated looks at a targeted subject generally fall flatly, Wuhl's main concern is hypocrisy, and his wit is often enough on the mark to make of the work a pleasing affair; it is well-edited, with an enlivening score by Marvin Hamlisch, and a fine performance is provided by Gailard Sartain as the mandarin of the largest commercial network.
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