*Full disclosure: a DVD screener of this title was provided by Echo Bridge Entertainment.
Director: Chris Jones.
Writers: Chris Jones and Genevieve Jolliffe.
Interview with a Serial Killer was originally released in 1993 as White Angel. There was a second release with Ingram Entertainment in 2001 and now Echo Bridge Entertainment is distributing this film on DVD January 25th, 2011. Peter Firth (The Hunt for Red October) stars as Leslie Steckler, a man with a murderous fetish for blondes. Steckler shows more dark personality traits by forcing a true crime novelist (Harriet Robinson) to document his tragedies. Writer Ellen Carter has a bloody past of her own and this latest film release has aged well, by holding the focus on the tense writing.
Neon sunglasses, leg warmers, and high riding jeans set this film squarely in the '90s. The writing of murder and intriguing, twisted motivations is universally appealing and crosses time periods.
Director: Chris Jones.
Writers: Chris Jones and Genevieve Jolliffe.
Interview with a Serial Killer was originally released in 1993 as White Angel. There was a second release with Ingram Entertainment in 2001 and now Echo Bridge Entertainment is distributing this film on DVD January 25th, 2011. Peter Firth (The Hunt for Red October) stars as Leslie Steckler, a man with a murderous fetish for blondes. Steckler shows more dark personality traits by forcing a true crime novelist (Harriet Robinson) to document his tragedies. Writer Ellen Carter has a bloody past of her own and this latest film release has aged well, by holding the focus on the tense writing.
Neon sunglasses, leg warmers, and high riding jeans set this film squarely in the '90s. The writing of murder and intriguing, twisted motivations is universally appealing and crosses time periods.
- 1/23/2011
- by Remove28DaysLaterAnalysisThis@gmail.com (Michael Allen)
- 28 Days Later Analysis
Chris Jones, producer of the low-budget horror flick Urban Ghost Story, is one of the organisers of this month’s London Screenwriters Festival, which runs October 29-31. He singled out Andrea Arnold’s Red Road as an example of a British film made much too expensively considering the size of its potential audience. Jones says British filmmakers must stop making such expensive features. “We’ve got to stop wasting money [and] making films nobody wants to see,” Jones told BBC Radio 4’s Today programme. Red Road cost $3 million to produce and has so far grossed $2 million worldwide -- although that doesn't take into account DVD and sales to TV. Jones said the way most features are financed means filmmakers never see any money back. “The pie is sliced in such a way that [the] filmmaker is often the last to feed at the table they’ve built.”...
- 10/5/2010
- by TIM ADLER
- Deadline London
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.